Charles Macaulay Movies

Iconoclastic film director Samuel Fuller spent decades nurturing his dream project, a movie about his experiences in the Army's First Infantry Division during World War II, but it wasn't until 1979 that he was able to finally bring the picture before the cameras. Unfortunately, Fuller was forced by his producers to work with a scaled-down budget, and he did not have final cut on the film; after his first rough cut ran nearly four-and-a-half hours, the studio took over editing on the project, and Fuller was vocally unhappy with the final results. In 2003, critic and film historian Richard Schickel initiated an effort to restore The Big Red One to a form that more closely resembled Fuller's original vision; using a large cache of newly discovered footage and the director's shooting script as a guide, the 113-minute theatrical version was expanded to 158 minutes, adding depth and detail to Fuller's sweeping and episodic tale of a hard-as-nails sergeant (Lee Marvin) and four inexperienced recruits under his command (Mark Hamill, Robert Carradine, Bobby Di Cicco, and Kelly Ward) as they battle their way across Africa to Europe between 1942 and 1945. Schickel's reconstruction received enthusiastic reviews when it went into limited release in the fall of 2004. ~ Mark Deming, All Movie Guide

Samuel Fuller's valedictory war picture, The Big Red One follows the First Infantry Division from Africa to Europe during the years 1942 through 1945. Lee Marvin portrays the division sergeant; he's tough and experienced, to be sure, but he takes on his job with cool professionalism rather than Hollywood bravado. Based on Fuller's own experiences, the film is a loosely constructed series of anecdotes. Among them are an insane asylum under bombardment while the inmates applaud and a climactic vignette in which a very young concentration camp internee dies while a friendly soldier plays piggy-back with the boy. ~ Hal Erickson, All Movie Guide

In this murder mystery, the married detectives must prove that the murder was committed at a posh hotel. ~ Sandra Brennan, All Movie Guide

The Squad 51 guys enter a contest for the best new firefighting invention. This new diversion, however, does not cause them to neglect their workload, which this week includes an obese homehowner stuck in his own ceiling, a comatose man suffering from an inexplicable ailment, and a case of radiation poisoning which threatens to spread throughout the city. This final episode of Emergency!'s third season was directed by series regular Kevin Tighe (Roy Desoto). ~ Hal Erickson, All Movie Guide

Dashing adventurer Matt Farrell (John Ashley) is captured and taken to a remote island in the South Pacific, where he is meant to become the newest victim of Dr. Gordon (Charles Macaulay), a mad scientist who is crossing humans and animals in an attempt to create a race of "superbeings." The doctor's daughter, Neva (Patricia Woodell), is assisting in the nefarious experiments, though she has begun to doubt the legitimacy of her father's scientific work. Gordon's main henchman, Steinman (Jan Merlin), would like nothing more for Farrell to escape, as he views the handsome captive as a worthy adversary and longs to track him through the jungle as human prey. When Neva falls in love with Farrell, she betrays her father and frees him, fleeing with a group of Gordon's experiments, bestial homo sapiens who have been crossed with bats, panthers, antelopes, and other animals. Meanwhile, Farrell captures the doctor and makes his way through the jungle to meet up with Neva on the island's dock, where they intend to make their way to freedom. ~ Fred Beldin, All Movie Guide

A desert location becomes terrifying as a motorcycle gang disturbs a film crew working there. ~ All Movie Guide

The IMF heads to London with instructions to identify the head of an espionage ring, a mysterious figure known only as K. To flush out their quarry, the agents enlist the unwitting aid of the beautirful and aristocratic enemy agent Lady Cora Weston (Jane Merrow). Maneuvering Lady Cora into a romantic triangle, Phelps and Paris nearly scuttle the mission when one of the men falls genuinely in love with the woman. The magnificent John Williams also appears as the cuckolded Lord Williams. First seen on February 22, 1970, "Lover's Knot" was written by Laurence Heath. ~ Hal Erickson, All Movie Guide

The Monkees -- Micky Dolenz, Mike Nesmith, Davy Jones and Peter Tork -- didn't really enjoy being labelled the Prefab Four back when their TV series was all the rage in 1966. With the help and support of Bob Rafaelson (co-producer, co-writer and director) and Jack Nicholson (co-producer, co-writer, and, if you look closely, bit player), the Monkees expressed their displeasure over being packaged for popular consumption in the non sequitur masterpiece Head. At least, it seems that the film is an indictment of the merchandising of pop stars. It's hard to tell at times, because Head literally has no plot; it is instead a patchwork of loopy sight gags, instant parodies, "camp" cutups, musical numbers and wry inside jokes. Clips of such old movies as the 1934 Karloff-Lugosi epic The Black Cat pop up every so often, as does an impressive lineup of pop-culture icons: Victor Mature, Annette Funicello, Sonny Liston, Frank Zappa (he's the one leading a cow) and Ray Nitschke, as well as such movie-trivia "answers" as Timothy Carey, Vito Scotti, Teri Garr, Percy Helton, Logan Ramsey, Carol Doda, and pre-Divine cross-dresser T.C. Jones. The best bits include a lengthy Golden Boy parody which does double duty as a lampoon of the network's efforts to create "personalities" for the individual Monkees, and a psychedelic buck-and-wing performed by Davy Jones. One gag, in which Micky Dolenz blows up a Coca Cola machine, is usually excised from TV showings. Head did zero business when it first came out thanks to poor distribution, but it has since become a fixture of midnight-movie showings and campus cinema classes. ~ Hal Erickson, All Movie Guide