Harriet Matthews Movies

The Racket was based on a play by Bartlett Cormack, first filmed as a silent in 1928. The storyline was updated to include references to Estes Kefauver's Senate Crime Investigating Committee: otherwise, the plot (and much of the dialogue) was lifted bodily from the Cormack play. Racketeer Robert Ryan has managed to get several government and law-enforcement higher-ups in his pocket. But Ryan can't touch the incorruptible police officer Robert Mitchum, who refuses all attempts at bribery. Ryan pulls strings to get Mitchum transferred to a series of undesirable precincts, but Mitchum will not be dissuaded. The battle of wills between cop and criminal comes to a head when mob-connected nightclub singer Lizabeth Scott turns on her former protector Ryan. The Broadway version of The Racket starred Edward G. Robinson as the racketeer; the 1928 film version featured Louis Wolheim in the Robinson role and Thomas Meighan as the upright cop. Both the silent and sound versions of the property were personally produced by Howard R. Hughes. ~ Hal Erickson, All Movie Guide

Based on Memory of Love, a novel by Bessie Breuer, In Name Only is soap opera par excellence, blessed with a peerless cast. Carole Lombard plays widow Julie Eden, who meets and falls in love with unhappily married Alec Walker (Cary Grant). Having married Alec solely for his wealth and family prestige, his manipulative wife, Maida (Kay Francis), has managed to convince everyone -- even Alec's parents -- that she is the victimized one and that Alec is an irresponsible philanderer. Making matters worse, Maida refuses to give Alec a divorce so that he can find happiness in the arms of the sweet, unassuming Julie. Almost miraculously, Maida agrees to let Alec go, only to capriciously renege at the last minute and sue Julie for alienation of affections. Disconsolately, Alec goes on a bender, falling asleep in front of an open window and contracting pneumonia. As Alec lays seriously ill in a hospital bed, Julie tearfully agrees to give him up if only Maida will try to make him happy. But Maida isn't about to give up this moment of triumph, cheerfully bragging about her underhanded methods and her intention to take Alec for every penny that he has. Without giving away the outcome, it can be noted that, figuratively speaking, loose lips sink ships. Though In Name Only could have been a wallow in bathos, the performances by the stars -- and the knowing direction of John Cromwell -- elevate the production to the level of "romance classic." ~ Hal Erickson, All Movie Guide