John Doumanian Movies
- 2001
- PG13
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Writer and director Woody Allen returns to the Manhattan of the past with this romantic comedy set in 1940, the era of fedora hats and gumshoe detectives. Allen stars as C.W. Briggs, an insurance investigator whose razor-sharp instincts have just led to the successful conclusion of another case, the recovery of a stolen Picasso. While he's a valued employee, Briggs is under fire from efficiency expert Betty Ann Fitzgerald (Helen Hunt) for his antiquated attitudes and refusal to accept modern crime-solving techniques such as fingerprinting. C.W. claims he puts himself directly into the criminal mind, a skill that will do him no good when he and Betty Ann are hypnotized at a Rainbow Room gathering one night by the magician Volton (David Ogden Stiers). As a parlor trick to entertain their co-workers, Volton makes C.W. and Betty Ann believe they're a couple that's deeply in love. But the performer secretly keeps up the ruse after the party's over, calling C.W. to whisper a magic code word and ordering the detective to rob wealthy homes with security systems that C.W. himself has designed. With no memory of his thieving activities, a frustrated C.W. can't solve the high-profile jewel burglaries, while he and Betty Ann struggle with their odd new attraction for each other, made more complicated by the fact that Betty Ann is romantically involved with their boss (Dan Aykroyd). ~ Karl Williams, Rovi
- Starring:
- Woody Allen, Dan Aykroyd, (more)
The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made-for-television adaptation directed by and starring Allen himself. The fish-out-of-water premise remains the same: Allen plays Walter Hollander, a caterer from New Jersey who takes his family on vacation to a fictional Eastern European country. The trip turns sour when, thanks to a series of misunderstandings involving some inopportune snapshots, they are accused of espionage. The family goes on the run, taking refuge in the American Embassy. There, with the help of a wily young diplomat, they try to figure out a way to return to America without sparking an international incident. Though this version is set 25 years later than the original film, the changes are mostly cosmetic: the visual style is hand-held and more frantic, and the script replaces numerous references to the Cold War with a few glancing nods to present-day politics. Another notable change, the addition of an opening montage parodying newsreels, was reportedly the result of network pressure after Allen's initial cut proved too short for the planned time slot. ~ Judd Blaise, Rovi
Bullets Over Broadway is a Woody Allen romp that, as the title suggests, combines gangsters with show business at the height of the Roaring Twenties. David Shayne (John Cusack) is a straight-arrow playwright who plans to stand firm against compromising his work, but quickly abandons that stance when his producer (Jack Warden) finds a backer to mount his show on Broadway. There's just one catch, however: the backer is a mobster (Joe Viterelli) who sees Shayne's play as a vehicle for his dizzy, talent-free girlfriend, Olive (Jennifer Tilly). Shayne also has to deal with the demands of veteran theatre diva Helen Sinclair (Dianne Wiest) and is shocked to discover that Olive's hitman bodyguard, Cheech (Chazz Palminteri), is probably a better playwright than he is, as he secretly revises Shayne's work when he sits in on rehearsals. ~ Don Kaye, Rovi
- Starring:
- John Cusack, Jack Warden, (more)
There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, Rovi
- Starring:
- Woody Allen, Diane Keaton, (more)
One of Woody Allen's most seemingly biographical films, Husbands and Wives opens with upper-middle class Manhattan couple Sally (Judy Davis) and Jack (Sydney Pollack) announcing to their best friends, the Roths, that they are splitting up. Gabe Roth (Allen) and his wife Judy (Mia Farrow) are taken aback by their casual revelation. Jack begins dating his dim, but sexy, aerobics instructor and Sally starts up a tentative romance with Michael (Liam Neeson). Gabe and Judy begin analyzing their marriage, discovering that they might not be meant to stay together. English professor Gabe begins a serious flirtation with a student of his named Rain (Juliette Lewis) and Judy begins to have feelings for Michael. Eventually, Sally and Jack reconcile, but have not improved their relationship. Gabe and Judy end up going their separate ways. Husbands and Wives was seemingly influenced by Ingmar Bergman's Scenes From a Marriage. ~ Perry Seibert, Rovi
