Laurie Leigh Movies

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, All Movie Guide

A woman must contend with her family's madness as she finds her own sanity in doubt in this thriller from British horror masters Hammer Films. After the death of her parents, Eleanor Ashby (Janette Scott) would seem a safe bet to inherit their estate, but at the funeral, she's convinced that she has seen Tony (Alexander Davion), her brother who killed himself seven years ago. Eleanor's other sibling Simon (Oliver Reed), who is inarguably alive, uses this as an excuse to contest the will, arguing that Eleanor is mentally unstable and an unfit heir. Simon's claims cause Eleanor to wonder about her sanity, and in a moment of weakness she attempts suicide. Tony rescues her and tells her that he never died but simply went into hiding. He returns to the family's mansion, but soon he and Eleanor become the subject of a number of violent attacks by a masked lunatic before Eleanor learns a surprising secret about Tony. Paranoiac marked the directorial debut of ace cinematographer Freddie Francis. ~ Mark Deming, All Movie Guide

Freedom to Die has the look of a half-hour TV drama inflated to feature-film length. Paul Maxwell plays Craig Owen, an incarcerated criminal whose cellmate holds the secret to the valuable contents within a safe deposit box. When the cellmate dies, Owen breaks out of jail in search of the stash. Unable to open the box, the fugitive abducts Linda (Felicity Young), the dead man's daughter. Tension mounts as the girl plays for time to prevent her own demise. ~ Hal Erickson, All Movie Guide