Bibi Morat Movies

This war-drama centers more on the effects of battle on civilians than it does on the bravery of the fighters as it tells the story of a courageous squadron of Yankee soldiers endeavoring to protect and bring to safety a village full of French civilians whom they saved from German captors following the Allied invasion of Normandy. During the battle to free them, the soldiers also capture a German officer. They then begin heading toward the beach with the civilians so they can go to England. Unfortunately, the beachmaster does not know they are coming and regretfully sends them back. Twice more the squadron and the civilians go back to the beach, but they are still not allowed to go. Things get even worse when the Germans begin bombing the remains of their town and they are forced to find some place to hide until help arrives. ~ Sandra Brennan, All Movie Guide

Love and the Frenchwoman (La Francaise et L'Amour) concentrates on the nature of love by illustrating seven separate aspects of the emotion. In "Childhood," 9-year old Pierre-Jean Vaillard suffers a traumatic experience when he takes his parents' "cabbage patch" theory of conception too literally. In "Adolescence," a little girl (Annie Sinigalla) constructs an elaborate fantasy world on the occasion of her first kiss. "Virginity" is a study in frustration, as betrothed couple Valerie Lagrange and Pierre Michel agonizingly await their wedding-night consummation of their ardor. "Marriage" finds a union ending almost before it begins as a pair of newlyweds (Marie-Jose Nat and Claude Rich) bicker all the way to their honeymoon rendezvous. "Adultery" allows husband Paul Meurisse the opportunity to calmly provide an object lesson to his wife's lover Jean-Paul Belmondo. In "Divorce", a couple (Annie Girardot and Francois Pierer) find that it's impossible to have a "civilized" breakup. And in "A Woman Alone," bigamist Robert Lamoreaux meets his Waterloo in the forms of Martine Carol and Sylvia Montfort. ~ Hal Erickson, All Movie Guide