Fran Drescher Movies

With long, shapely legs, a svelte, curvaceous body to die for, and thick black hair cascading around her lovely face, Fran Drescher has all the looks of a sophisticated movie star. And then she opens her mouth. Out comes a crow-like cacophony of nasal sounds made more grating by a thick Queens accent and a tendency to pull no punches. The paradox between the book and its cover is what has made Drescher a rich and popular comedienne; her long-running sitcom The Nanny, with its combination of romantic and slapstick comedy, led many to hail her as Lucille Ball's successor. Though she capitalizes on playing a rather ditzy working-class gal from Flushing, Drescher is known for her creativity and shrewdness. In addition to acting, she is a talented writer and producer.
Much of Drescher's comedy, especially that from her sitcom, is drawn from her life experiences. Like her character, Fran Fine, she was born and raised in Queens. She has had a lifelong interest in acting and studied drama in high school. She attended a year at Queens College and then attended cosmetology school to become a hairdresser. For a time, she had her own business. She made her film debut playing Connie in Saturday Night Fever (1977). Her next film, American Hot Wax (1978), provided Drescher with her first major role and though she would continue on to play supporting parts in numerous other films, it was not until she played a small but memorable part in Rob Reiner's hilarious mockumentary This Is Spinal Tap (1984) that she began making a name for herself. In addition to her film roles, she was also busy on television, guest starring in series and appearing in television films like Terror in the Towers. She played starring roles in three short-lived series, including Princesses. She and her husband Peter Marc Jacobson created The Nanny and it aired on CBS from 1993 to 1999. She not only starred in the show, but also wrote and produced it; Drescher received Emmy nominations for her work on the show. In 1996, she co-starred with Robin Williams in the Disney comedy Jack, while in 1997, she and Jacobson co-created the idea for the romantic comedy The Beautician and the Beast, in which she also starred. Drescher published her autobiography, Enter Whining, in 1996. ~ Sandra Brennan, All Movie Guide
1988  
 
Dyan Cannon plays the title character, a middle-aged housewife and mother who enjoys singing in local amateur contests. Almost overnight, she becomes a nationally famous rock star, with all the attendant trappings of glamour and adulation. But fame has its price: As Cannon rises to the top of her profession, she neglects her two teenaged children. Heather Locklear guest stars as a rocker who calls herself Darcy X; also in the cast is a pre-stardom Fran Drescher. Rock 'n' Roll Mom was originally telecast on The Disney Sunday Movie. ~ Hal Erickson, All Movie Guide

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Starring:
Dyan CannonTelma Hopkins, (more)
1986  
 
Bull (Richard Moll) hopes to express his love of youngsters by entering a children's book contest. Unfortunately, the judges reject his efforts as being too violent--and profane--for youthful consumption, leading Bull to dash out of the courtroom and shamefully squirrel himself away in a museum. Meanwhile, Dan is confused to the point of madness when he dates a schizophrenic client named Miriam (played by a pre-stardom Fran Drescher). Watch for Joe Alaskey, the post-Mel Blanc voice for cartoon stars Porky Pig and Daffy Duck, in a supporting role. ~ Hal Erickson, All Movie Guide

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1984  
R  
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In a thinly-plotted story about redeeming a failing hotel by turning it into an optional brothel (depending on the guest), Peter Scolari stars as Elliot, the young man who has to succeed at this hotel business in order to garner the favor of Clifford, his prospective father-in-law (Christopher Lee). Unknown to Elliot and his girlfriend Tracy (Colleen Camp), her father just intends to blast the building to smithereens so he can collect the insurance money. But with Fran Drescher as the head of the contingent of call girls-cum-bellhops, the hotel starts to turn a tidy profit, giving Clifford second thoughts. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Colleen CampPeter Scolari, (more)
1984  
R  
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Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a "real" documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The "group" started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was "Gimme Some Money"). After going through a psychedelic period with "Listen to the Flower People," the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as "Intravenous DeMilo," "The Sun Never Sweats," and "Bent for the Rent." This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion. Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David's girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film's initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the "band" reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap. ~ Mark Deming, All Movie Guide

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Starring:
Rob ReinerMichael McKean, (more)
1983  
R  
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A college professor (Dan Aykroyd is forced to go undercover as a Chicago pimp disguised by a bushy wig -- the height of hairlarity in this anemic comedy. When Smooth Walker (Howard Hesseman) is hunted by his gangster rival, Mom (Kate Murtagh), he foists his bevy of hookers on the professor -- and then ends up dead. Among the four hookers who are suddenly in his undercover life are Fran Drescher in an early role as an archetypal Jewish princess, and Donna Dixon as another of the high-class call-girls (Dixon and Aykroyd were later married). ~ Eleanor Mannikka, All Movie Guide

