Geneva Gray Movies
Director Otto Preminger's only western, River of No Return is set in Canada during the 19th century Gold Rush. Farmer Matt Calder (Robert Mitchum) is released from prison after serving a sentence for shooting a man in the back to protect a friend. He arrives in a small town to retrieve his young son, Mark (Tommy Rettig), who has befriended a sultry saloon singer, Kay (Marilyn Monroe). Matt is also friendly with Kay, and thanks her profusely for looking after Mark, but distrusts her paramour, Harry Weston (Rory Calhoun)- a gambler with the morals of an alley cat. Matt and Mark return to their rural homestead, but soon glimpse Kay and Harry on a sinking raft, apparently en route to make good on a gold claim; Matt rescues the two of them, but doesn't count on Harry doing an about face, beating him up, and stealing his horse and gun; Kay stays behind to look after Matt. Meanwhile, the Indians go on the warpath, and the defenseless trio decides to seek refuge by fleeing the farm and sailing down the river on a raft. En route, the son - thanks to Kay's doing - is unexpectedly disillusioned about the father's original crime. Moreover, as Matt approaches town, he begins to plot a decisive revenge against Harry. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Marilyn Monroe, (more)
- 1949
The same studio that brought forth Father Was a Fullback was responsible for Mother is a Freshman. Loretta Young stars as Abbigail Abbott, the widowed mother of coed Susan Abbott (Betty Lynn). In order to legally validate Susan's scholarship fund (a legacy of her late grandmother), Abigail enrolls in the university as a freshman. Here she is wooed by Professor Richard Michaels (Van Johnson)--much to Susan's dismay, since she'd set her cap for the professor herself. Rudy Vallee reprises the "stuffy middle-aged suitor" characterization he'd essayed in such previous comedies as The Palm Beach Story and Bachelor and the Bobby-Soxer. Mother is a Freshman afforded audiences the opportunity of glimpsing 20th Century-Fox's familiar "college campus" sets in full Technicolor (these standing sets were also seen in black & white in such 1949 releases as Mr. Belvedere Goes to College and It Happens Every Spring). ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Van Johnson, (more)
- 1948
In this western, a hero prevents a stagecoach robbery and wins the respect and confidence of a mine owner and a pretty woman who is going west to see her sister. Two outlaws next try to jump the miner's claim. ~ Sandra Brennan, All Movie Guide
- Starring:
- Christine McIntyre
- 1948
Joe Palooka, Ham Fisher's famed comic-strip fighter, risks his life to clear the name of his manager in this series entry. In this episode, Palooka is blinded during a fight. Although surgery restores his vision, the doctors strongly caution him not to fight again for at least a year. Meanwhile Knobby Walsh, his manager, begins managing another heavyweight fighter who gets himself mixed up with gamblers. To save his manager's good name, Palooka disregards the doctors' advice and reenters the ring. ~ Sandra Brennan, All Movie Guide
- Starring:
- Virginia Belmont, Paul Bryar, (more)
- 1948
Angels Alley was the ninth entry in Monogram's Bowery Boys series. This time around, Slip Mahoney (Leo Gorcey) welcomes his cousin Jimmy (Frankie Darro) into his home. Fresh out of jail, Jimmy takes a job with a ring of car thieves. Slip covers for Jimmy to the extent of confessing to a crime that his cousin has committed. A contrite Jimmy decides to turn the tables on the thieves, and with the help of Slip's buddies Sach (Huntz Hall), Whitey (Billy Benedict) and the rest (sweet shop owner Louie [Bernard Gorcey] isn't around for this trip), the crooks are rounded up by the cops. Any attempts by the makers of Angels Alley to pass off their film as a serious crime melodrama are dissipated when, at the end of the picture, Huntz Hall whines to Leo Gorcey "This is the last time I make a movie with you!" ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Gorcey, Billy Benedict, (more)
