Joseph Downing Movies

In this entry in the long running Bowery Boys series, the boys begin working as free-lance photographers. Trouble ensues when they take a picture of a crime lord. They are in such a rush to get the picture back to the paper they work for that they accidently destroy the negative. To get another photo, one of the boys begins impersonating a Chicago gangster. He then sneaks his camera into a nightclub. While there he gets fake money from the crimelord, which he gives to the police as evidence. Thanks to his efforts, the boss and his gang are brought to justice. ~ Sandra Brennan, All Movie Guide

Lucky Jordan (Alan Ladd) is a tough but good-natured New York racketeer who tries to finagle his way out of Army service. Despite his efforts, Jordan is drafted, but soon goes AWOL, with a lovely USO worker (Helen Walker) dogging his heels. She tries to arouse Jordan's patriotism, but he is unmoved until a gang of enemy spies beat up an old lady con artist (Mabel Paige) whom Lucky regards as a surrogate mother. Using his underhanded "street smarts," Jordan rounds up the spies and agrees to complete his military servitude. Lucky Jordan was one of several wartime films in which otherwise larcenous individuals are redeemed by channelling their talents for the good of Uncle Sam. ~ Hal Erickson, All Movie Guide

There's something very odd about Romano (John Litel), a notorious gangster serving time in the federal pen. For one thing, Romano doesn't sound much like himself. For another, he always seems to be hiding something. Detective Lee (William Gargan) suspects that something's amiss, and he's right: the man calling himself Romano is actually a hired double, placed behind bars so that the real Romano can go about his business undetected. A pedestrian effort, Sealed Lips is distinguished by the excellent cinematography of Stanley Cortez (still one year away from Orson Welles' The Magnificent Ambersons) and the spirited peformance of musical-comedy favorite June Clyde as an inquiring girl reporter. ~ Hal Erickson, All Movie Guide

In this drama two children return from their separate boarding schools to a nasty surprise. The father of one is romantically involved with the other's aunt. The two immediately try to destroy the love affair. They all get involved with chasing some thieves and end up in jail. There the judge marries the lovers and the children are finally able to accept it. ~ Sandra Brennan, All Movie Guide

In this musical comedy, a traveling salesman gets mixed up with a bratty heiress after she gets in a car wreck as she heads for her elopement. The two begin traveling together and get further mixed up with a fleeing bank robber, a crazy tourist camp, and other troubles. Songs include: "Oh Johnny, How You Can Love," "Maybe I Like What You Like," "Swing Chariot Swing," and "Make Up Your Mind." ~ Sandra Brennan, All Movie Guide

Otis Ferguson has said of Each Dawn I Die that "the story is of the kind you would have to see to disbelieve." And to be sure, the film is nothing more than a sampler of '30s prison-film conventions. But with the brilliant acting by James Cagney and the fast-paced and hard-edged direction of William Keighley, the film clatters past like an express train. Cagney plays Frank Ross, an innocent newspaperman who is railroaded into prison by a corrupt district attorney. In prison, he meets hardened-con Stacey (George Raft). Frank, at first, doesn't want to associate with Stacey and the other prisoners, but trapped in the hellhole prison, he more and more turns into a bitter con. Finally granted a hearing from the parole board, Frank pleads his innocence, but the parole board is headed by Grayce (Victor Jury), the man responsible for his imprisonment, and his parole is denied, and Frank becomes more hardened and embittered. By this point, Stacey has befriended him and agrees to help Frank prove his innocence. ~ Paul Brenner, All Movie Guide

Three years after the second Thin Man entry, MGM brought back the property by popular demand with Another Thin Man. As ever, William Powell and Myrna Loy star as sophisticated sleuths Nick and Nora Charles, with the added filip of 8-month-old Nick Charles Jr. At the invitation of munitions manufacturer Colonel MacFay (C. Aubrey Smith), the Charleses spend a weekend at MacFay's Long Island estate. The Colonel is certain that his shady ex-business associate Phil Church (Sheldon Leonard) plans to do him harm, a prognostication that apparently comes true when murder rears its ugly head. Though he's promised to cut down on his drinking (after all, he's a daddy now), Nick spends an inordinate amount of time sorting out the clues and identifying the actual murderer-who, of course, is the least likely suspect (and in fact is played by an actor who seldom if ever harmed a fly in any other film). Adding to the merry mayhem is the Charleses' efforts to find a good baby-sitter, resulting in an onslaught of "help"-and additional babies!--courtesy of Nick's old Underworld cronies. ~ Hal Erickson, All Movie Guide

Childhood chums Rocky Sullivan (James Cagney) and Jerry Connelly (Pat O'Brien) grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood. Rocky becomes a hero to a gang of teenaged boys (played by Dead End Kids Billy Halop, Leo Gorcey, Huntz Hall, Gabriel Dell, Bobby Jordan and Bernard Punsley). Father Jerry despairs at this, asking Rocky to lay off so he can keep the kids on the straight and narrow. Then Rocky's crooked business associates George Bancroft and Humphrey Bogart attempt to end Father Jerry's radio campaign against the rackets by killing the priest. Rocky (whose cynical outlook on life has been softened by his romance with true-blue Anne Sheridan) shoots them down and takes it on the lam. Arrested and convicted of murder, Rocky sits smugly on death row, fully intending to go to the chair with a smile on his face. A few moments before the execution, Father Jerry pleads with Rocky to "turn yellow" so that the tenement kids will despise his memory. ~ Hal Erickson, All Movie Guide

Preston S. Foster and Frank Jenks play Bill Crane and Doc Williams, the pulp-novel detectives created by mystery writer Jonathan Latimer. Crane and Williams tackle the case of a morgue robbery; the missing body is that of a young woman who died mysteriously. As the detectives follow the clues, they uncover a deeper mystery, seemingly unconnected with the stolen corpse. Ultimately they discover that the person or persons unknown who swiped the lady in the morgue has a great deal to hide, and won't stop at thievery to hide it. Lady in the Morgue was the third film in Universal's Crime Club series. ~ Hal Erickson, All Movie Guide

The legs in question in this the second of Warner Bros. Perry Mason whodunits belong to Margy Clune (Patricia Ellis), the first-prize winner in a Lucky Legs contest and the fiancée of Dr. Bob Doray (Lyle Talbot). But when Margy goes to collect her winnings, she finds that the contest's promoter, Frank Patton (Craig Reynolds), has skipped town with the money. When Margy goes after him, her boss, Bradbury (Porter Hall), convinces Perry Mason (Warren William) that she may be heading for trouble. And, sure enough, Patton is found very much murdered with Margy the prime suspect. But as Mason, his secretary Della Street (Genevieve Tobin), and intrepid private eye Spudsy Drake (Allen Jenkins) discover, there are other and more dangerous suspects around. The Case of the Lucky Legs was followed by The Case of the Curious Bride (1935) and The Case of the Velvet Claws (1936), also with Warren Williams as Mason, after which the role would be played in the remaining films by three different actors: Ricardo Cortez, Donald Woods, and William Lundigan. ~ Hans J. Wollstein, All Movie Guide