Joseph Kamaryt Movies

1951  
 
The aggressively Irish Maureen O'Hara and the staunchly American Jeff Chandler are cast as Arabian Nights types in Flame of Araby. Chandler plays Tamerlaine, a Bedouin chief who is engaged in a hunt for a legendary black stallion. Also coveting the prize steed is Tunisian princess Tanya (O'Hara), who wants to capture the horse to race in competition against her hated brothers Borka (Lon Chaney) and Hakim (Buddy Baer). After reels and reels of deadly rivalry, Tamerlaine decides to join forces with Tanya to trap the stallion--and in the process, the two fall in love. Listed as associate producer of Flame of Araby is Ross Hunter, whose later cinematic efforts would eschew desert-sands escapism in favor of lush soap operas and frothy sex comedies. ~ Hal Erickson, All Movie Guide

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Starring:
Maureen O'HaraJeff Chandler, (more)
1947  
 
Douglas Fairbanks Jr. is the title character, a young king exiled by evil conspirators. Forced to live far from his homeland, Fairbanks is harassed by the wicked Henry Daniell, who has been appointed to keep the young monarch from reclaiming his throne. After falling in love with commoner Paula Croset (later billed as Mara Corday), Fairbanks decides to take on the corrupt elements that have ousted him, and he dispatches Daniell in an exciting sword duel stage in an old windmill. Many of Fairbanks' more dangerous stunts were handled by David Sharpe, who received credit as second-unit director. Filmed in black and white, The Exile was originally released to theatres in "Sepiatone", a process which enhanced the film stock with a light brown tint. ~ Hal Erickson, All Movie Guide

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Starring:
Nigel BruceFred Cavens, (more)
1946  
NR  
Art critic and forgery expert George Steele (Pat O'Brien) is apprehended by the police as he desperately tries to break into the Manhattan Museum in the opening scene of Crack-Up, a noir mystery directed by Irving Reis. Steele does not understand his own bizarre actions, but explains that he was in a train wreck and had to get back to the museum. Questioned by Lt. Cochrane (Wallace Ford), who tells him there have been no train wrecks in months, Steele relates, in flashback, the events leading up to the incident. Earlier in the day the head of the museum had suspended him for alienating wealthy patrons by criticizing "art snobs" in a lecture. He then received a phone call informing him that his mother was sick, and caught the train to the hospital, but never got there. Though suspicious of Steele, Cochrane is persuaded by the shadowy Mr. Traybin (Herbert Marshall) to release him so he can follow Steele. The next day Steele retraces his steps and discovers that someone had set him up to be discredited, though he knows neither who nor why. Following the murder of a friend who was trying to help him, he discovers that forgeries of some very famous paintings are at the heart of the matter, but getting to the culprit is a more difficult task. ~ Steve Press, All Movie Guide

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Starring:
Pat O'BrienClaire Trevor, (more)
1942  
NR  
The surrealistic opening sequence, featuring a WW2 calendar as written "by A. Hitler", should be indication enough that Once Upon a Honeymoon is no ordinary lighthearted romantic trifle. Ginger Rogers plays Katie, an American chorus girl who seeks to better herself by marrying titled European Baron von Luber (Walter Slezak), despite the warnings of reporter Pat (Cary Grant). Katie thinks Pat is just jealous, but both he and the audience are aware that Von Luber is secretly a high-ranking Nazi, whose "unofficial" visits to Czechoslovakia, Poland and France precipitate the German invasions of those countries. When Katie wises up, she agrees to help counterespionage agent LeBlanc (Albert Dekker) in his efforts to stop Von Luber before he can reach New York-and along the way, she falls in love with the ubiquitous Pat. The bizarre ending, in which one of the main characters is casually murdered, is played for laughs, as if WW2 is merely fodder for a screwball comedy. In the film's most unsettling scene, Katie and Pat, mistaken for Jews, are briefly interred in a Polish concentration camp; their outrage over this treatment seems to be founded not on Germany's crimes against humanity, but over the fact that the Gestapo would have the audacity to incarcerate two non-Jewish Americans! A curious and often tasteless misfire from producer-director Leo McCarey, One Upon a Honeymoon is an undeniably fascinating historical artifact. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersCary Grant, (more)
1940  
 
In this drama, set in Paris, a devout communist is slowly seduced into becoming a capitalist by a persuasively pretty young woman. The tale begins as the young man shoots at a banker and then flees the police. He runs into the woman's apartment, and for some reason, she decides to let him stay. She then tells him that she is the banker's ex-wife, and they begin to converse; she is fascinated by communist philosophies and in turn shares her views on capitalism with him. He comes to like them and so abandons his other ideologies for the bourgeois life. ~ Sandra Brennan, All Movie Guide

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Starring:
Loretta YoungMelvyn Douglas, (more)

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