Noel Drayton Movies

Tired of being taken for granted by kids and adults alike, Mr. French leaps at the opportunity to assert his authority and influence when his old friend Cedric (Michael Allinson) asks French to talk Cedric's daughter Anne (Jill Townsend) out of her plans to become an actress. Alas, things don't quite work out for French when, at the urging of the kids, Bill arranges an important audition for Annie, wherupon she lands a good small role in a Broadway play. Now feeling more useless and powerless than ever, French is shakens out of his doldrums only by a surprise plot twist. ~ Hal Erickson, Rovi

In this sequel to the fourth-season episode "Maudie", Ida Lupino returns in the role of wealthy British widow Lady Marchwood. As established in the earlier episode, Mr. French (Sebastian Cabot) had been in love with her ladyship way back when her knew her as a humble London barmaid named Maudie. Having come to New York to enter a horse in the International Cup, Lady M. once more touches bases with Mr. French--and once more, the object is matrimony. ~ Hal Erickson, Rovi

Everyone in the Davis household (and the general vicinity) is astonished when an attractive young secretary named Emily (Leslie Parrish) sets her cap for the dignified--and much older--Mr. French (Sebastian Cabot). At first mildly annoyed by Emily's attentions, Mr. French soon becomes interested, and quite flattered. Eventually he has convinced himself that he has fallen in love with Emily...and thus the stage is set for another bittersweet episode denoument. ~ Hal Erickson, Rovi

Cahiers du Cinema favorite Phil Karlson may have directed the "Matt Helm" extravaganza The Wrecking Crew, but the only "auteur" around these parts is star Dean Martin, coasting through yet another sexy spy romp. This time, secret agent Helm must prevent a billion-dollar gold hijacking, masterminded by the unspeakable Count Massimo Contini (Nigel Green). Aiding and abetting our hero is all-thumbs Scandinavian spy Freya Carlson (a brilliant comic turn by the late Sharon Tate). Sidebar: future action-star Chuck Norris plays a minor role, while Bruce Lee served as the film's martial-arts advisor. The last of the Matt Helm films, The Wrecking Crew was sort of based on a novel by Donald Hamilton; like the other films in the series, the title bears precisely no relation to the plot. ~ Hal Erickson, Rovi

Entering a school art exhibit, Cissy (Kathy Garver) sets about painting a picture she calls "Members of the Family." Among those caricatured in the early stages of the painting are Cissy, Buffy (Anissa Jones), Jody (Johnnie Whitaker) and Uncle Bill (Brian Keith)--but not Mr. French (Sebastian Cabot), who feels terribly hurt over his apparent exclusion. Incidentally, the artwork seen in this episode was actually done by series regular Kathy Garver). ~ Hal Erickson, Rovi

This is the second of two Season Eight episodes in which a "special guest attorney" takes over from Perry Mason (Raymond Burr), who is ostensibly in Europe on business. This time the substitute is Perry's lawyer pal Ken Kramer (Barry Sullivan), who is hired by Lona Upton (Kathie Browne) to bail out her "friend "Maxine Nichols (Nina Shipman). It seems that Maxine has swiped a necklace worth $50,000 from Lona's half-sister Amy (Bettye Ackerman), who in turn is the widow of a yachtsman who'd died several years earlier under suspicious circumstances. But Lona isn't as kind-hearted as she seems: she hopes that Maxine will provide her with the combination to Amy's safe. Instead, Maxine is murdered and Lona is charged with the crime, prompting Kramer to figure out if someone else might have had a motive to bump off the "thermal thief." This episode was removed from the Perry Mason syndication package prepared in 1966, and was not seen again until the mid-1990s. ~ Hal Erickson, Rovi

Perry Mason (Raymond Burr) takes the case of self-made millionaire Otto Olney (John Larkin), who wants to sue art critic Colin Durant (John Larkin) for allegedly spreading rumors that the rare Gauguin painting recently purchased by Olney is a forgery. But Durant insists that he had never cast aspersions on Olney--and he offers to produce a witness, Maxine Lindsay (Erin O'Donnell), to prove his assertion. In his efforts to track down the elusive Maxine, Perry ends up in her bathroom--where Colin Durant, dead as a doornail, is taking his last shower! This episode is based on a 1962 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

California politics is the clinically dissected yet informative and interesting topic of this feature-length drama by co-directors Bernard Girard and Robert Lewis. Relegating any character development to secondary status, the two directors have opted for a mode more in keeping with a television educational drama (TV is their principle medium) than the dynamic, personal interactions of the larger screen. At issue is the mud-slinging involved in a campaign to stop legislation regulating the practices of collection agencies. A few California lawmen lead the legislation and are determined to succeed in spite of their underhanded detractors. ~ Eleanor Mannikka, Rovi

On vacation in France with her American friend Ann (Sally Fraser), English librarian Emily (Elen Willard) has a disturbing vision in which an English military officer dies in combat on French soil. Addition "sign" in the vision somehow suggest that the ill-fated officer is Emily's husband. Thing of it is, Emily is not only not married, but she isn't even engaged. . .and for that matter, there isn't any war of any kind going on. ~ Hal Erickson, Rovi

