Alfred Drayton Movies

This suspenseful crime drama is the first talkie to be based on a novel by Edgar Wallace (he also directed the film). It tells the story of a Scotland Yard detective who goes undercover as an ex-con so he can capture the "Squeaker" a powerful fence who is pretending to be the upright chairman of a charitable organization. ~ Sandra Brennan, All Movie Guide

Ship's steward Howes unhappily inherits an earldom and a fortune and his friend Dempster convinces Howes to revert back to his youth. ~ All Movie Guide

Definitely no relation to the horror-film series of the same name, the British Friday the 13th is a variation of the "Bridge on the San Luis Rey" theme, set in motion by a London bus accident. Two passengers are killed and two injured in the crash, but the screenplay (co-written by Hitchcock-contributor Sidney Gilliat) keeps the audience in suspense as to the identities of the victims. In a series of flashbacks, the viewer is introduced to the passengers and the various trials and tribulations they were dealing with before the accident. The characters include a chorus girl en route to a date with a man she doesn't love; a henpecked husband whose wife was cheating on him; a blackmailer who'd been bleeding an unfortunate young man dry; a wise-guy crook who was about to be caught by a nasty detective; and so on. Extraordinarily well cast for a mid-1930s British film, Friday the 13th affords excellent acting opportunities for the likes of Jessie Mathews, Ursula Jeans, Frank Lawton, Ralph Richardson, Max Miller, O.B. Clarence and Emlyn Williams, among many many others. While American critics were impressed by the film, British reviewers were less kind, commenting that the constant switch from one character to another only results in confusion (PS: It doesn't). ~ Hal Erickson, All Movie Guide

Tom Walls is both star and director of the airy comedy-melodrama Lady in Danger. Marooned in the revolution-torn kingdom of Ardenburg, British businessman Richard Dexter (Tom Walls) is requested by the leader of the insurgents to safely escort the country's beloved queen (Yvonne Arnaud) to England. Dexter obliges, bundling the queen into his private plane and zooming across the border. He hides the pretty monarch in his apartment, resulting in quite a row when his fiancee Lydia (Anne Grey) shows up unannounced. The farcical possibilities of Lady in Danger are played to the hilt, and the rest is good semi-clean fun. ~ Hal Erickson, All Movie Guide

One of the best of Michael Powell's low-budget "quota quickies" -- essentially British B-movies made on ultra-low budgets under the government-imposed quota system for British-made movies in British theaters -- Red Ensign was also one of the more intelligent thoughtful dramas of its kind. Set amid the massive economic disruptions of the worldwide depression of the mid-'30s, it tells the story of David Barr (Leslie Banks), the managing director of an idled Scottish ship-building company, who has devised a revolutionary new design for cargo vessels using arcform hulls, which permits them to operate more cheaply and efficiently than any ships currently in service. He can revolutionize the merchant shipping industry, but Barr wants more than that -- he sees that as only the first step to reviving the entire British economy. Barr, who worked his way up from the shipyards (starting as a riveter) to the boardroom, is able to see this larger picture, from the top down to the vantage point of the lowest yard worker, and from the bottom up to the management suites, and he is driven by the breadth and clarity of what he perceives. But before he can do that, or get even one ship built, he has to overcome the resistance of the other directors, upper-class all, who admire Barr's brilliance but can't understand his passion, content as they are to ride out this worldwide depression in cautious comfort. Their leader is the recalcitrant board chairman, Lord Dean (Frank Vosper), who not only doesn't believe in taking risks but also resents Barr's successful wooing of the company's principal shareholder, June Mackinnon (Carol Goodner), the daughter of the company's late founder.

