Frank Doubleday Movies

Intergalactic super-cop Brick Bardo (Tim Thomerson) crash-lands in the Bronx while on a cosmic head hunt, only to find himself just over a foot tall in our world. Bardo spends time bringing street gangs to justice while pursuing his original quarry. ~ John Bush, All Movie Guide

Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, All Movie Guide

Nomads is a scary, supernatural horror movie without blood and guts and gore or bouts of eroticism. Pierce Brosnan is Pommier, an anthropologist who has spent years researching the nomads in some of the coldest and hottest parts of the globe. Apparently, his research went too far, because now he is haunted by evil nomad spirits who do not look much different than some of the '90s teens with purple or green hair, chalky-white faces with dark mascara, and clothes to match. As he starts out hunting down these beings, scenes of a young female doctor (Lesley-Anne Down) fighting off an evil spirit are also shown. ~ Eleanor Mannikka, All Movie Guide

The year is 1997. Manhattan Island is now a heavily guarded maximum-security prison, where the scum of the earth have converged. When Air Force One crash-lands in Manhattan, the president (Donald Pleasence) is held hostage by its denizens. One-eyed mercenary Snake Plissken (Kurt Russell) is strong-armed into rescuing the chief executive. He is aided, not always willingly, by a tough gal (Adrienne Barbeau) and a manic cab driver (Ernest Borgnine). Escape from New York was followed by a sequel of sorts in 1996, Escape From L.A., again starring Kurt Russell. ~ Hal Erickson, All Movie Guide

Ingredients essential to this made-for-TV movie are a famous former pro football player, an interracial romance, and a brutal murder. Yes, the football player is O.J. Simpson, but the film was made a full 17 years before the death of Nicole Brown Simpson. In A Killing Affair, Simpson is cast as police detective Woody York, who is partnered with white female cop Viki Eaton (Elizabeth Montgomery) to solve a mysterious killing. In the course of the assignment, Woody and Viki fall in love. Also known as Behind the Badge, A Killing Affair premiered September 21, 1977, on CBS. ~ Hal Erickson, All Movie Guide

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter's homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it's open, he isn't prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974's Dark Star. ~ Brian J. Dillard, All Movie Guide