Daniel Mendaille Movies
Max Ophuls' final film (and his only movie in color) is a cinematic tour-de-force masquerading as a biography, in this case a dazzling fictionalized life of the notorious 19th century dancer, actress, and courtesan. A still beautiful, but weary and disillusioned (and, as we later discover, ailing) Lola Montes (Martine Carol) is first seen as the featured attraction at a seedy American circus, appearing at the center of a series of various tableaux depicting the scandalous events for which she is known. With a strangely sincere yet sinister and manipulative ringmaster (Peter Ustinov) providing color commentary, some of it very ironic on two or more levels, the movie flows between these staged recreations in the circus and the events as recalled by the subject. In a series of dissolves, the film takes us through her girlhood with her mother, interrupted when her mother's lover (Ivan Desni) becomes attached to the daughter; her unhappy marriage and its aftermath; romances with composer Franz Liszt (Will Quadflieg), abduction by a Russian general (in the arms of Cossacks, no less); her affairs across the landscape of Europe with men great and notable; her thwarted aspirations as a dancer; and her romance with King Ludwig I (Anton Walbrook) of Bavaria, which led to her being made Countess of Landsfeld, and, later, to his abdication. The gracefulness of Ophuls' cyclical narrative, and the transitions between the recalled elegance of the locales, and the people with whom her romances and affairs took place, and the seediness of the circus -- where she is also compelled, in the course of performing, to perform as an aerialist -- were lost on viewers in 1955. And for many years the movie only existed in a version re-cut without the director's approval, in which the story was presented in linear fashion. It was only in the 1960's, long after Ophuls' death, that efforts were made to restore the original structure, and in 2008 the movie's original Technicolor luster was restored to its full depth and richness. ~ Bruce Eder, All Movie Guide
- Starring:
- Martine Carol, Peter Ustinov, (more)
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1962 Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Marcel Mouloudji, Raymond Pellegrin, (more)
The Paris demimonde of 1900 is the setting for Casque d'Or. Georges Manda (Serge Reggiani), an honest woodworker, falls in love with Marie (Simone Signoret), the "moll" of minor crook Roland (William Sabatier). Gangster boss Felix Leca (Claude Dauphin) orders Georges and Roland to fight a duel to the death over the girl, as prescribed by the "code of the apache." Felix then pins the blame for Roland's death on Georges' boyhood chum, Raymond (Raymond Bussières), knowing that the woodworker will nobly accept the blame; this will leave Marie alone, which is what the lustful Felix has wanted all along. When Georges learns he's been set up as a dupe, he escapes from the police and kills Felix. Casque D'Or was based on the true-life Leca-Manda scandal, wherein an otherwise decent man was guillotined for shooting down a gangster boss in broad daylight. Since the scandal was common knowledge in France, the downbeat ending of this film was hardly unexpected but still extremely moving. Completed in 1951, Casque D'Or was a failure on its first release but then built up an excellent word-of-mouth reputation abroad. The film was released in the U.S. in 1956 as Golden Marie. ~ Hal Erickson, All Movie Guide
- Starring:
- Simone Signoret, Serge Reggiani, (more)
- Starring:
- Jeanne Boitel, Daniel Mendaille, (more)
- Starring:
- Line Noro, Daniel Mendaille, (more)
- Starring:
- Gina Manès, Daniel Mendaille, (more)
- Starring:
- Yvonne Sergyl, Daniel Mendaille, (more)
Ceux du Viking (Those of the Viking) is a filmed account of the Frissel-Ginet expedition to the Arctic circle. Varick Frissel, a world-reknown hunter, was joined in his odyssey to the Arctic by Rene Ginet, a correspondent for a French movie "trade" magazine. Ginet's footage of the expedition was later enhanced by several studio-shot scenes, none of which were remarkably convincing. The "reality" footage concentrates on seal hunting, with several gruesome shots of the animals being clubbed to death. Animal lovers could take some comfort in the fact that the Viking, Frissel's sailing vessel, exploded during the expedition, temporarily marooning its crew. ~ Hal Erickson, All Movie Guide
