Yolande Laffon Movies
- 1954
Barbara Laage essays the title role in Zoe. Our heroine's adventures begin when she catches the eye of a big-city playboy named Arthur (Michel Auclair), who is attracted not only to Zoe's beauty, but by her insistence upon telling nothing but the whole truth. This trait causes no end of comic complications when Zoe moves into the palatial home of Arthur's family. The limit comes when Zoe botches a big business deal formulated by Arthur's not-altogether-honest father (Louis Seigner). Zoe is based on a stage farce by Jean Marsan. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Laage, Michel Auclair, (more)
- 1952
Barbara Laage plays the title role in the ironic French drama The Respectful Prostitute. No one considers Lizzie (Ms. Laage) particularly respectful until one of her clients is accused of a crime. Summoned to court, Lizzie perjures herself, hoping to become socially respectable-and in so doing, she betrays her black lover. In the end, Lizzie has nothing to show for her "grand gesture". Originally titled La Putain Respecteuse, the film was adapted from a 1946 play by Jean-Paul Sartre. Now all but forgotten, The Respectful Prostitute was a runner-up in the "best picture" category at the 1952 Venice Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Laage, Ivan Desny, (more)
- 1951
Noel (Bernard Blier), a grown-up mama's boy, falls heir to a busy matrimonial bureau. Assuming command of the operation, Noel becomes fascinated with the various degrees of loneliness which prompt his clients to seek out his services. As a result, he begins to place his own loneliness and sense of inadequacy in perspective. The supporting characters are drawn in broad strokes, though they never lapse into ridiculous caricatures. Agence Matrimoniale would make a piquant double feature with the Hollywood comedy-drama The Model and the Marriage Broker (1952). ~ Hal Erickson, All Movie Guide
- Starring:
- Bernard Blier, Michele Alfa, (more)
- 1943
Robert Bresson's first feature film is the story of two novice nuns in a monastery that recruits sisters from a woman's prison. Anne-Marie (Renée Faure) comes to the convent from a middle-class family eager to take up her vocation, but other nuns begin to resent her earnestness, and they accuse her of pride. Anne-Marie makes it her mission to watch over Thérèse (Jany Holt), a novice who joined the order after her release from prison. Unbeknownst to the other nuns, between the time she left jail and when she arrived at the convent, Thérèse shot the man who sent her to prison. Bresson presents the relationship between these two women with maximum psychological intensity. The contrast between Anne-Marie and Thérèse's inner turmoil and their demure behavior heightens the film's dramatic tension as Bresson develops the themes of sin and grace that will preoccupy him throughout his career. Although it follows the rules of mainstream 1940s French cinema, Les Anges du péché introduces an elegant, pared-down style that forms the basis for the completely original minimalism of Bresson's later films. ~ Louis Schwartz, All Movie Guide
- Starring:
- Renée Faure, Jany Holt, (more)
- 1930
Love Sings is the English-language title of this Made-in-Germany-for-Frenchmen concoction. Pierre Bertin plays Claude, a grammar teacher forced by a series of cute plot devices to pose as a professor of music. He is then obliged to teach a talentless musical-comedy star how to sing, lest the star's husband pull his financial backing for the show in which his wife is appearing. Things look pretty grim when wifey leaves hubby in favor of a handsome Egyptian prince, but all ends happily for Claude, who ends up marrying the daughter of the man he's been impersonating. Director Robert Florey also helmed the German-language version of L'Amour Chante, Komm' Zu Mir Zum Rendezvous, and the Spanish version, El Professor de Mi Senora. ~ Hal Erickson, All Movie Guide
- Starring:
- Imperio Argentina, Yolande Laffon, (more)