Barr is single-minded in his vision and certain enough of his cause that he is willing to withhold information from the other directors to get what he wants, and even commit forgery if there's no other way to get the first ship built. Lord Dean, meanwhile, wants to sign a contract for the new ships with Manning (Alfred Drayton), the unscrupulous owner of a shipping line notorious for its use of foreign registries, poorly paid and trained foreign crews, and safety violations, which would solve the shipyard's problems for a time but do nothing for British shipping or the economy. And Manning, desiring these new ship and faced with Barr's opposition, is not above putting spies and saboteurs into the shipyard, and setting fires and explosions to undermine Barr's work. Amid the corporate maneuvering and the threat of strikes (fomented by Manning's paid agitators) and arrest, the script keeps the pacing brisk and the focus tight on the fate of Barr and his ideas, in what was one of the more cerebral and diverting dramatic thrillers of its day. ~ Bruce Eder, All Movie Guide

Leslie Henson stars as Lord Pye, a pompous member in good standing of his local Purity League. Lord Pye would not be so complacently puritanical if he knew that his stepdaughter Benita (Frances Day), whom he has never met, is a saucy cabaret dancer. Briefly stranded in London when he misses his train, His Lordship wanders into the very nitery where his stepdaughter is performing. Still unaware of Benita's identity, he loosens up and begins outrageously (but harmlessly) flirting with the girl. Meanwhile, the new Lady Pye (Marie Lohr), Benita's mother, shows up in London unannounced to visit her daughter. Oh Daddy, indeed! ~ Hal Erickson, All Movie Guide

Will Hay heads a cast of nearly 40 popular British variety artists in Radio Parade of 1935. The magnificent supercilious Mr. Hay is cast as William Garland, a radio-station manager whose operation is in big financial trouble. Our hero is baled out by Jimmie Clare (Clifford Mollison), head of the station's complaints department, who enlists the aid of his fellow employees to stage a big-time variety show. So grateful is Garland that he consents to the marriage of his daughter Joan (Helen Chandler) and the enterprising Mr. Clare. The film's guest stars may have not meant much to American audiences, but British filmgoers were delighted to see their favorites in action. Filmed in a primitive but eye-pleasing color process, Radio Parade of 1935 represents one of the first directorial efforts of Arthur B. Woods, whose promising career was tragically cut short in the early stage of WW II. In America, the film was released as Radio Follies. ~ Hal Erickson, All Movie Guide

British musical star Jessie Matthews tops the bill in this song-studded comedy. Elizabeth (Matthews) is a delivery girl for a seamstress who is dispatched to drop off some costumes at a theater where a noted female impersonator is about to open a new show. The star is suddenly stricken with laryngitis, and Elizabeth is drafted to take over in his place, posing as a man who dresses like a woman. Elizabeth is a hit, and with Victor (Sonnie Hale) as her manager, she sets forth on a concert tour of Europe; she continues to perform as a man and draws packed houses and enthusiastic reviews. However, a mysterious Princess (Anna Lee) and her significant other get the strange feeling there's something odd about this new singing star, and they're determined to find out what it is. First a Girl was adapted from the German film Viktor und Viktoria, which would be remade into the American musical comedy Victor/Victoria. ~ Mark Deming, All Movie Guide

British comedy favorite Jack Hulbert is the sole raison d'etre for the existence of the raucous comedy Jack Ahoy. Hulbert plays lowly seaman Jack Ponsonby, who harbors an apparently hopeless love for admiral's daughter Patricia Frazer (Nancy O'Neil). Anxious to prove himself a hero in Patricia's eyes, Jack gets his chance when he does battle against a whole pack of Chinese river bandits. This slapstick climax is matched in silliness only by Hulbert's musical solo "My Hat's on the Side of My Head". Jack Ahoy was scripted by Sidney Gilliat and Leslie Arliss, both of whom quickly went on to bigger and better things. ~ Hal Erickson, All Movie Guide

In this British comedy, a bishop is desperate to finish the restoration on his cathedral. To quickly raise the needed cash, he gives a fellow some money. The fellow promises the bishop that he will use it to make the 1,000 pounds needed to complete the job. The ingenious man uses the honest money to buy smuggled goods. Among the things he buys are silk lingerie and brandy; the latter ends up being sold at a church bazaar and the money is raised. ~ Sandra Brennan, All Movie Guide