Van Doude Movies

Daniel Auteuil and Emmanuelle Béart from Manon of the Spring (1986) co-star once again in Un Coeur en Hiver, playing characters whose distance from each others' lives belies the enormous emotional impact they have on one another. Directed by Claude Sautet, whose 40-year career included the Oscar-winning César et Rosalie (1972), Un Coeur en Hiver is a remarkably restrained film with torrents of feeling just under the surface. Auteuil plays Stephane, partner in an exclusive violin brokerage. His older business partner Maxime (Andre Dussolier) has a lovely new violinist girlfriend, Camille (Béart), who stirs Stephane but is ultimately rejected by him, sending all three characters into a spin that destroys their delicate, symbiotic balance. Hovering over this story is an unusual musical motif that is key to the characters' inner motivations. Violins play, and play on camera, all through the film, but the nature of Stephane's craft, Camille's career, and Maxime's profits is that the music can always be refined, tinkered with, changed with a twist of this or a bit of that. That's precisely how they conduct their relationships and lives -- with a fragile sense of security and no idea when to stop manipulating life for effect. ~ Tom Keogh, All Movie Guide

This French historical drama is a retelling of the story of St. Bernadette, the young 19th-century girl who was ostracized and persecuted after she saw a vision of the Virgin Mary at Lourdes. Though she became a popular folk figure, the local politicians attempt to commit her to an asylum. ~ Sandra Brennan, All Movie Guide

Z is one of the most politically insightful films ever made, exposing government hypocrisy and cover-up in the wake of a political assassination. Zei (Yves Montand) is a scientist who is scheduled to give a speech against the use of the atomic bomb. On the way to the event, he is attacked outside the auditorium by a group of right-wing extremists with political ties to the government as the police stand by and do nothing to intervene. He recovers long enough to make the speech but is later clubbed again and must undergo several surgeries, then dies during one of the procedures. A newspaper reporter finds a witness to the event and a judge willing to hear the case despite government protests. The ensuing trial reveals a government conspiracy, but the results of the trial are thrown out when a new government is formed by a military coup, which results in the intolerance that outlaws long hair, the Beatles, and any peaceful protests. Director Costa-Gavras used actual trial transcripts of the investigation into the May 22, 1963, assassination of Greek pacifist leader Gregoris Lambrakis, which proved a government conspiracy in his death. Yves Montand gives the best dramatic performance of his life, and Irene Papas stars as his wife, Helena. Z won the Oscar for Best Foreign Film of 1969, was 14th in terms of box-office success, and hit an international nerve in the age of social unrest, government cover-up, and political assassinations. All those involved worked on the film for a reduced rate with an option for royalties based on earnings at the theater window. The letter Z in the Greek alphabet means "he is alive." ~ Dan Pavlides, All Movie Guide

In this provocative sci-fi drama from Alain Resnais, a man wakes up in a hospital after an attempted suicide. He has invented a time machine that has proven effective, but only transports the subject back in time for one minute. Upon his release, he gets his hands on the machine to go back to a time he fondly remembers spending with a woman he apparently has feelings about. The two stroll on the beach before she leaves for Scotland. He follows her, but tragedy ensues and it is not clear if he has killed her or if she died an accidental death. The time-machine angle of the film features a dreamlike series of flashbacks making it unclear if the action is presently unfolding or is merely a vague memory from the past. ~ Dan Pavlides, All Movie Guide

Transference of guilt, a theme near and dear to the heart of French author Georges Simenon, forms the basis of Passion of Slow Fire, adapted from Simenon's novel La Mort de Belle. American student Alexandra Stewart completing her education in France, turns up murdered. The prime suspect is professor Jean Desailly, inasmuch as Stewart was residing with Desailly and his wife Monique Melinard. While the professor is innocent, the impact of the tragedy causes him to kick over the traces, acquire a mistress, and ultimately kill her. Passion of Slow Fire was also released as The End of Belle. ~ Hal Erickson, All Movie Guide

This was the first film directed by Eric Rohmer, and although it is not without flaws, this story of a down-and-out foreigner in Paris has its merits. Pierre (Jess Hahn) is a music student and already living on a shoestring when he hears that he has inherited a large sum of money. But just when it looks like his luck is changing for the better, his so-called inheritance is suddenly ephemeral. Saddled with debts, he wanders around the shadier side of the city throughout the summer, trying to survive but instead sinking deeper and deeper into the morass of poverty. His friends help out, and at the end it looks like his luck will be changing once again. ~ Eleanor Mannikka, All Movie Guide

Gary Cooper more or less repeats his international-roue characterization from 1938's Bluebeard's Eighth Wife for the 1957 romantic comedy Love in the Afternoon (both films were co-scripted by Billy Wilder, who also directed the latter picture). Audrey Hepburn co-stars as the daughter of Parisian private eye Maurice Chevalier. Investigating the amorous activities of Cooper, Chevalier relates what he's discovered to cuckolded husband John McGiver, who declares that he's going after Cooper with a pistol. Overhearing this conversation, Hepburn rushes off to rescue Cooper. She keeps him far away from McGiver by adopting a "woman of the world" pose. Cooper quickly sees through this charade; still, she is fascinated by Hepburn and attempts to relocate her after she disappears. Meeting Chevalier one day, Cooper relates the story of the Mystery Woman, never dreaming that he is describing Chevalier's daughter. Equally in the dark, Chevalier offers to locate the elusive Hepburn. Once he's tumbled to the fact that his quarry is his own flesh and blood, Chevalier advises Hepburn against contemplating a relationship with the much-older Cooper. She, of course, fails to heed this warning, setting the stage for an ultraromantic finale. Love in the Afternoon is highlighted by a superb running gag involving a quartet of gypsy violinists, who insist upon dogging Cooper's trail wherever he goes-including a steam bath. Love in the Afternoon was adapted by Wilder and I.A.L. Diamond from the novel Ariane by Claude Anet. ~ Hal Erickson, All Movie Guide