Shanti Kahn Movies

A young Lakota Sioux, adopted by a wealthy Jewish couple in Beverly Hills, gets in touch with his cultural roots and solves a mystery in this thriller. Because of his upbringing, Jesse Rainfeather Goldman knows almost nothing of Native American traditions. He is doing his internship when he suddenly receives an amulet from the Lakota reservation in Sioux City. It is from his real mother. Jesse's curiosity is piqued and he immediately travels to his birthplace to learn why she sent it. Unfortunately, by the time he arrives, his mother's body is discovered in the smoldering wreckage of her home. She was shot before she was burned. Jesse's investigation into her death is not welcomed by the local captain of police and his assistant. He is almost beaten to death, but is saved by his grandfather, a shaman, and a Lakota woman. The newly healed Jesse begins to explore his tribe's customs. He then contacts his mother's spirit and she leads him to the film's conclusion. ~ Sandra Brennan, All Movie Guide

The Temp is yet another installment in the 1990s thriller genre of "the conniving woman who gets back at all who stand in her way to success," as seen in The Hand That Rocks the Cradle, Single White Female, Basic Instinct, The Crush, The Babysitter, et al. In this rehash of the perennial formula, Peter Derns (Timothy Hutton), a marketing executive for a cookie company that has recently been bought out by another firm, is forced to hire temporary help when his regular office assistant takes maternity leave. Into the breach comes Kris Bolen (Lara Flynn Boyle), whose efficiency saves the day for the clueless Peter. Unfortunately for Peter's associates, her efficiency extends to killing off Peter's regular assistant upon her return to work by arranging an accident with a paper shredder. But Kris doesn't stop there, and Peter begins to notice a high body count of dead employees falling around him. Peter suspects Kris may be the culprit, but since he has just emerged from treatment for acute paranoia, he can't decide if he is imaging things or not. ~ Paul Brenner, All Movie Guide

Neil Simon forgoes his typical urban East Coast kvetchers and replaces them with sunny Californian kvetchers in The Marrying Man, a film which became a beacon of gossip in 1991 due to the alleged shenanigans of stars Alec Baldwin and Kim Basinger), who fell in love during production. Simon based his script on a true story concerning the love affair between shoe tycoon Harry Karl and actress Marie (The Body) McDonald during the 1950s. Married to each other four times, McDonald still managed to carry on an affair with mobster Bugsy Siegel. In this Simon-ized version, Baldwin plays Charley Pearl, a sharp and handsome Hollywood millionaire, engaged to Adele Horner (Elisabeth Shue), the daughter of dyspeptic movie studio executive Lew Horner (Robert Loggia). The day before their wedding, Charley heads off to Las Vegas for a bachelor party, and in a sleazy casino on the outskirts of town, he sets his eyes on sexy singer Vicki Anderson (Basinger) and falls for her hard. He wants her immediately and even though she warns him she's the property of Bugsy Siegel (Armand Assante), he crawls into her bedroom window to be with her. Caught with his pants down by Siegel, Bugsy, instead of killing him, forces him to marry Vicki ("I was about to dump her anyway," he says). But after their marriage, Charley and Vicki discover they're more attracted to the danger of their relationship than in each other. Charley's friends -- Phil (Paul Reiser), Sammy (Fisher Stevens), Tony (Peter Dobson), and George (Steve Hytner) -- form a Greek chorus commenting on the crazed love affair and are reportedly inspired by Phil Silvers, Sammy Cahn, Tony Martin, and Leo Durocher. ~ Paul Brenner, All Movie Guide