Raye Dowell Movies

American independent filmmaker Deborah Kampmeier makes her writing and directing debut with the intimate drama Virgin. In a small conservative town, Jessie (Elizabeth Moss) is the outcast teenager of a right-wing Christian family consisting of a strict dad (Peter Gerety), an emotional mom (Robin Wright Penn, who also produced), and an innocent sister (Stephanie Gatschet). After spending an evening with local boy Shane (Charles Socarides), Jessie is convinced that she's pregnant, although she has no memory of actually having sex. Her rebellious behavior isn't completely understood by her family or her community. The conclusion finds her meeting up with two other troubled women. Virgin was shown at the 2003 IFP Los Angeles Film Festival. ~ Andrea LeVasseur, Rovi

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, Rovi

Spike Lee's 1990 directing effort is a jazz film, the story of a fictional trumpeter named Bleek Gilliam (Denzel Washington). He leads a quintet at the Beneath the Underground club with a flashy saxophonist named Shadow Henderson (Wesley Snipes). Though Shadow takes a few too many solos, everything seems fine in Bleek's life. Trouble soon arises, however, and he is forced to make decisions regarding both his best friend Giant (Spike Lee), and his relationships with two women. Giant, his manager and old pal, is addicted to gambling and often gets roughed up by thugs looking for pay back. Bleek is the only member of the quintet who wants to keep him as manager. The trumpeter's woman problems concern trying to decide between two girlfriends who both love him: a schoolteacher (Joie Lee) and a singer (Cynda Williams). Spike's father Bill Lee scored the film, with contributions from Branford Marsalis, Terence Blanchard, Abbey Lincoln and Ruben Blades (who plays Giant's bookie). ~ John Bush, Rovi

The title Landlord Blues is a lot catchier than the film itself. Mark Boone Jr. plays a slum tenant whose landlord might well be described a scumbucket, except this wouldn't be fair to the other scumbuckets. The more Boone complains, the nastier his landlord becomes. When the last straw is broken, Boone exacts revenge in bloody slasher-flick fashion. Nary a cliché remains unturned in Landlord Blues. ~ Hal Erickson, Rovi