Joan Dowling Movies

Black-market babies in a British boardinghouse provide the basis of this brutal crime drama. Though the landlady is outwardly upstanding and self-righteous, she is really the brains behind the operation. Her newest tenant is the pregnant lover of a convicted killer who has come there to avoid publicity. There the hapless girl is horribly mistreated as are all of the "guests." But despite the abuse, the young woman refuses to report it. Another boarder, who lost her baby due to the landlady's refusal to call a doctor, becomes the young woman's friend. Eventually things become so bad that a houseworker phones the police. Just before they arrive, the evil landlady shoves the pregnant woman down a flight of stairs and leaves her there to die. The wicked woman is then arrested and goes on to get her just desserts. This film received the very first British "X" rating. ~ Sandra Brennan, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

Bonar Colleano, who spent the war years playing featured roles in British films as likeably cocky Americans, heads the cast of Pool of London. Ever his brass, cheeky self, Colleano is cast as Dan MacDonald, a sailor who dabbles in a bit of smuggling, just for the fun of it. The fun is over when he gets mixed up with a gang of jewel thieves who have a habit of framing others for their crimes. At the risk of his own neck, MacDonald must extricate his best friend Johnny (Earl Cameron) from a murder charge. Pool of London ran into censorship troubles in the U.S. because of its depiction of a romance between Cameron, a black actor, and Susan Shaw, a white actress. ~ Hal Erickson, All Movie Guide

In this drama, a frustrated upper-class writer decides that he will find real inspiration by examining his subjects first-hand. This leads him to begin wandering about the seamiest side of town where he witnesses a murder. When an innocent man is arrested, the writer refuses to assist him as the knowledge that he has been "slumming" could destroy his career. The young man is sentenced to 15 years in prison. Upon his release, he hears his own story in a radio drama written by the author. This enables the ex-con to get the necessary evidence to clear his name. ~ Sandra Brennan, All Movie Guide

In this comedy, two miners go on a seaside vacation where they meet two lovely women and have a fine old time until one of the miner's playboy friends shows up and starts creating romantic mayhem. Fortunately, a younger sister intervenes and brings them back to each other. ~ Sandra Brennan, All Movie Guide

Based on the play by Joan Temple, No Room at the Inn takes place in the early stages of WW2, when the children of London were evacuated to the Country. A group of these youthful refugees are taken in by Mrs. Voray (Freda Jackson), who already has several orphans in her charge. Outwardly the soul of Christian charity, Mrs. Voray is actually a drunken harridan who treats the children like her own personal slaves. It is said that when the villainess received her comeuppance, movie audiences were known to stand up and cheer. The most intriguing aspect of this melodramatic exercise is that the screenplay was written by legendary Welsh poet Dylan Thomas! ~ Hal Erickson, All Movie Guide