Robin Coleman Movies

Tyler Perry transitions another one of his hit plays to the big screen with this adaptation of Madea Goes to Jail. The successful filmmaker stars once again as the mischief-prone older woman whose exploits this time lead her to jail, where she befriends and reforms a prostitute named Candy (The Cosby Show's Keshia Knight Pulliam). ~ Jeremy Wheeler, Rovi

Following magnetic performances in Taps (1981) and Fast Times at Ridgemont High (1982), young actor Sean Penn sealed his reputation as one of his generation's most gifted performers with his gritty star turn in Bad Boys (1983), an entertaining tale of teen hoodlums in juvenile lock-up. Penn plays Mick O'Brien, a Chicago street tough who's planning on ripping off drug dealer Paco Moreno (Esai Morales). When the scam goes bad and his partner Carl (Alan Ruck) is slain, Mick flees from the cops in his car and accidentally runs over Paco's little brother, killing the boy. Sent to juvenile hall, Mick encounters a violent prison society run by the murderous trustees Viking (Clancy Brown) and Tweety (Robert Lee Rush). After Mick defends himself by savagely beating Viking, he becomes the facility's new top dog. On the outside, however, Paco seeks revenge by raping Mick's girlfriend J.C. (Ally Sheedy). Enraged, Mick escapes with the help of his brainy roommate Horowitz (Eric Gurry), but Mick is captured by compassionate guard Ramon (Reni Santoni). When Paco is arrested and unwisely sent to the same jail holding Mick, a showdown between the two old rivals is inevitable. ~ Karl Williams, Rovi

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie).

After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, Rovi