Richard Elmore Movies
The Desert Fox is a superb filmed biography of German general Erwin Rommel, concentrating on the period between his retreat from North Africa and his government-decreed death. A brilliant tactician, Rommel earns the respect not only of his own men but of the enemy. Unfortunately, Adolph Hitler (Luther Adler), laboring under the delusion that he too is a military genius, demands more of Rommel than he's able to provide. Ordered to stand his ground in Africa to the last man, Rommel realizes that it's more intelligent in the long run to retreat; this incurs Hitler's wrath, but Rommel is a war hero, and as such is virtually "untouchable". Increasingly disgusted by Hitler's behavior, Rommel joins in a plot to assassinate the Fuhrer. The attempt fails, and Rommel's complicity is discovered. He is given a choice: either face a horrible death by torture, or commit suicide, thereby saving his family and his reputation. Rommel opts for the latter; the official story given to the press is that Rommel died heroically of his war wounds. Also appearing in The Desert Fox are Jessica Tandy as Rommel's wife and Leo G. Carroll as an insufferably aristocratic Von Ruhnstedt. The film caused a critical stir in 1951 by providing a tense ten-minute dramatic sequence before the opening credits--a technique that is all but de rigueur today. The Desert Fox was based on the book by Brigadier Desmond Young, who narrates the film and appears as himself in the early scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Cedric Hardwicke, (more)
John Garfield, in the best performance of his career, portrays Joe Morse, an ambitious attorney who has long since abandoned his scruples in favor of monetary reward. Morse now represents the interests of crime boss Ben Tucker (Roy Roberts), who plans to take over the numbers racket in New York. Morse has devised a way of doing this legally and above-board, with no violence: Tucker's people will bring about the collapse of the illegal numbers racket in the city, using a race track-betting scam that will bankrupt the small-time underworld numbers banks; an investigation will ensue, along with a call for a legal numbers operation in the form of a lottery, which Tucker will control through Morse's machinations. The whole plan hinges on Morse's estranged brother, Leo (Thomas Gomez), a small-time numbers banker who is to be shielded from the collapse, and who will serve as the "legitimate" front for Tucker. Leo is the flaw in the plan, however, because not only can't he stand the sight of Joe, but he is also too honest to participate in the plan -- he doesn't want his employees, all decent people just looking to earn a living, forced into the employ of real gangsters. Joe orchestrates a series of police raids that force Leo into his corner, and Joe's plan seems to be working out, but then the whole enterprise is threatened when a rival mob, run by Tucker's former Prohibition-era partner, Fico (Paul Fix), starts pressuring Leo, trying to get to Joe and Tucker. Fico and his men aren't any different from Tucker's mob, except that they're prepared to start shooting sooner to get what they want. Tucker decides to hang tough and expects everyone, including Leo, to do the same, even when Fico starts sending thugs around to frighten everyone. Soon Joe is beset by problems on three fronts -- he wants his brother out of Tucker's combination and safe; he is trying to romance Leo's bookkeeper (Beatrice Pearson), who is too nice a girl for who he is; and his own well-being is threatened by both Fico and Tucker, and a state investigator who has already tapped the phone of Joe's otherwise respectable partner. All of these threads are pulled together in the final section of the film, which is as violent and disturbing, yet poetic and graceful a resolution as any crime film of the 1940s ever delivered. Force of Evil was star-crossed almost from the start, as many of the people involved, including star John Garfield and director Abraham Polonsky (a writer making his debut behind the camera, with help from assistant director Don Weis in doing the camera set-ups and blocking), were suspect at the time for their leftist political views. Indeed, the company that made Force of Evil, Enterprise Productions, was also in trouble for the leftist leanings of its films in the midst of the Red Scare, and went out of business just as the movie was finished -- dropped by United Artists and picked up by MGM, of all studios, Force of Evil made it into theaters during Christmas week of 1948, not the ideal schedule for something as grim (albeit great) as this film was. As it turned out, it was Polonsky's last chance to direct for more than 20 years, and Garfield's last completely successful film. And a movie that should have been a triumph for all concerned ended up a cult favorite. ~ Bruce Eder, All Movie Guide
- Starring:
- John Garfield, Thomas Gomez, (more)
- 1946
Set during WWII, this taut and suspenseful espionage outing chronicles the courage of a brand-new cadre of specially trained American O.S.S. agents who parachute into France to destroy the vital Corbett Mallon tunnel to stop the German invaders from shipping supplies to their troops. One of the spies is a woman, and this bothers the group leader, who doubts her abilities. She soon proves herself, and the two embark on several exciting adventures before and after the completion of their mission. Along the way, the two manage to fall in love. Unfortunately, their commitment to duty is necessarily greater than their love and one of them will make a great sacrifice. ~ Sandra Brennan, All Movie Guide
- Starring:
- Alan Ladd, Geraldine Fitzgerald, (more)
