Hy Anzell Movies

Law & Order's first two-part episode begins with an assault on the owner of a candy store. Following the trail of clues, Greevey (George Dzundza) and Logan (Chris Noth) end up at the door of prominent gangster boss Frank Masucci (Charles Cioffi). The so-called "Dandy Don" has long eluded prosecution, but attorneys Stone (Michael Moriarty) and Robinette (Richard Brooks) believe that they at last have enough evidence to put Masucci away for life. Alas, the lawyers have placed all their eggs in a single "basket" -- namely, Masucci's mercurial brother-in-law Harv Beigel (Bruce Altman). ~ Hal Erickson, Rovi

Vicki Gaye (Cyd Charisse) is a dancer at a night club in early 1930's Chicago. A healthy cynic who still possesses some ideals, she entertains no illusions about the "invitation" (or the $100 that goes with it) that she gets to a party hosted by mob kingpin Rico Angelo (Lee J. Cobb) -- but she still won't let Angelo's head torpedo Louis Canetto (John Ireland) get near her. Angelo's attorney Thomas Farrell (Robert Taylor) is another story -- he's a more complicated than the men he defends, and still enough of an idealist so that when he and Vicki cross swords about who is the worse hypocrite, it actually affects him. Farrell, whose right leg has been crippled from birth and getting worse, took the easy way to success by pursuing a criminal practice, including getting Canetto off a murder rap -- but after meeting Vicki he starts to see another path to take, and also embarks on a year of surgical procedures to cure the worst of the pain in his leg. And he comes out a new man, with a new plan in life, including starting over in a practice that doesn't involve criminal law. But Angelo plans on having Farrell fight an old friend, prosecutor Jeffrey Stewart (Kent Smith), who is trying to indict Angelo's associate Cooky La Motte (Corey Allen). Farrell resists, until Angelo threatens to harm Vicki -- and when the case and the trail blow up in both sides' faces, he finds himself caught between the mob and the law, with Vicki urging him to do the right thing. ~ Bruce Eder, Rovi

In this coming-of-age drama, three recent high school graduates from Detroit must make a difficult choice when they are offered a fortune to smuggle hashish from Canada into the US. As they are quickly going nowhere in their grimy suburban town, the three buddies are sorely tempted. Each of them undergoes a major change in their personal lives and they are left with the feeling of having nothing left to lose. Unfortunately, their lark across the border becomes deadly serious when they meet the dealer at an isolated farm and realize that he wants them to smuggle heroin, not hash. ~ Sandra Brennan, Rovi

A police detective (Don Johnson), whose job is the only thing he has left in his life, must investigate the murder of a fellow officer. He follows the trail and is shocked to find a white-supremacist conspiracy in the process. ~ John Bush, Rovi

The John Gardner novel A Complete State of Death became this bloody crime flick that united frequent action genre collaborators Charles Bronson and director Michael Winner. Bronson stars as Detective Lieutenant Lou Torry, a grizzled undercover New York City cop who ruins his career when he is caught going violently overboard while apprehending a ghetto punk. As punishment, Torry is banished all the way to the L.A. Police Department, where he begins investigating a mysterious chain of events involving ex-soldiers that seem to be Mob related. It turns out that Don Alberto Vescari (Martin Balsam), an aging Mafia chieftain, is planning the use of mentally disturbed Vietnam vets as assassins in a campaign of murder. With one broad, gory stroke, Vescari schemes to wipe out his underworld enemies, retaliating for a massacre that wiped out a generation of Sicilian mobsters 40 years earlier. ~ Karl Williams, Rovi

Woody Allen spent most of the 1980s and '90s veering between comedy and drama, and he rarely combined the two with greater success than in Crimes and Misdemeanors, in which he weaved together two stories, one deadly serious, one often funny, both ending in sadness. Martin Landau plays Dr. Judah Rosenthal, a prominent ophthalmologist with a successful practice, a loving family, and a reputation for generous charity work. But Rosenthal also has a secret: his mistress, Dolores (Anjelica Huston). What began as a casual fling has become uncomfortably intimate, and as he tries to break off the relationship, Dolores threatens to expose his infidelity to his wife and some unorthodox financial arrangements to his colleagues. Fearful that Dolores will make good on her threats, Judah confesses his secret to his brother Jack (Jerry Orbach), who has ties to organized crime and offers to "make the problem go away." Meanwhile, Cliff Stern (Woody Allen) is a filmmaker working on his pet project, a documentary about philosopher Prof. Louis Levy (Martin Bergmann). However, films about philosophers don't pay the rent, so Cliff's wife Wendy (Joanna Gleason) arranges for him to make a documentary for public television about her brother Lester (Alan Alda), a famous TV comedian whose vapidity is exceeded only by his arrogance. While Cliff tries to bite the bullet and finish the film, he finds himself falling in love with PBS producer Halley Reed (Mia Farrow). ~ Mark Deming, Rovi

Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, Rovi