Kenny Lynch Movies

Written and directed by Bonanza star Michael Landon, "The Younger Brothers' Younger Brother" is one of the series' zaniest episodes. It all begins when Hoss Cartwright is mistaken for one of the notorious Younger Brothers, who have recently resumed their criminal activities after a 12-year prison term. Thrown in jail, Hoss must depend upon Ben and Joe to bail him out-only to end up sharing a cell with his father and brother when they, too, are mistaken for Youngers. Meanwhile, the real Younger boys, led by Cole Younger (Strother Martin), demonstrate the monumental stupidity that landed them in the slammer in the first place. "The Younger Brothers' Younger Brother" first aired on March 12, 1972. ~ Hal Erickson, All Movie Guide

Mark (Don Mitchell) comes to the aid of his old boxing coach Bakey Baker (James Gregory), now an impoverished derelict. Unjustly accsued of felonious assault, Baker is unable to afford a decent lawyer, and the authorities are callously prepared to hang the man solely on the basis of circumstantial evidence, refusing even to listen to his side of the story. Mark's frustration with the iniquities of the legal system reaches the crisis stage when he can't even persuade his liberal law-school instructor Maria Wakeman (Janet MacLachlan) to take up Bakey's cause. ~ Hal Erickson, All Movie Guide

Hollywood film favorite Gene Tierney makes a rare TV appearance in this episode, in which she plays one of three witnesses to a Mob murder. The victim was an ex-FBI agent who just before his death had informed Erskine (Efrem Zimbalist Jr.) that the Mafia was in the process of taking over an isolated retirement village. Despite a marked lack of cooperation from the witnesses, Erskine endeavors to prevent their extermination at the hands of fugitive killer Leonard King (Ken Lynch). ~ Hal Erickson, All Movie Guide

Joe Cartwright is grief-stricken when his friend Steve Regan, leader of a miners' strike, is accidentally killed. Because the Cartwrights are major stockholders in the mining company, Joe feels partially responsible for Steve's death, and does what he can to help the man's widow Stephanie (Marj Dusay). Meanwhile, the corrupt mine officials, intending to break the back of the strike movement, hire a group of troublemakers to encourage further violence. First shown on April 7, 1968, "Commitment at Angelus" was written by Peter Germano. ~ Hal Erickson, All Movie Guide

Acting on a tip from an ex-convict (who is promptly shot down!), the FBI heads to a motel in order to capture Scott Martin, a dangerous criminal known as "The Iceman." Unfortunately, Martin is currently stage-managing a major bank heist, and to make certain that he is left alone he has taken a 10-year-old boy (Peter Robbins) hostage. This places the FBI in a standoff situation with Martin, who has used this hostage-taking technique before--and has never left anyone alive. ~ Hal Erickson, All Movie Guide

After the mysterious death of a juror in the trial of a dangerous mob functionary, Inspector Erskine (Efrem Zimbalist Jr. investigates the possibility of jury-tampering in the case. Meanwhile, Ana Nieves (Pilar Seurat, the wife of another juror, is threatened with death or disfigurement at the hands of an assailant who uses acid as a "persuader." The supporting cast includes several FBI "regulars", including the formidable R.G. Armstrong. ~ Hal Erickson, All Movie Guide

Now using the alias "Paul Keller", Kimble (David Janssen) gets a job at a carnival with the help of pretty Tina Andresen (Joanna Pettet). Unfortunately, Tina's uncle Harry (Andrew Duggan) is a retired detective with a very suspicious mind. . .and he's certain he's seen Kimble's face somewhere before. Having falling in love with the fugitive, Tina offers to help him escape--only to reveal herself as a dangerous psychotic when Kimble refuses to take her along with him. ~ Hal Erickson, All Movie Guide

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, All Movie Guide

In the conclusion of a two-part story, lovable convict Lyle Delp (Don Rickles) arranges for the staff of "The Alan Brady Show" to give a special performance for the men at the state penitentiary. Dressed in a convict costume for a dance routine with Laura (Mary Tyler Moore), Rob is mistaken for a genuine prisoner and locked up with a bunch of showbiz-happy inmates. The episode's musical highlights include "In Them Old Cotton Fields Back Home," "Sweet Sue," and -- delightfully appropriate to the prison setting -- "I've Got Your Number." ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Kimble (David Janssen) is forced to go on the lam again when he is recognized in a Nevada gambling emporium. En route to California, Kimble makes the acquaintance of feisty nun Sister Veronica (Eileen Heckart), who agrees to provide him safe passage through a police dragnet if he'll repair her wreck of a car. This very odd couple then embarks on a series of strange adventures, beginning when Kimble goes to work for a cheap chiseler named Chuck Mathis (Albert Salmi). ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, Kimble (David Janssen) continues his westward journey to California in the company of the redoubtable Sister Veronica (Eileen Heckart). Along the way, the mismatched pair runs afoul of some motorcycle punks, and have another run-in with crooked Chuck Mathis (Albert Salmi), during which they find a new ally in the form of Chuck's sister-in-law Janet (Ruta Lee). Throughout this picaresque adventure, Kimble tries to figure out a way to persuade Sister Veronica from renouncing her vows and turning her back on the Church--while simulatenously avoiding arrest at every turn. ~ Hal Erickson, All Movie Guide

Unlike his fellow mobsters, Vincent Tunis (Joseph Sirola) can boast of an excellent education and a superbly analystical mind. This he proves when he methodically buys up and hoards all of the surplus whiskey in Chicago, waits patiently for other booze-supply sources to dry up, then sells his merchandise at an enormous profit. Unfortunately, Tunis has overlooked a small but crucial detail--and soon finds himself at the mercy of the equally methodical Elliot Ness (Robert Stack), who intends to settle accounts with Tunis for framing him on a phony bribery charge. ~ Hal Erickson, All Movie Guide

Although Jack Kelly was the sole star of Maverick as the tongue-in-cheek western series entered its fifth and final season, he continued to share on-screen billing with James Garner--who, despite having left the series at the end of Season Three, was still being represented by reruns of his best episodes. Only thirteen new episodes were shot for Season Five, all starring Kelly as frontier gambler Bart Maverick. In the opener, Bart is cheated out of $5000 by suave con artist Pearly Gates (Mike Road). Likewise swindled by Gates is his partner in crime Marla (Kathleen Crowley), who's out for blood after Pearly jilts her at the altar. Thus, Marla teams with Bart to track Pearly down and make him pay for his sins...presuming, of course, that he won't able to sweet-talk his way out of his predicament, as he has done on so many previous occasions. ~ Hal Erickson, All Movie Guide