Johnny Downs Movies

Gorgeous June Lang, plays the title character in Redhead. Johnny Downs costars as a spoiled, ill-tempered rich boy. In desperation, his father pays Lang $10,000 to wrap Johnny around her little finger-and then steer him into a worthwhile life. Once this is accomplished, June, who's fallen in love with Johnny, turns down the money. Based on a novel by Vera Brown, Redhead was previously filmed in 1934, with Grace Bradley and Bruce Cabot. ~ Hal Erickson, Rovi

Universal Studios had their "B" musicals down to a science in the 1940s. All that was needed was a cast of talented contractees, four or five modest production numbers, and a title based on a popular song hit. In I Can't Give You Anything But Love, Baby, Broderick Crawford plays a sentimental gangster who abducts songwriter Johnny Downs and forces him to write a love ballad. It is Crawford's hope that the song will reach out and touch his long-lost childhood sweetheart. I Can't Give You Anything But Love, Baby was based on James Edward Grant's short story Trouble in B Flat; echoes of the basic premise later resurfaced in the 1957 "A" picture The Girl Can't Help It. ~ Hal Erickson, Rovi

In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man's loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves. Songs include: "Tequila" (sung by Downs, Terry), "I'm Just a Weakie" (sung by Allen, Gilbert), "What Fools These Mortals Be," and "When A Fella's Got a Girl" (Jule Styne, George R. Brown, Sol Meyer). ~ Sandra Brennan, Rovi

Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor. Unable to secure the services of Bob Hope, Republic did the next best thing by hiring two of Hope's funniest stooges, Jerry Colonna and Vera Vague (aka Barbara Jo Allen). Jane Frazee's excellent showing in Melody and Moonlight landed her a contract with Universal; by the end of the 1940s, however, she was back at Republic as Roy Rogers' leading lady. ~ Hal Erickson, Rovi

For some reason, Hollywood movie musicals "discovered" Hawaii in the late 1930s. One of the lesser but still entertaining efforts in this realm was Universal's Hawaiian Nights, starring the personable Johnny Downs. The story centers on Ted Hartley (Downs), son of a wealthy hotelier. Rather than stick to the family business, Ted prefers to lead a band made up of hotel personnel. When his father (Thurston Hall) transfers Ted to his near-bankrupt Honolulu hotel, our hero takes the band along with them, and in so doing turns a losing operation into a winner. He also gets to romance heroine Lonnie Lane (Constance Moore), while band vocalist Millie (Mary Carlisle) settles for comedy-relief press agent Ray Peters (Eddie Quillan). Hawaiian Nights represents Universal's second successful teaming of Johnny Downs and Eddie Quillan, the first being Swing, Sister, Swing. ~ Hal Erickson, Rovi

That fine stage and screen actor Walter Abel enjoys a rare movie starring role in Columbia's First Offenders. Upset with the rising phenomenon of juvenile delinquency, district attorney Gregory Stone (Abel) resigns from office to become a full-time reform crusader. His pet project is a work farm, where would-be delinquents can learn a useful trade and become worthwhile members of society. Fred Gray (Johnny Down), one of the kids that Stone sent "up the river" during his DA days, vows revenge upon his release, but even he finds redemption on Stone's youth farm. Beverly Roberts provides the frankly dispensable romantic interest. ~ Hal Erickson, Rovi

This Hollywood remake of the French Pepe le Moko adheres so slavishly to its source that it utilizes stock footage from the original film, and even picked its actors on the basis of their resemblance to the French cast. Contrary to legend, star Charles Boyer never says "Come wizz me to zee Casbah"; as master criminal Pepe le Moko, he's already in the Casbah, a crook-controlled safe harbor which protects Pepe from the French authorities. Pepe's friendly enemy, police inspector Joseph Calleia, treats his pursuit of Pepe like a chess game, patiently waiting for his opponent to make that one wrong move. The ever-careful Pepe has the misfortune to fall hopelessly in love with tourist Hedy Lamarr (in her first American film). A combination of events, including the betrayal of Pepe by his castaway lover Sigrid Gurie and Hedy's tearful return to her ship when she is misinformed that Pepe is killed, lures the hero/villain into the open. Arrested by Calleia, Pepe begs for one last glance at his departing sweetheart. At this point in the French version, Pepe cheated the hangman by killing himself; this would never do in Production Code-dominated Hollywood, so Algiers contrives to have Pepe shot while trying to escape. Algiers was remade in 1948 as a musical, Casbah, starring Tony Martin. ~ Hal Erickson, Rovi