- Starring:
- Jackie Monnier, André Nox, (more)
Throughout his directorial career, E. A. Dupont endeavored to match the success of his 1926 silent classic Variety. Like the earlier film, Salto Mortale has a circus background and is predicated on a romantic triangle, but that's where the resemblance ends. The title refers to a particularly treacherous acrobatic feat, which is performed four times in the picture as a sort of connecting link. The protagonists are three acrobats, two men and a woman. The fact that both men are in love with the woman results in some pretty tense moments under the Big Top, leading to a near-tragedy in the middle of a performance of the "salto mortale." Heading the cast are Anna Sten and Adolf Wohlbrueck (aka Anton Walbrook), both of whom went on to brief Hollywood careers. ~ Hal Erickson, All Movie Guide
- Starring:
- Gina Manès, Anna Sten, (more)
In 1930, audiences saw three different versions of the George Kibbe Turner gangster novel Those Who Dance, each filmed in a different language. The English version starred Monte Blue and Lila Lee; the German version, Der Tanz Geht Weiter top-billed William Dieterle and Lissi Arna; and the French version, Contre-Enquete, featured Daniel Mendale and Suzy Vernon in the leading roles. In all three instances, the plot remained the same, with undercover cop Dan Hogan (Blue, Dieterle, Mendale) hoping to find out who was responsible for the murder of his younger brother. To get the goods on the killer, Hogan poses as a crook and joins a gangster mob. This he does as much for himself as for heroine Nora Brady (Lee, Arna, Vernon), whose brother has been falsely convicted of the murder. In addition to the three talkie adaptations of the Turner original, Those Who Dance was previously filmed in 1924. ~ Hal Erickson, All Movie Guide
- Starring:
- Suzy Vernon, Jeanne Helbling, (more)
- Starring:
- Gina Manès, Albert Prejean, (more)
The first of three film versions of Theophile Gautier's popular adventure novel Le Capitaine Fracasse was co-written and directed by Alberto Cavalcanti in 1929. Pierre Blanchar essays the title character, who when first we see him is impoverished nobleman Baron de Solignac. Living a solitary existence in his crumbling ancestral castle, the Baron's existence is brightened by the visit of a travelling harlequin troupe. Falling in love with Isabella (Lien Dyers), the troupe's leading lady, the Baron joins the strolling players, assuming the stage "persona" of Captain Fracasse. In this guise, our hero performs various and sundry feats of derring-do, culminating with his rescue of Isabella from the clutches of the evil Duke de Vallombreuse. Future Hollywood screen idol Charles Boyer shows up in a choice supporting role. ~ Hal Erickson, All Movie Guide
- Starring:
- Lien Deyers, Marguerite Moreno, (more)
- Starring:
- Daniel Mendaille
This first film version of Joseph Kessel's wartime novel L'Equipage was adapted for the screen by its director, Maurice Tourneur. The story focuses on the exploits of a French flying squadron, commandeered by lieutenant Jean Dax. A hothead and a nonconformist, Dax is roundly disliked by everyone except fellow officer George Charlia, with whom he becomes close friends. This relationship is doomed when Charlia falls in love with Dax's wife Camilla Bert. Under normal circumstances, Dax would "demand satisfaction" from Charlia, but war is war, and the two men are obliged to fly off together on a suicide mission. Only one of the two men returns, leaving Bert to grieve over the memory of the other. L'Equipage was remade by Anatole Litvak in 1935, and two years later was refilmed in Hollywood, again by Litvak, as The Woman I Love. ~ Hal Erickson, All Movie Guide
- Starring:
- Claire de Lorez, Georges Charlia, (more)
- Starring:
- Lilian Constantini, Daniel Mendaille, (more)
- Starring:
- Sandra Milovanoff, Renee Carl, (more)
- Starring:
- Germaine Dermoz, Harry Krimer, (more)
- Starring:
- Daniel Mendaille
- Starring:
- Suzanne Bianchetti, Roger Karl, (more)
- Starring:
- Maurice Escande, Daniel Mendaille, (more)
- Starring:
- Roger Karl, Daniel Mendaille, (more)













