Dan Frishman Movies

Harry (Harry Anderson) is crushed when his boyhood idol, TV western hero "Red Ranger" (Robert V. Barron), is hauled into court when he ignores a legal order to take off his trademark mask. But it may be the Red Ranger is who ends up crushed when threatens to commit "suicide by air conditioner." Meanwhile, Dan risks committing professional suicide when he is attracted to Kitty (future Desperate Housewives star Teri Hatcher), the very sexy--and very off-limits--niece of his nasty boss Vincent Daniels (Daniel Frishman). ~ Hal Erickson, Rovi

Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved healthy cult status following its home-video and cable TV releases. The directorial debut of Fred Dekker (writer of the successful horror parody House), this low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and (gasp!) drunken fraternity shenanigans into a blender, spiced with witty one-liners and references to dozens of horror classics (and anti-classics). The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges (Jason Lively, Steve Marshall) who open a literal can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting (and undressing) sorority girls. The town's only hope (such as it is) seems to be a hard-boiled ex-cop (Tom Atkins), who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces (some of which happen so quickly they'll have viewers reaching for the pause button) and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish. ~ Cavett Binion, Rovi

Director Allan Arkush knew whereof he spoke in Get Crazy. A longtime employee of Fillmore East, a popular rock-concert locale of the 1960s and 1970s, Arkush brought a great deal of insider's savvy to this comedy about the concert circuit and its denizens. Malcolm McDowell stars as a Mick Jagger-type rocker who is one of several acts lined up for a big New Years' Eve show. If villains Ed Begley Jr., Bobby Sherman and Fabian have their way, however, the show will never get off the ground. The supporting cast is dotted with such cult-flick icons as Dick Miller, Jackie Joseph and Mary Woronov. The musical portion of the program is handled by the likes of Malcolm McDowell, Lou Reed (as a Bob Dylan type) and Bill Henderson (as a Muddy Waters takeoff). In case it hasn't been made clear already, the main "joke" of Get Crazy is the presence in the cast of actors as musicians and musicians as actors; it is to the film's credit that this one joke never wears out its welcome. ~ Hal Erickson, Rovi

The classic tale of a kind-hearted princess stalked by a jealous stepmother is brought to life in this early episode of Faerie Tale Theatre. Elizabeth McGovern is Snow White, the princess whose stepmother, the queen, banishes her because she is jealous of the girl's beauty. She takes up residence with a septet of friendly dwarfs in the woods, but eventually falls victim to a poisoned apple delivered by the queen in disguise. Only a kiss from a prince (Rex Smith) will awaken her. Veteran actress Vanessa Redgrave portrays the insanely wicked queen, and Vincent Price lends his incomparable voice and screen presence to the film as the queen's omnipresent magic mirror. ~ Carrie Downes, Rovi