Robert Gillespie Movies

Renowned theatrical director Adrian Noble directed the Royal Shakespeare Company's mid-'90s stage production and helmed this film adaptation of that version. Its 1999 video release was apparently to coincide with Michael Hoffman's higher-profile feature of the same year. The setting is very theatrical in nature, with nearly all of the scenes taking place on a theater stage. The story is also bookmarked by a child (Osheen Jones), who is apparently dreaming all of the events, and also appears frequently in most of the scenes. Hyppolyta/Titania (Lindsey Duncan) and Theseus/Oberon (Alex Jennings) drive the plot with their romantic bickering, which stems from the romantic foursome of Demetrius (Kevin Doyle), Hermia (Monica Dolan), Lysander (Daniel Evans), and Helena (Emily Raymond). Lysander and Hermia are in love, but Hermia is promised to Demetrius by Hermia's father, Egeus. Helena, who is Hermia's best friend, is in love with Demetrius, but Demetrius loathes her. As one would expect, Lysander and Demetrius are very hostile towards one another. Hyppolyta feels strongly for Hermia and Lysander' case and becomes angry with Theseus when he takes Egeus' part in the predicament. Lysander and Hermia flee, Demetrius pursues, and is, in turn, pursued by Helena. The foursome then encounter the fairy kingdom, led by Oberon and Titania. Oberon orders his lackey, Puck (Barry Lynch), to cast a spell on Titania as a form of retribution for an argument the royal pair are currently having. Oberon also commands Puck to place the same spell on Demetrius, whom he has witnessed scorning Helena. However, due to miscommunication, Puck enchants Lysander instead. The scene becomes hectic, with enchantments and miscommunication abounding. At one point, Helena becomes the focus of love from both Demetrius and Lysander, while Hermia assumes the scorned woman role. Meanwhile, Titania has been forced to become infatuated with a mortal named Bottom (Desmond Barrit), whom Puck has enchanted with an ass head. By movie's end, however, all is straightened out. The fairy rulers reconcile and the mortal couples are united in marriage. At the wedding party, Theseus and his minions are entertained by the Pyramus and Thisbe play as performed by the rude mechanicals headed by Bottom. The Pyramus and Thisbe play-within-a-play is traditionally one of the highlights of the piece, but seems to lack some focus in this treatment. As films go, this is standard fare, technically speaking. In relation to other filmed versions of A Midsummer Night's Dream, however, few are more enjoyable. ~ Ryan Shriver, Rovi

This 1978 re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the pre-World War I time frame of the Buchan story. Hannay (Robert Powell) is an innocent bystander, suspected by enemy agents of having intercepted their secret war plans. Pursued by both the spies and the police, Hannay runs for his life in the company of Alex (Karen Dotrice). The Thirty-Nine Steps ends with a "high and dizzy" sequence on the face of Big Ben, borrowed from the 1942 Will Hay comedy My Learned Friend. ~ Hal Erickson, Rovi

This is the second sci-fi adventure based on a novel by Edgar Rice Burroughs, the first being 1975's The Land That Time Forgot. At The Earth's Core stars Doug McClure as explorer David Innes and Peter Cushing as professor Abner Perry, whose experimental "iron core" drill goes out of control and leads them to the underground kingdom of Pellucidar, where the Wing People are ruled by the monstrous, flying Mahars. With the help of the professor, Innes leads the Wing People in revolt against their evil masters. Monsters and mayhem abound in what is essentially a well-produced, if somewhat juvenile, knockoff of The Time Machine. ~ Don Kaye, Rovi

Zany British comedian Frankie Howerd, who'd previously laid waste to Ancient Rome in Up Pompeii, does same with World War II in Up the Front. Howerd plays a timorous servant who undergoes hypnosis. While thus entranced, he imagines himself a fearless warrior, and makes a beeline to the recruiting office. The laughs come fast and furious when Howerd finds himself the recipient of the enemy's war plans--tattooed on his tush. As was customary, Frankie Howerd took several opportunities in Up the Front to directly address the audience and crack wise about the situation at hand. ~ Hal Erickson, Rovi

Dick Clement directed this late-in-the-game spy thriller, starring Kirk Douglas. Douglas plays Andrej, a drone that smuggles books out of communist countries. Unfortunately for Andrej, he is mistaken for a spy and gets into a series of convoluted situations. Fabienne (Marlene Jobert), who lives with Sir Trevor Dawson (Trevor Howard), a randy British minister, is the slinky sex-bomb who finagles Andrej into the heart-thumping predicaments. Also on hand is Tom Courtenay as Baxter Clarke, an inept counter-espionage agent, who manages to make Andrej's already bad situation worse. ~ Paul Brenner, Rovi

Much of this Avengers episode was comprised of footage from the never-seen installment "Invitation to a Killing," which was to have introduced the character of Tara King. The plot is set in motion by one Colonel Nsonga (Johnny Sekka), who has stolen 3,000 high-tech rifles in hopes of staging a coup in his native country. Posing as an arms dealer, Steed finds himself at a live demonstration of the stolen weaponry -- with Tara as the helpless target. Written by Donald James, "Have Guns -- Will Haggle" was first shown in America on May 1, 1968, and in England on December 11 of that year. ~ Hal Erickson, Rovi

In this epic medieval adventure, King Arthur is in his second decade of ruling Camelot when he becomes gravely ill and must journey to the castle of a good Saxon friend to recuperate. The ailing king does not know that the treacherous Saxons there are planning to kill him and commandeer the throne. At first the traitors' plans are foiled by a dashing outlaw who saves the king. Unfortunately, the Saxon dogs eventually succeed. Their leader tries to insure that he gets the crown by marrying Arthur's daughter. But instead, she goes off with another, causing the usurper to proclaim that she has died and that he is now the rightful king. Fortunately, she is not dead but off in the country seeking Merlin. She and her lover succeed and with the mighty magician manage to return to Camelot just as the new king is to be crowned. At this point the crusty Merlin demands that the Saxon prove his fitness to reign by removing Arthur's beloved Excalibur from its scabbard. Of course he fails. And of course the good princess succeeds. Immediately, the usurper and his band flee the country, but not before they are vanquished by the newly united British army. ~ Sandra Brennan, Rovi