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Starring:
Dan AykroydHoward Hesseman, (more)
1981  
PG  
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E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

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Starring:
James CagneyBrad Dourif, (more)
1980  
R  
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Fran Drescher, Michelle Pfeiffer, and Tony Danza are the most notable aspects of this forgettable teen drama that features a gang of youths in a car club who decide to battle it out with the establishment in Beverly Hills. It seems their favorite haunt, the last drive-in restaurant in the neighborhood, has been forced to close. Their rebellion is marked by tactics that might be embarrassing to any serious rebels: they turn a high school banner into an X-rated statement, sabotage a police car, ruin a manicured garden, and urinate in a punch bowl. These shenanigans take place on Halloween in 1965, a time when practical jokes are usually in the hands of elementary school kids -- and that level of maturity is maintained here. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Fran DrescherLeigh French, (more)
1980  
R  
Chaos reigns in the Catskills in this low-budget teen comedy. Kavell (Michael Lembeck) and Bergman (Philip Casnoff) are college students who spend their summers working in the dining hall at Camp Oskemo, an upstate New York summer camp where they're the senior waiters. Serving food to bratty children doesn't interest them nearly as much as trying to make time with the female counselors at the camp, among them pretty but chaste Vicki (Lisa Shure) and attractive but significantly less virginal Evie (Fran Drescher). Kavell and Bergman also wage an annual war against the junior waiters with the help of deranged server Grossman (Dennis Quaid), but their real nemesis is Wallman (David Huddleston), the owner of the camp who makes no secret of his dislike for the waiters. Over the course of one eventful summer, Kavell, Bergman and their fellow food slingers dose the entire camp with amphetamines, taint the Kosher meals with pork, screen pornographic movies during Parent's Weekend, run a tank through the campgrounds and destroy the waiter's housing and most of what surrounds it. Hilarity, or something like it, ensues. While seemingly influenced by Meatballs, Gorp was actually shot at roughly the same time as Bill Murray's summer camp vehicle, though it was released nine months later. Director Joe Ruben later went on to better things, including True Believer, Sleeping With The Enemy and The Forgotten. ~ Mark Deming, All Movie Guide

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Starring:
Michael LembeckDennis Quaid, (more)
1978  
 
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Notable as an early effort from renowned horror filmmaker Wes Craven, this made-for-TV occult thriller was loosely adapted from a novel by Lois Duncan. Star Linda Blair -- whose film career had taken a detour into TV-movie territory after her legendary bow in The Exorcist -- returns to the demon-possession genre as a teenager who can't seem to convince her parents that her visiting southern-belle cousin (Lee Purcell) is an evil witch. Purcell's diabolical meddling seems focused entirely on the innocent Blair, who loses both her prize horse and her boyfriend to the scheming sorceress before the rest of the family catches on. Though Craven's well-known extremism is curbed by the limitations of television, his talent at generating high-intensity suspense is still evident, making this a modestly entertaining horror item. ~ Cavett Binion, All Movie Guide

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1978  
 
This lively musical comedy pays tribute to the birth of rock & roll in the late 1950s and the instrumental role played by disc jockey Alan Freed who helped bring the new sound into vogue. Much of the story centers on the daring deejay's attempts to put on the very first live rock & roll stage show at the Paramount Theatre in Brooklyn. To do this he must overcome the protests of concerned and angry parents, conservatives, and local police. Several performers of the era appear in the film including Chuck Berry, and Jerry Lee Lewis. ~ Sandra Brennan, All Movie Guide

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Starring:
Tim McIntireFran Drescher, (more)
1977  
R  
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John Travolta graduated from minor celebrity to superstar with Saturday Night Fever. Travolta plays Tony Manero, a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another (including "Stayin' Alive"), we watch white-suited Tony strut his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his relationship with his dance partner, Stephanie (Karen Lynn Gorney), a secretary eager to move into the glamorous world of Manhattan. Saturday Night Fever's huge success grew meteorically thanks to the towering popularity of its soundtrack; during the first half of 1978, when the movie's disco songs saturated the singles charts up to four at a time, it was no longer clear whether the hit movie was feeding the hit songs or the hit songs were feeding the hit movie. This crossover between music and movies set the pace for many movies to come, as it also marked the rise and fall of 1970s disco culture. Two versions of this film exist: the original R-rated version and a PG version, edited down to more "family-friendly" fare and fed to the public with the tagline, "Because we want everyone to see John Travolta's performance." ~ Hal Erickson, All Movie Guide

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Starring:
John TravoltaKaren Gorney, (more)

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