Doreen Keogh Movies

An Irish boy becomes an emotional and sexual outcast as the 1960s fade into the 1970s in this period drama from director Neil Jordan. When he was just a baby in the early '60s, Patrick Braden (Conor McEvoy) was abandoned by his mother and left on the doorstep of a church overseen by Father Bernard (Liam Neeson). Placed in a foster home, sensitive Patrick doesn't much care for the emotionally chilly attitude of his new "family," and psychologically buffers himself against the world by writing stories that make fun of Father Bernard and the other authority figures in his life. As he grows into adulthood, Patrick (played as an adult by Cillian Murphy) also discovers that he enjoys dressing in women's clothes and prefers the company of men, and as a teenager he falls into an affair with Billy Hatchet (Gavin Friday), a nightclub performer who also runs guns for the Irish Republican Army. In the early '70s, Patrick -- who has since taken on the drag name "Kitten" -- makes his way to London, where he becomes involved with Bertie (Stephen Rea), a small-time nightclub magician who gives the young man a place to say, a sense of security, and a job as his on-stage assistant. However, Patrick's idyllic life with Bertie proves short-lived when his old friends come to town on IRA "business." Breakfast on Pluto also features a supporting performance from former Roxy Music frontman Bryan Ferry. ~ Mark Deming, Rovi

In a small Irish village where herding sheep is still one of the major industries, the largely male, unmarried population has grown dissatisfied with their lot in life; when a shipping error sends the wrong film to the local movie house, the citizens are treated to a racy item from the United States. The movie is cut short by the village priest, but it plants an idea in a few of the men: America is overflowing with beautiful women, so why not get a few of them to come to Ireland? Pooling their resources, a group of men places personal ads in an American newspaper in hopes of luring a few ladies away from life in the States for the more rustic pleasures of the Irish countryside. The debut film from director Aileen Ritchie, The Closer You Get stars Niamh Cusack, Ian Hart, Sean McGinley, and Ruth McCabe. ~ Mark Deming, Rovi

Actress Anjelica Huston directed and stars in this drama based on Brendan O'Carroll's novel The Mammy. Set in Dublin in 1967, Agnes Browne (Anjelica Huston) is the mother of seven children, barely making ends meet when her husband dies, leaving her to figure out not only how to support the family, but also how to pay for a funeral. To cover the burial expenses, Agnes resorts to borrowing money from a loan shark (Ray Winstone) who isn't interested in special deals for widows or orphans. Agnes learns to scrape up a living selling fruit and vegetables, and makes sure her children get the best education possible, but self-sacrificing Agnes would like one small luxury for herself: Tom Jones will be playing a concert in town soon, and she'd like nothing more than to hear the man sing "It's Not Unusual" live and in person. A French baker with eyes for Agnes (Arno Chevrier) joins forces with her children to see that she gets her wish. Agnes Browne boasts an accurate portrayal of Ireland in the late 1960s, thanks in part to the fact that Huston spent a great deal of time there as a child; the film was shown as part of the Directors Fortnight series at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

In the Irish town of Kilshannon in the 1920s, a matriarchal clique of widows tightly sets the rules for behavior. Heading the town's ruling circle is the doughty Mrs. Counihan (Joan Plowright). The only non-widow in town is a reclusive middle-aged spinster, Miss O'Hare (Mia Farrow), who seems to be guarding some kind of secret. Crashing into this provincial coterie is dashing, urbane Edwina Broome (Natasha Richardson), who immediately starts feuding with O'Hare, for no apparent good reason. Broome mangles O'Hare's prize roses and bumps her skiff in a boat race. Counihan's dimwitted son, Godfrey (Adrian Dunbar), proposes marriage to Edwina. Eventually, the true motives of all involved are revealed. ~ Michael Betzold, Rovi

Like the Virginia Woolf novel which it interprets, this 1983 BBC production has three parts: "The Window," "Time Passes," and "The Lighthouse." The first focuses on one day in the life of the Ramsay family -- the father and mother, their eight children, and four guests -- while they vacation on the Cornwall peninsula in remote southwestern England. In conversations in the summer house, at the beach, during strolls, and at cricket and wrestling matches, the characters reveal their beliefs, their prejudices, and their longings in an era when old traditions are dying and new traditions are quickening. James, six -- a brat to his father but a dear to his mother -- repeatedly asserts his wish to visit a lighthouse on an island within easy rowing distance. His father Michael Gough refuses to go (and, thus, no one goes) because the weather isn't right. In a moment of dramatic irony, the self-centered father scolds the boy for always thinking only of himself. Self-effacing Mrs. Ramsay (Rosemary Harris) comforts the child. She also sees to the needs of other family members and guests, who have lighthouses of their own -- metaphorical ones -- to preoccupy them. Her daughter, Prue, for example, anticipates her coming marriage while visitor Lily Briscoe looks forward to her career as a painter. In defiance of social convention, Briscoe chooses to remain unmarried. The film depicts the second part of the novel, "Time Passes," with transitional scenes showing changes of season over ten years. During this period, Mrs. Ramsey dies, and Mr. Ramsey laments her death in a weeping spell, saying she never really understood that he loved her. In the final part, "The Lighthouse," James finally gets his wish when he, his father, and other members of the family row out to the towering beacon. On the shore, meanwhile, Lily Briscoe finishes a painting of Mrs. Ramsey. ~ Mike Cummings, Rovi

Jamie Hopkins (Cliff Richard) is a wayward young man who lives with his mother and steals drugs from the doctor's office where she works. His similarly unscrupulous girlfriend Carol (Ann Holloway) lives gleefully in her similarly amoral life until she is converted to Christianity when she attends a traveling religious crusade led by evangelist Billy Graham (himself). Carol's life is changed as a result of her conversion, and she attempts to show her wayward boyfriend the light. Jamie is eventually prepared to change his lowdown ways in this predictable, overly simple story of spiritual redemption and religious piety. Pop singer Richard delivers three songs as well as starring as the principle character in the film. ~ Dan Pavlides, Rovi

In this charming children's adventure, a big game hunter's son doesn't share his father's love of killing; he prefers his animals alive. He dreams of having his very own coatimundi. Trouble begins when one of the rare creatures disappears from the local zoo. A newsreel cameraman is blamed for the theft until the boy steps forward and confesses his crime. ~ Sandra Brennan, Rovi