William Elliott Movies

The seventh and final season of Adam-12 spends a bit more time on the private lives of LAPD officers Malloy (Martin Milner) and Reed (Kent McCord) than in previous years. Reed was seen commiserating with his wife Jean, played by Kristin Harmon (replacing season two's Mikki Jamison). As for the unmarried Malloy, he devoted much of his down time to talking about his new girlfriend Judy, who was seen from time to time in the person of actress Aneta Corsaut, better known as Helen Crump on The Andy Griffith Show. The season opens with one of the series' rare two-part episodes, "Camp," and closes with another two-parter, "Something Worth Dying For." In between, the viewer is treated to one of Adam-12's best-ever episodes, "X-Force," in which Malloy loses his cool with a child abuser and smacks his handcuffed prisoner against a wall -- leading to an excessive-force charge, with Reed reluctantly corroborating the evidence. Although Adam-12's ratings suffered mightily as a result of being scheduled opposite Happy Days and Good Times, the series still enjoyed a loyal following during its final season -- and, as a bonus, it had entered the Valhalla of media history as prime time's last-ever half-hour dramatic network series. ~ Hal Erickson, Rovi

Dr. John Carpenter (Elvis Presley) helps the economically disadvantaged in an inner-city medical clinic. Three nuns are assigned to help out at the facility and are allowed to wear regular clothes instead of the traditional habits. Sister Michelle (Mary Tyler Moore) is the speech therapist who Dr. Carpenter would like to examine personally after hours. Along with the other sisters (Barbara McNair and Jane Elliot), Michelle is subjected to the criticism of the local parish priest (Regis Toomey) in the social experiment of non-traditional dress. Two spinsters even mistake the nuns for prostitutes without their habits. The priest wins out in the end, and the nuns must again don their habits. As the good doctor sings to the ailing children, Sister Michelle is transfixed both by a crucifix hanging on the wall and by Elvis Presley in an ironic and symbolic scene that flashes between the two icons. This was Presley's last studio feature and he welcomed the move from stifling screen images as he returned his focus to live performances and recording for the remainder of his illustrious career. ~ Dan Pavlides, Rovi

Set amidst the tumult and grit of the inner city, this blaxploitation outing centers on the devious exploits of drug-dealing gangsters. ~ Sandra Brennan, Rovi

Giant Flesh-Eating Rabbits Ravage American Southwest After Scientist Slips Up! Such is the plot of this unintentionally campy horror outing. The trouble begins when a researcher's experiment to use hormone injections to control Arizona's burgeoning rabbit population goes terribly awry, causing the cuddly rodents to grow to enormous proportions. In order to facilitate their growth, the rabbits need extra protein, and what better source than the relatively slow-moving human population that surrounds their huge subterranean lairs? ~ Sandra Brennan, Rovi

Where Does It Hurt? is a hospital comedy which is carefully designed to leave no interest group unoffended. In the broadest of broad comic manners, it recounts its tale of greed, ignorance and corruption in the medical profession. Dr. Albert T. Hopfnagel (Peter Sellers), a hospital administrator, is a doctor who is expert in the arts of bill-padding, unnecessary surgery, and kickbacks. His assistant (Jo Ann Pflug) has finally had enough of his destructive and dishonest shenanigans and gets him sent to prison. He is released a little too soon for comfort, however. ~ Clarke Fountain, Rovi