Harry Monty Movies

Max Baer Jr. borrows liberally from George Lucas's American Graffiti for this slice-of-life look at teenage life circa 1957. The story concerns a group of adolescents whose main concerns are cars, cruising, and sex. The story centers upon Rodney C. Duckworth (Gary Springer), a shy, virginal teen, and the efforts of his friends Recil Calhoun (David Wilson) and T.J. Swackhammer (Brian Kerwin) to try to fix Rodney up with a date. Unfortunately, their libidos manage to get the better of them, and Recil and T.J. end up going out with the girls themselves. ~ Paul Brenner, All Movie Guide

In the final episode of Lost in Space's second season, Penny (Angela Cartwright) saves the life of an alien named Arcon (John Carradine), who entrusts her with a valuable amulet. Not long afterward, a trio of sinster space thugs show up, demanding that Penny give up the amulet, or else the rest of her family will die a horrible death. Making Penny's choice all the more difficult is the fact that the amulet holds the power to destroy the universe. (Trivia note: the costumes worn by the villainous "Saticons" were previously seen in the episode "Wreck of the Robot"). ~ Hal Erickson, All Movie Guide

John Abbott guest stars as Sesmar, an alien scientist who has created an android named Raddion (played by the ubiquitous Dawson Palmer). The android is quite a piece of work, seemingly human in every respect save one: he lacks human emotions. To rectify this shortcoming, Sesmar drains the Robinsons of all their emotions and transfers them to his Raddion--leaving only Don (Mark Goddard) "complete" enough to rescue his companions...if he can. ~ Hal Erickson, All Movie Guide

James Coburn stars as super-spy Derek Flint in this action comedy which takes the tongue-in-cheek wit of the James Bond series and shifts it into high gear. Flint is an ultra-sophisticated operative of international intelligence agency Z.O.W.I.E. He's a master of martial arts, electronic gadgetry (his cigarette lighter can perform 83 special functions), languages both human and animal (he can communicate with dolphins in a pinch), and even gives ballet lessons to the dancers of the Bolshoi. So when his fellow agents begin dropping like flies, Z.O.W.I.E. assigns Flint the task of finding out who the killers happen to be. Eventually, Flint discovers that the killings are all part of the wicked machinations of G.A.L.A.X.Y., a cadre of world-wide villainy that plans to take over the world through weather control. Our Man Flint also stars Lee J. Cobb, Gila Golan, and Edward Mulhare. A sequel, In Like Flint, followed two years later, and in 1976, the character was revived for a TV movie, Our Man Flint: Dead on Target, with Ray Danton taking over the role of Derek Flint. ~ Mark Deming, All Movie Guide

Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, All Movie Guide

Danny Kaye spoofs medieval swashbucklers in this classic musical comedy. While the infant King of England awaits his rightful place as leader of the British Empire, his rule is usurped by Roderick (Cecil Parker), an evil pretender to the throne. Brave rebel leader The Black Fox (Edward Ashley) intends to remove Roderick from the palace and bring the crown back to its true owner, but in the meantime the baby king needs to be looked after, which is the job of a man named Hawkins (Kaye). The Black Fox travels with the little king and his rebels as they search for the key to a secret tunnel that will allow them passage into the castle. Maid Jean (Glynis Johns), one of the rebels, meets a man en route to the Castle who is to be Roderick's new jester. The rebels quickly hatch a plan: detain the jester and send Hawkins in his place; the king can then find the key and initiate the overthrow. Hawkins is able to persuade Roderick and his men that he is indeed a jester, but his espionage work gets complicated when Princess Gwendolyn (Angela Lansbury) falls in love with him, and he runs afoul of Sir Ravenhurst (Basil Rathbone), the evil genius behind Roderick. Court Jester features Kaye's famous "Pellet with the Poison" routine. ~ Mark Deming, All Movie Guide

Director Otto Preminger's only western, River of No Return is set in Canada during the 19th century Gold Rush. Farmer Matt Calder (Robert Mitchum) is released from prison after serving a sentence for shooting a man in the back to protect a friend. He arrives in a small town to retrieve his young son, Mark (Tommy Rettig), who has befriended a sultry saloon singer, Kay (Marilyn Monroe). Matt is also friendly with Kay, and thanks her profusely for looking after Mark, but distrusts her paramour, Harry Weston (Rory Calhoun)- a gambler with the morals of an alley cat. Matt and Mark return to their rural homestead, but soon glimpse Kay and Harry on a sinking raft, apparently en route to make good on a gold claim; Matt rescues the two of them, but doesn't count on Harry doing an about face, beating him up, and stealing his horse and gun; Kay stays behind to look after Matt. Meanwhile, the Indians go on the warpath, and the defenseless trio decides to seek refuge by fleeing the farm and sailing down the river on a raft. En route, the son - thanks to Kay's doing - is unexpectedly disillusioned about the father's original crime. Moreover, as Matt approaches town, he begins to plot a decisive revenge against Harry. ~ Hal Erickson, All Movie Guide

