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Scott Frederick Movies

1993  
R  
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Michael Steinberg, co-director of The Waterdance, made his solo directorial debut with the Gen-X character study Bodies, Rest & Motion. Written by Roger Hedden, based on his own play, the film's title refers to Newton's First Law of Motion, which states essentially that a body at rest or in motion will remain in that state until acted upon by an external force. The film is set in the desert town of Enfield, AZ. Nick (Tim Roth) is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth (Bridget Fonda), will move to Butte, MT, which he's read is "the city of the future." "I read that a while ago, so the future should be there by now," he enthuses. He waits until the last moment to tell Carol (Phoebe Cates), his ex and Beth's best friend, about the move. While Nick is working his last day, Sid (Eric Stoltz) comes to the couple's house to paint it for the next tenants. He quickly develops an interest in Beth. He, Beth, and Carol get stoned and hang out. When Sid hears about the move, he tells Beth that he's never left Enfield, and has no interest in traveling. Meanwhile, Nick decides to take off on his own. When Beth gets word of this from Carol, she finds solace in Sid's arms. Sid proclaims his love the next morning, and implores Beth to stay. Meanwhile, Nick visits his childhood home, looking for his parents, has an epiphany, and decides to return to Carol. The film features Alicia Witt (Urban Legend) in her first substantial part. There's also a very brief cameo by Peter Fonda, Bridget's father. Hedden would go on to collaborate with Stoltz again on Sleep With Me and Hedden's directorial debut, Hi-Life. ~ Josh Ralske, Rovi

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Starring:
Phoebe CatesBridget Fonda, (more)
 
1984  
R  
In the opening scenes of this politically-oriented drama, a killer enters the home of a policeman and in a shocking sequence murders him in cold blood -- an act that becomes the key to the rest of this film about the conflict between politics and life. Young Catholic, Cal (John Lynch) works in a slaughterhouse during the day and has participated in terrorist activities, but he wants out after he has been forced to drive a getaway car in the murder of the policeman. Meanwhile, he is slowly enchanted by Marcella, an older woman (Helen Mirren) who has just started working at the local library. Smitten but shy, Cal manages to ease himself into a job on her land, and when his father's home is burned to the ground by Protestants, Cal moves into a cottage on the woman's estate. Eventually, the two start a quiet liaison -- but Cal's inner turmoil disturbs the happiness he feels when he is with Marcella. Can he continue to hide his terrorist past from Marcella, who knows nothing about what he has done? While this question and others raised by the film are reasonable, director Pat O'Connor's treatment of the story may be too muted, and John Lynch's Cal too innocuous and frail (especially in contrast to Helen Mirren's Marcella) to win over all viewers. ~ Eleanor Mannikka, Rovi

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Starring:
Helen MirrenJohn Lynch, (more)