Talented special effects and adventure director Michael Anderson (Around the World in 80 Days, 1956) keeps the suspense going in this drama about the wreck of the Mary Deare. John Sands (Charleton Heston) is the captain of a salvage ship that is almost rammed by the apparently abandoned Mary Deare. Sands boards the ship in search of plunder but as it is tossed on the high seas, he discovers a half-crazed captain aboard (Gary Cooper). The captain of the Mary Deare, Gideon Patch, tells Sands his story and in the end, the ship is scuttled and sinks. While Sands believes the story, the court does not believe it and Captain Patch is devastated. Determined to prove his innocence, the two captains dive down to the sunken Mary Deare to dredge up the evidence they need -- building up to a slam-bang climax. ~ Eleanor Mannikka, Rovi

While enjoying a leisurely ocean cruise in the company of secretary Della (Barbara Hale), Perry (Raymond Burr) is approached by passenger Anna Houser (Lurene Tuttle), who is worried about the wellbeing of her husband Carl (Theodore Newton). Not long afterward, Carl is seen jumping off the ship, an apparent suicide--but when the body is recovered, it turns out that he was shot. Accused of murder, Anna puts her fate in the hands of Perry, who in the course of piecing things together unearths the fact that Carl had once accepted a huge bribe while serving on a jury. And how does that mysterious wheelchair-bound passenger, whose face is completely wrapped in bandages, figure into the story? This episode is based on a 1938 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

Danny Kaye spoofs medieval swashbucklers in this classic musical comedy. While the infant King of England awaits his rightful place as leader of the British Empire, his rule is usurped by Roderick (Cecil Parker), an evil pretender to the throne. Brave rebel leader The Black Fox (Edward Ashley) intends to remove Roderick from the palace and bring the crown back to its true owner, but in the meantime the baby king needs to be looked after, which is the job of a man named Hawkins (Kaye). The Black Fox travels with the little king and his rebels as they search for the key to a secret tunnel that will allow them passage into the castle. Maid Jean (Glynis Johns), one of the rebels, meets a man en route to the Castle who is to be Roderick's new jester. The rebels quickly hatch a plan: detain the jester and send Hawkins in his place; the king can then find the key and initiate the overthrow. Hawkins is able to persuade Roderick and his men that he is indeed a jester, but his espionage work gets complicated when Princess Gwendolyn (Angela Lansbury) falls in love with him, and he runs afoul of Sir Ravenhurst (Basil Rathbone), the evil genius behind Roderick. Court Jester features Kaye's famous "Pellet with the Poison" routine. ~ Mark Deming, Rovi

With his movie career fading in 1955, Bob Hope was amenable to writer/director Mel Shavelson's suggestion that Hope try something different. The Seven Little Foys was the first of Hope's two "straight" biopics (the second was 1956's Beau James). Though not completely abandoning his patented persona, Hope does an admirable job of impersonating legendary Broadway song-and-dance man Eddie Foy, right down to the soft-shoe shuffle and affected lisp. A successful "single" in vaudeville, Foy meets and marries lovely Italian songstress Madeleine Morando (Milly Vitale). The union results in seven children, moving the Foys' priest to comment "we're running out of Holy water" after the seventh baptism. Hardly an ideal family man, Foy leaves Madeleine and her sister Clara (Angela Clarke) behind in their Connecticut home to raise the kids, while he rises to spectacular career height. Returning home after attending a testimonial for George M. Cohan (James Cagney, who played this unbilled cameo on the proviso that Hope turn over Cagney's salary to charity), Foy discovers that his wife has died of pneumonia. Months pass: Foy sulks in his rambling house, while his seven kids run roughshod. Foy's manager (George Tobias) suggests that the entire family be assembled into a vaudeville troupe called The Seven Little Foys. Though the kids are profoundly bereft of talent, the act gets by on its charm, and before long Foy is a bigger success than ever. But when Foy and the kids are booked into the Palace on Christmas Day, Aunt Clara decides that the kids are being cruelly exploited, and arranges for the authorities to arrest the act on charges of violating a state law barring children from singing and dancing. The authorities decide to drop the charges when the kids rally around their father, declaring their genuine love for him--but the deciding factor is a quick demonstration that the kids can't sing or dance to save their lives! The Seven Little Foys is a standard Hollywood whitewash job, emphasizing Eddie Foy's virtues (including his on-stage heroism during the infamous Iroquois Theatre fire of 1903) and soft-pedaling or ignoring his faults (e.g. his capacity for alcohol). Wisely, the scenes between Bob Hope and the seven children playing the Little Foys (including Father Knows Best's Billy Gray, The Real McCoys' Lydia Reed and Leave It to Beaver's Jerry Mathers) are refreshingly free of cloying sentiment. Also, Hope is a good enough natural actor to convince us that he deeply cares for his children without gooey effusions of emotion. The film's hands-down highlight is the "challenge dance" between Foy (Bob Hope) and Cohan (James Cagney)--a lasting testament of the superb terpsichorean talents of both men. The Seven Little Foys was narrated by Eddie's son Charley Foy, a fine comedian in his own right. ~ Hal Erickson, Rovi