Art critic and forgery expert George Steele (Pat O'Brien) is apprehended by the police as he desperately tries to break into the Manhattan Museum in the opening scene of Crack-Up, a noir mystery directed by Irving Reis. Steele does not understand his own bizarre actions, but explains that he was in a train wreck and had to get back to the museum. Questioned by Lt. Cochrane (Wallace Ford), who tells him there have been no train wrecks in months, Steele relates, in flashback, the events leading up to the incident. Earlier in the day the head of the museum had suspended him for alienating wealthy patrons by criticizing "art snobs" in a lecture. He then received a phone call informing him that his mother was sick, and caught the train to the hospital, but never got there. Though suspicious of Steele, Cochrane is persuaded by the shadowy Mr. Traybin (Herbert Marshall) to release him so he can follow Steele. The next day Steele retraces his steps and discovers that someone had set him up to be discredited, though he knows neither who nor why. Following the murder of a friend who was trying to help him, he discovers that forgeries of some very famous paintings are at the heart of the matter, but getting to the culprit is a more difficult task. ~ Steve Press, All Movie Guide

Bearing little relation to the hit Broadway play on which it was based, See My Lawyer was the last and least of Olsen and Johnson's starring vehicles for Universal. The zany Hellzapoppin stars play a couple of nightclub entertainers who want to break their contract with proprietor R. J. Wagenhorn (Franklin Pangborn), but business is so good that Wagenhorn refuses. As a means to force Wagenhorn to let them out, and to simultaneously drum up business for a trio of struggling lawyers (Noah Beery Jr., Alan Curtis and Richard Benedict), O & J go on a comic rampage, insulting and humiliating nightclub customers left and right. As a result, Wagenhorn is slapped with 39 lawsuits, which he gleefully signs over to Olsen and Johnson as part of his contract-breaking deal. The boys manage to settle 38 of the lawsuits with a minimum of muss and fuss, but the last claimant, Otis Fillmore (Edward S. Brophy), intends to take the comedians for every penny they have. After a riotous courtroom trial, the judge moves the defendants, plaintiffs and jurors to the nightclub itself, vowing to render his decision as soon as he's seen the nightly floor show. This silly plot device is merely an excuse to showcase an unending stream of specialty acts, including the King Cole Trio (dressed as cooks!) Outside of a few good gags (Olsen & Johnson driving their car into a hotel lobby, Otis Fillmore swaying the jury by having his gray-haired mother provide testimony while accompanied by a violinist), See My Lawyer is a disappointment, affording Olsen & Johnson precious little screen time to perform their own special brand of comic lunacy. ~ Hal Erickson, All Movie Guide

This final "Tarzan" entry from the MGM assembly line is arguably one the least effective of the series, though it certainly has its adherents. It all begins when Boy (Johnny Sheffield), adopted son of Tarzan (Johnny Weissmuller) and Jane (Maureen O'Sullivan), is kidnapped from the jungle by crooked circus promoters Rand (Charles Bickford) and Shields (Paul Kelly) and spirted off to America. This requires Tarzan and his mate to adopt "civilized" clothes and head to New York City, with the troublesome Cheeta the Chimpanzee along for the ride. There are some amusing moments as Tarzan tries to acclimate himself with the Big Apple, and some less amusing ones as Cheeta gets hold of a powder puff and lays waste to an expensive hotel room. The film's highlight, Tarzan's leap from the Brooklyn Bridge, comes at the film's halfway point, and accordingly things slow down considerably during the final reels. Tarzan's New Adventure works better as a stunt than as an official series entry, but it is still preferable to some of the so-so RKO Radio Tarzan films which were to follow. One racially questionable sequence involving black comedian Mantan Moreland has been understandably removed from some TV prints. ~ Hal Erickson, All Movie Guide

The third and definitive film adaptation of L. Frank Baum's 1900 children's fantasy, this musical adventure is a genuine family classic that made Judy Garland a star for her heartfelt performance as Dorothy Gale, an orphaned young girl unhappy with her drab black-and-white existence on her aunt and uncle's dusty Kansas farm. Dorothy yearns to travel "over the rainbow" to a different world, and she gets her wish when a tornado whisks her and her little dog, Toto, to the Technicolorful land of Oz. Having offended the Wicked Witch of the West (Margaret Hamilton), Dorothy is protected from the old crone's wrath by the ruby slippers that she wears. At the suggestion of Glinda, the Good Witch of the North (Billie Burke), Dorothy heads down the Yellow Brick Road to the Emerald City, where dwells the all-powerful Wizard of Oz, who might be able to help the girl return to Kansas. En route, she befriends a Scarecrow (Ray Bolger), a Tin Man (Jack Haley), and a Cowardly Lion (Bert Lahr). The Scarecrow would like to have some brains, the Tin Man craves a heart, and the Lion wants to attain courage; hoping that the Wizard will help them too, they join Dorothy on her odyssey to the Emerald City.

Garland was MGM's second choice for Dorothy after Shirley Temple dropped out of the project; and Bolger was to have played the Tin Man but talked co-star Buddy Ebsen into switching roles. When Ebsen proved allergic to the chemicals used in his silver makeup, he was replaced by Haley. Gale Sondergaard was originally to have played the Wicked Witch of the West in a glamorous fashion, until the decision was made to opt for belligerent ugliness, and the Wizard was written for W.C. Fields, who reportedly turned it down because MGM couldn't meet his price. Although Victor Fleming, who also directed Gone With the Wind, was given sole directorial credit, several directors were involved in the shooting, included King Vidor, who shot the opening and closing black-and-white sequences. Harold Arlen and E.Y. Harburg's now-classic Oscar-winning song "Over the Rainbow" was nearly chopped from the picture after the first preview because it "slowed down the action." The Wizard of Oz was too expensive to post a large profit upon initial release; however, after a disappointing reissue in 1955, it was sold to network television, where its annual showings made it a classic. ~ Hal Erickson, All Movie Guide