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Eddie Garrett Movies

1981  
 
In the first episode of a two-part story, Quincy (Jack Klugman) and his lady friend Janet (Diana Muldaur) are enjoying a luxury cruise to Tahiti, when tragedy strikes. One man suddenly jumps overboard and drown, while another is murdered--and the murderer subsequently dies himself. It turns out that a mysterious but deadly illness is rapidly spreading throughout the cruiser...and unless Quincy is able to isolate the source of the disease, no one will ever set foot on shore again. ~ Hal Erickson, Rovi

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1980  
 
Max Carson (Tom Troupe), one of Quincy's old war buddies, manages to survive a plane crash--only to die after receiving a blood transfusion from his business partner Charlie Barnes (Joseph Campanella), who was likewise in the crash and suffered more serious injuries. The authorities are convinced that somehow, some way, Charlie has murdered Max. Refusing to believe this, Quincy (Jack Klugman) performs an autopsy and discovers that Max died of arsenic poisoning...but how did he get it? ~ Hal Erickson, Rovi

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1976  
 
First seen on October 3, 1976, as a component of the rotating crime anthology series The NBC Mystery Movie, Quincy, M.E. starred Jack Klugman as the title character, a one-time private medical practitioner who, after the death of his wife, gave up his profitable practice to become a medical examiner with the Los Angeles County Coroner's Office. Using his vast knowledge of forensic medicine, Quincy (whose first name was never revealed on the series) frequently came up against cases of normal or "accidental" death, or suicide, that he suspected to be murders. Whenever this happened, Quincy went into full detective mode, ruffling the feathers of everyone in any sort of authority, from the police to the D.A.'s office to the medical establishment itself. Contentious and persistent, Quincy never let up until he proved his theories or solved the case at hand, even when facing public censure, the loss of his license or a stiff prison term.

Once the series ceased its sporadic NBC Mystery Movie schedule and became a weekly, one-hour NBC offering in the spring of 1977, Quincy broadened his range of outrage to include suspected cases of child abuse, drug and/or alcohol addiction brought about by flaws in the bureaucracy, governmental red tape, incompetent doctors, corrupt politicians, shifty lawyers, gangland chieftains, and those who would prey on the helpless and infirm in all walks of life. While Quincy's intentions were honorable and his results were often laudatory, he proved to be a major pain in the neck to his superior in the coroner's office, Dr. Robert Astin (John S. Ragin). Originally a pompous, preening obstructionist bureaucrat, Dr. Astin mellowed into an intelligent and avuncular character as the series wore on, and became one of Quincy's closest friends. Another "friendly adversary" was police lieutenant Frank Monahan (Garry Walberg), who frequently found himself both resisting Quincy's intrusions into his territory and welcoming his meticulous detective work and razor sharp deductions. Others in the supporting cast included Robert Ito as Quincy's young and ambitious assistant, Sam Fujiyama; Val Bisoglio as restaurateur Danny Tovo (who owned Quincy's favorite watering hole, Danny's); and Joseph Roman as police sergeant Brill.

Although he lived alone on his personal boat which he kept docked at a marina, Quincy did not want for female companionship. His girlfriend during the series' first two seasons was Lee Potter (Lynnette Mettey); she was followed by a steady stream of lovely ladies, including Dr. Emily Hanover (Anita Gillette), who ended up marrying Quincy after innumerable delays and breakups in the series' final season. Created and produced by Glen A. Larson, Quincy, M.E. remained a popular NBC attraction until its cancellation on September 5, 1983. ~ Hal Erickson, Rovi

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Starring:
Jack KlugmanGarry Walberg, (more)
 
1971  
R  
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"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodHarry Guardino, (more)
 
1967  
 
In Coleman, Nebraska, Steve Dexter--actually Richard Kimble (David Janssen)--is hired by construction boss Pat Patton (Jack Warden). A local pariah ever since one of his building collapsed and killed three children, Patton is determined to make up for his past misdeeds by erecting a new downtown structure free of charge. Though Patton knows who Kimble really is, he agrees not to turn the fugitive over to the police...but the conditions for his silence are both strange, and strangely motivated. ~ Hal Erickson, Rovi

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