John Martell Movies

In postwar London, Chicago-raised fashion reporter Linda Medbury, working for a British newspaper, runs across a crime story that's too good to pass up -- all about Sugiani (Joseph Calleia), a racketeer who has quietly amassed a fortune, and near-total control of vice in London, through counterfeiting, black marketeering, and smuggling, all backed by strongarm men who've got everyone he does business with scared. Linda insists on running the story, even though one woman and two writers who previously gotten in Sugiani's way have either disappeared, been killed, or blinded. Her fiance, sportswriter Jumbo Hyde (Derek Farr), an ex-commando captain just back from the service, wants to protect her and enlists the aid of the boxers at a gymnasium where he's well known. But Linda is moving too fast for his efforts, and Sugiani is already tying up loose ends, including eliminating one talkative witness (Ruth Nixon). And when Sugiani and his right-hand man Bar Gorman (igel Patrick) discover that they can't buy or charm Linda off her crusade, they prepare to take more drastic action -- Sugiani sends out his personal enforcer, "the barber" (Hay Petrie). ~ Bruce Eder, All Movie Guide

William, the obstreperous Welsh schoolboy created by children's novelist Richmal Compton, appeared in several film incarnations in the 1930s and 1940s, none of them as successful as Compton's original books or the spin-off radio series. William Graham stars as the argumentative title character, who gets off to a bad start in the first scene by stealing his sister's cosmetics and wooden Indians -- after mixing up the shoe polish with the shaving cream. Venturing outside to play with his schoolmates, William decides to become a junior-league "righter of wrongs" by forming the Knights of the Square Table. This leads them to a "haunted" house, where William makes up for his past misdeeds by corralling a gang of crooks. Just William's Luck adheres strictly to formula, pleasing fans of the Compton books but doing nothing to broaden the character's appeal. ~ Hal Erickson, All Movie Guide