Frank McFarland Movies

Ronald Reagan delivers one of his best screen performances as baseball great Grover Cleveland Alexander in The Winning Team. The title refers to the mutually supportive relationship between Alexander and his loving wife Aimee (top-billed Doris Day); with this in mind, is it any surprise that the real Aimee Alexander served as the film's technical advisor. While the basic milestones of Alexander's career are adhered to, the film is a typical Hollywood blend of fact and fancy-plenty of fancy. While playing in the minors, Alexander is is hit on the heat by a batted ball, resulting in the dizziness and double vision that would ever after plague him. After toting up a record of 28 wins with the Philadelphia Phillies, Alex is traded to the Cubs, but World War 1 intervenes. On the battlefield, Alex suffers a recurrence of his double vision; and when he plays his first postwar game with the Cubs, he collapses on the field. Warned that his seizures will persist if he doesn't retire, Alex swears the doctor to secrecy. When the dizzy spells continue, Alex turns to drink. Branded an "alky", he descends to the depths of a House of David-style team, thence to the humiliation of carnival side shows. With the help and support of both Aimee and his old pal Rogers Hornsby (Frank Lovejoy), Alex stages a spectacular comeback, striking out Yankee Tony Lazzeri during the 1926 World Series and leading his team to victory. The script rearranges the chronology of Alexander's life, suggests incorrectly that the Lazzeri strikeout was the last play in the deciding Series game, and-most amusingly-depicts the unloveable Rogers Hornsby as a 100 % sweetheart. Otherwise, The Winning Team provides an excellent showcase for Ronald Reagan-though in later years he expressed some reservations about the script, noting that, by adhering to Warner Bros' insistence that the word "epilepsy" never be spoken, the picture confused audiences as to the true nature of Alexander's affliction. ~ Hal Erickson, All Movie Guide

The federal agent "at large" in this Republic programmer is played by Kent Taylor. On the trail of gold smugglers in Mexico, Matt Reedy (Taylor) crosses the path of hard-boiled lady criminal Solitare (Dorothy Patrick). Her criminal tendencies softened by romance, Solitare decides to work with Reedy instead of against him. The gang's modus operandi is an ingenious one; equally clever are the means by which they are brought to justice. Second-billed Robert Rockwell delivers one of his better performances as a dedicated archaeologist, while veteran character actor Frank Puglia enjoys one of his largest screen roles as a reluctant outlaw. ~ Hal Erickson, All Movie Guide

The Dorothy Fields-Sigmund Romberg Broadway musical Up in Central Park has been retooled as a vehicle for a pleasantly plump Deanna Durbin. Set in New York in the 1870s, the film casts Durbin as hoydenish Irish immigrant Rosie Moore, who becomes the romantic bone of contention between muckraking newspaper reporter John Matthews (Dick Haymes) and corrupt but charming political boss Tweed (Vincent Price, considerably handsomer and slimmer than the real Tweed). With Rosie's help, John manages to expose Tweed's Tammany Hall shenanigans. Though only two songs have been retained from the original Broadway production, both Durbin and Haymes are afforded several opportunities to sing. Featured in the cast as Durbin's father is Albert Sharpe, who'd just completed a run in the smash New York musical Finian's Rainbow and who later played the title role in Disney's Darby O'Gill and the Little People (1959). Best scene: The Currier & Ives ballet, one of the few holdovers from the stage version of Up in Central Park. ~ Hal Erickson, All Movie Guide