In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson). ~ Sandra Brennan, Rovi

Hunted Men is part of Paramount's unofficial B-picture series based on the J. Edgar Hoover book Persons in Hiding. Lynne Overman stars as a middle-class family man whose even-keel lifestyle is shattered when he brings home an affable stranger (Lloyd Nolan) to dinner. The stranger turns out to be an escaped killer, who repays Overman's hospitality by holding his family prisoner. Both criminal and hostages tensely count the hours as the rest of Nolan's gang (including J. Carroll Naish and Patricia Morrison) formulates an escape plan. Hunted Men has earned a latter-day reputation for its accurate portrayal of a suburban household of the 1930s, and for its surprisingly sympathetic portrayal (without overtly pleading for sympathy) of head crook Lloyd Nolan. ~ Hal Erickson, Rovi

Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes). Problem is, Dinwiddy's dependence upon the stars to dictate his fate has a negative trickle-down effect on his impending marriage to his secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley). Most of the plot is forgotten during the climactic floor-show celebrating the 25th anniversary of Dinwiddy's store, with specialties from pantomimist Ben Blue (cast as night watchman Luke) and Jack Benny Show regulars Kenny Baker and Phil Harris. The film's best moment finds store detective Dugan (Romo Vincent) cutting loose with a Charles Laughton impression. The film editor for Turn off the Moon was Edward Dmytryk, who later went on to a prestigious directorial career. ~ Hal Erickson, Rovi

"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues. Songs include: "Keeno, Screeno and You," "I'll Follow My Baby," "Thrill of a Lifetime," "Paris in Swing," "Sweetheart Time," "It's Been a Whole Year," "If We Could Run the Country for a Day." ~ Sandra Brennan, Rovi

The first of 20th Century-Fox's college musicals, Pigskin Parade is also close to the best of them in musical terms -- though they were all at least pretty good on that level -- principally thanks to the presence of 13-year-old Judy Garland, playing an Arkansas farm girl with surprising sincerity and success (in addition to belting out a couple of numbers with the depth and sincerity of a performer at least twice that age). The plot starts rolling when the Yale University football team, looking for a credible but not too tough opponent for a charity game, accidentally invites the team from tiny Tesax State University (enrollment 700) instead of the University of Texas (enrollment 7500). Texas State has also just gotten a new football coach, Slug Winters (Jack Haley), who's had a lot of success coaching high school back in Flushing, New York but still has to prove himself with college players -- he arrives with his brassy, outspoken wife (Patsy Kelly) just ahead of the invitation from Yale, which nearly sends them running back to New York. Through sheer luck and Mrs. Winters' brainstorm, however, they figure out a way they can meet the Yale team on the field and not get steamrollered -- they come up with a fast, highly mobile brand of football that makes them contenders, but then they lose their star-player. Mrs. Winters manages to stumble onto Amos Dodd (Stuart Erwin), an Arkansas farm boy who developed his arm by tossing watermelons around, and brings him and his sister (Judy Garland) to the college. But now they have to make Amos -- who never finished high school -- eligible, and keep him interested enough in the team and the college to get him to the game. It's all a lot of fun, with lots of comic antics and a song spicing up the pace every few minutes, and Haley and Kelly are a delight to watch together. ~ Bruce Eder, Rovi

The quaint genetic theories of the 1930s are satirized in College Holiday. Dotty matron Mary Boland runs a ramshackle summer resort, opening her doors to college students of both sexes--but only those collegiates with extra-special physical and mental skills. She hopes to encourage these select co-eds to meet and mate, then produce a breed of "perfect" children. What Boland doesn't count on is the supremacy of the Heart over Science. Engagingly silly, College Holiday devotes generous screen space to some of the biggest comic talents of the 1930s: Jack Benny, George Burns, Gracie Allen, Martha Raye and Ben Blue. ~ Hal Erickson, Rovi