Robert Cory Movies

In this 1945 filmization of Emlyn Williams' semi-autobiographical 1938 play The Corn is Green, Bette Davis steps into the role originated on Broadway by Ethel Barrymore. Davis plays Miss Moffat, a turn-of-the-century schoolteacher in a Welsh mining town. She has opened her own school in hopes of lowering the town's illiteracy rate, thus enabling the younger residents to seek out more fulfilling lives than merely sweating away in the mines until they drop. She runs into a great deal of resistance from mine-owner Nigel Bruce, who realizes that as soon as the citizens can read and write, they'll rebel against his benevolent despotry. Even Miss Moffat concludes that her mission is hopeless until she is visited by young miner John Dall, who wants to know "what is behind all those books". Within two years, Dall has made so much progress that he has qualified for Oxford. A last-minute snag involving Dall's illegitimate child is solved when Miss Moffet herself agrees to adopt the baby so that her student can complete his education. Emlyn Williams himself came from a backward mining town, and was himself inspired to better things by a compassionate schoolteacher; the pregnancy angle was (probably) added to provide the story with a third act. The Corn is Green was remade for television in 1978, with Katharine Hepburn as Miss Moffat. Watch for one amusing gaffe in the original: despite carefully setting up the premise that the villagers are illiterate, they are shown hovering around a poster and reading it out loud in an early scene. ~ Hal Erickson, Rovi

This sweeping drama chronicles the foundation a Canadian institution: the Hudson's Bay Trading Company. Set in the 17th century when the fur trade was at its peak the story centers on Radisson, a far-sighted entrepreneurial fur trapper, and his sidekick who dream of establishing a major trading post on the title bay. Opportunity arises when they encounter an exiled British aristocrat and begin teaching him frontier ways. He in turn has them travel to England with him. There the determined Radisson, must first convince King Charles that the proposed post would be a lucrative venture. The king eventually agrees to fund the first post and Radisson, his partner and the aristocrat return to the Canadian frontier. The company gets off to a good start until the aristocrat's brother-in-law gets drunk and kills a native thereby nearly starting a war that Radisson averts by having the drunken killer killed. The nobleman is outraged and as soon as the three return to England to give a report to the King, he has the two trappers placed in prison. Fortunately, Radisson is able to appeal to the King's greed by telling him that the heretofore successful trading post will collapse without the two of them and they return to Canada to found a business empire that is still going strong today. ~ Sandra Brennan, Rovi

Having turned down the opportunity to produce Frank Capra's It Happened One Night (1934), MGM's Louis B. Mayer had second thoughts when the Capra film swept the 1935 Oscars ceremony. Mayer hastily commissioned an It Happened One Night wannabe titled Love on the Run, tailored for the talents of Joan Crawford and Clark Gable (who, of course, had starred in the Capra picture, and had copped one of those Oscars). Gable and Franchot Tone play rival journalists Michael Anthony and Barnabas Pells, who travel the length and breadth of Europe to outscoop one another. Crawford portrays madcap heiress Sally Parker, who is engaged to marry fortune-hunting Prince Igor (Ivan Lebedeff). Whereas in It Happened One Night the heroine (Claudette Colbert) linked up with Gable in order to expedite her elopement with the wrong man, in Love on the Run Crawford seeks out Gable's help to escape her impending marriage with Prince Igor. The two stars combine their flight across Europe with business, dogging the trail of international aviator Baron Spandermann (Reginald Owen), whom Anthony suspects of being a spy. Pells goes along with Anthony and Parker, and soon all three of them are tied up (literally, in Pells' case) with an espionage ring. While it is Clark Gable who ends up with Joan Crawford at fadeout time, it was Franchot Tone who claimed her as his bride in real life. ~ Hal Erickson, Rovi