- Starring:
- Woody Allen, Judy Davis, (more)
Everyone knows that teenagers are smarter than adults, and if given a chance the kids could save the world -- if they don't blow it to bits first. The Manhattan Project tells of how 16-year-old Paul Stephens (Christopher Collet) tries to alert his community to the dangers of nuclear energy. John Mathewson (John Lithgow), a doctor in a pharmaceutical research plant wherein covert plutonium experiments are taking place, is the boyfriend of Paul's mom, Elizabeth (Jill Eikenberry). While Mathewson is romantically occupied, Paul and his girl, Jenny Anderman (Cynthia Nixon), steal the plutonium and construct their own atomic bomb. They do this, of course, as a warning to foolhardy grown-ups -- none more foolhardy than the folks who put up good money to make this film. The Manhattan Project was directed by longtime Woody Allen collaborator Marshall Brickman, whose expert sense of comic timing obscures the thickheaded "message" of this picture. ~ Hal Erickson, Rovi
- Starring:
- John Lithgow, Christopher Collet, (more)
A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Mia Farrow) regularly meets with her sisters Holly (Dianne Wiest) and Lee (Barbara Hershey) to discuss the week's events. It's what they don't always tell each other that forms the film's various subplots. Hannah is married to accountant and financial planner Elliot (Michael Caine), who carries a torch for Lee, who in turn lives with pompous Soho artist Frederick (Max Von Sydow). Meanwhile, Holly, a neurotic actress and eternal loser in love, dates TV producer Mickey (Allen), who used to be married to Hannah and spends most of the film convinced that he's about to die. Appearing in supporting parts are Lloyd Nolan and Maureen O'Sullivan (Farrow's real mom), as the eternally bickering husband-and-wife acting team who are the parents of Hannah and her sisters. The film begins and ends during the family's traditional Thanksgiving dinner, filmed in Farrow's actual New York apartment. Unbilled cameos are contributed by Sam Waterston as one of Wiest's brief amours and Tony Roberts as one of Allen's friends. Hannah and Her Sisters collected Oscars for Michael Caine, Dianne Wiest, and Woody Allen's screenplay. ~ Hal Erickson, Rovi
- Starring:
- Woody Allen, Mia Farrow, (more)
A man who simulates death for a living finds himself unwittingly tied into the real thing in this New York-based suspense drama. Special-effects man Rollie Tyler (Bryan Brown) makes his living simulating gory mayhem and photogenic violence for movies such as "I Dismember Mama." Tyler is given a chance to expand his professional horizons when he's approached by Lipton (Cliff De Young), who introduces himself as an FBI agent and makes an unusual proposal. Mob kingpin Nicholas DeFranco (Jerry Orbach) is willing to testify against his fellow gangsters, but the investigators are worried about his safety. Lipton wants Tyler to help him and his staff fake DeFranco's assassination; if everyone is convinced DeFranco is dead, people will be a lot less likely to look for him. Tyler grudgingly takes the assignment, and while he's able to realistically simulate DeFranco being shot in a crowded restaurant, after the "gag," he discovers that he's been double-crossed, and he's wanted for the murder of the man he just "shot." Tyler hides out with his girlfriend, Ellen (Diane Venora), but he realizes that whoever set him up wants him dead after she's killed by a bullet meant for him. With the help of fellow effects artist Andy (Martha Gehman), Tyler goes underground and tries to unravel the truth behind the Lipton murder. Meanwhile, police detective Leo McCarthy (Brian Dennehy) is convinced that something is not right when he's called to the scene of DeFranco's murder and is certain that the dead body is not the gangster. F/X was followed by a sequel, and later a short-lived TV series. ~ Mark Deming, Rovi
- Starring:
- Bryan Brown, Brian Dennehy, (more)
