Arnie Moore Movies

Hockey-masked killer Jason Vorhees returns to terrorize a lakeside family and their rowdy teen neighbors in this fourth installment of the long-running slasher series. After the events of Friday the 13th, Part 3, Jason's seemingly lifeless body is brought to the morgue, where horny attendant Axel (Bruce Mahler) is trying to score with foxy Nurse Morgan (Lisa Freeman). The pair quickly meet a grisly end. Meanwhile, at Crystal Lake, estranged wife Mrs. Jarvis (Joan Freeman) and her kids -- young Tommy (Corey Feldman) and teenaged Trish (Kimberly Beck) -- find their quiet invaded by a group of hard-partying kids moving into the rental house next door. The youngsters include curious virgin Sara (Barbara Howard), hot-to-trot Samantha (Judie Aronson), and nebbish Jimmy (Crispin Glover). Tommy, a monster makeup enthusiast, enjoys watching the scantily clad young ladies through his window, while Trish toys with the idea of joining in their revelries. Also lurking around the area is Rob (Erich Anderson), who claims to be hunting bear but actually has mysterious ties to the events of Friday the 13th, Part 2. As the house full of teens begins to pair off -- aided by the addition of local twins Tina (Camilla More) and Terri (Carey More) to the mix -- an unseen killer begins to pick them off one by one. The bloodshed climaxes with a tense showdown in which Tommy disguises himself as a bald, lumpy boyhood version of Jason in hopes of distracting the relentless psychopath who hunts him. Feldman would return for a cameo in Friday the 13th, Part V: A New Beginning, only to be replaced by another actor in a grown-up version of the role. ~ Brian J. Dillard, Rovi

Not quite reaching as far as its storyline would permit, this film on the addiction and downfall of an otherwise successful married man is not always successful itself. Lillian (Pamela Sue Martin) is commissioned to do a painting for Jake Gregory (Steve Railsback), who owns a Los Angeles construction firm. As they proceed up to the top of a project in a cage elevator, the attraction between them rises even faster, and after the usual romantic and personal interludes, the two of them decide to marry. On their first anniversary, Jake gives Lillian diamond earrings, and a painful ear-piercing ensues, played out with sexual undertones. The couple have no major problems until one day they meet the villainous Sidney (Ian McShane) who invites them to his home where he introduces them to freebasing cocaine. In the long run, Lillian backs away, but Jake quickly becomes addicted, though their initial reactions to the drug are the opposite. During the remainder of the film, Jake's life deteriorates steadily, as no one and nothing is able to come between him and the cause of his destruction. ~ Eleanor Mannikka, Rovi

This remake of François Truffaut's 1977 comedy misses out on Truffaut's subtext that delves into the nature of love and instead simply recounts the sexual and romantic exploits of David, a sculptor who is an incurable womanizer (Burt Reynolds). In order to come to grips with his obsession for women, David goes to see a psychiatrist, Marianna (Julie Andrews), and sure enough, she later joins him on the couch. His tale is told by Marianna, as flashbacks reveal their relationship and other loves of David's life, most notably Louise (Kim Basinger), a married woman hooked on intimacy in odd, if not dangerous, places. In all these relationships, David is as much attracted to the women as they are to him. Unfortunately, with flat dialogue and uninspired comedy, David fares better than the film as a whole. ~ Eleanor Mannikka, Rovi