A smaller, amusing comedy from writer/director Woody Allen, Broadway Danny Rose begins with a bunch of show business vets sitting around a table at New York's Carnegie Deli and reminiscing about the legendary titular character, a loser of an agent who would represent anyone, including blind xylophonists, piano-playing birds, and has-been crooners with drinking problems. Allen plays Rose as a befuddled, warm-hearted schlub who finally has a shot at getting somewhere when he signs washed-up lounge singer Lou Canova (Nick Apollo Forte) and nearly brings his career back to life. Danny gets him a date at the Waldorf, where Milton Berle is in the audience, looking for guests for his TV special. Canova has a complicated love life, juggling both a wife and a girlfriend. so he enlists Danny to take the girlfriend, Tina Vitale (Mia Farrow), to the concert. But Canova and Tina have a fight, she goes back to her Mafioso boyfriend, and Danny winds up getting chased halfway around New York and New Jersey by the Mob. And of course, once Canova gets his big break, he dumps Danny for another agent. Allen, Forte, and especially Farrow all do strong work with characters that could have easily become stereotypes, and the film has a lighter, warmer touch than the Allen films that preceded it (Stardust Memories and Zelig). ~ Don Kaye, Rovi
- Starring:
- Woody Allen, Mia Farrow, (more)
Leonard Zelig, the "human chameleon", is profiled in this mock-documentary. Director Woody Allen appears as Zelig in scenes that purport to be vintage newsreel clips of the 1920s and 1930s, but are actually clever recreations, "aged" and scratched-up Citizen Kane-style by special-effects maestros Joel Hynick, Stuart Robinson and R. Greenberg Associates. An appropriately pompous narrator details the life and times of Leonard Zelig, whose overwhelming desire for conformity is manifested in his ability to take on the facial and vocal characteristics of whomever he happens to be around at the moment. He shows up at batting practice with Babe Ruth, among William Randolph Hearst's guests as San Simeon, side by side with Pope Pius at the Vatican, and peering anxiously over the shoulder of Adolf Hitler at the Nuremberg Rally. Becoming a celebrity in his own right, Zelig inspires a song, a dance craze, and a Warner Bros. biopic. Mia Farrow plays Dr. Eudora Fletcher , a psychiatrist who tries to "reach" Zelig and ultimately falls in love with him (all of Farrow's scenes are in black-and-white and allegedly culled from archive footage; Ellen Garrison, whose resemblance to Farrow is uncanny, plays the older Dr. Fletcher in the interview sequences). In the manner of Reds, the influence of the fictional Leonard Zelig on popular culture is discussed by such real-life notables as Susan Sontag, Irving Howe, Saul Bellow and Dr. Bruno Bettenheim. ~ Hal Erickson, Rovi
- Starring:
- Woody Allen, Mia Farrow, (more)
Woody Allen's tenth film as writer/director, Stardust Memories opens with a scene reminiscent of the opening of 8 1/2 and continues to use that film for inspiration. Sandy Bates (Allen) sits in a train at a train station, the car filled with very unhappy looking people. In a train on another set of tracks, Bates sees a wonderful party going on. A beautiful woman blows him a kiss as the happy train pulls out of the station. Bates is a famous film director who has been invited to attend a festival of his work being held at the Stardust hotel. He attends the event, but is ceaselessly harassed by fans who accost him and repel him in equal measure. While consistently hearing the complaints from fans, critics, and even space aliens that his earlier comedies are superior to his dramatic work, Bates juggles a trio of women in his private life. His encounters during the course of the retrospective force Bates to take a long look at himself. Sharon Stone makes one of her first film appearances as the woman who blows Sandy a kiss. ~ Perry Seibert, Rovi
- Starring:
- Woody Allen, Charlotte Rampling, (more)
On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and Mary begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, Rovi
- Starring:
- Woody Allen, Diane Keaton, (more)
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, Rovi
- Starring:
- Woody Allen, Diane Keaton, (more)
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