Kid Chissel Movies

This campy oddity -- featuring John Carradine in one of his patented walk-on roles -- pits some silly facsimile of a motorcycle gang against an even sillier stuntman in a deep-pile shag suit who is supposed to be the legendary humanoid lurker of the Northwestern wilderness. It seems Bigfoot has developed an understandable liking for buxom human females (including Joy Lansing and one-time Russ Meyer regular Haji), whom he abducts and carries off to his scenic woodland retreat and ties to ridiculously scrawny trees. Apparently the bike boys are jealous -- abducting curvaceous cuties is also a favorite pastime of theirs -- and they embark on an uncoordinated rescue mission. Predating mid-'70s Bigfoot-mania (sparked by the famous home-movie sightings), this goofy outing is probably more entertaining than Legend of Boggy Creek and a dozen other "serious" pseudo-documentaries on the subject. ~ Cavett Binion, Rovi

When bucolic character comic Grady Sutton shows up as a pistol packin' Westerner in Grand Canyon, your suspicions are confirmed; this oater is supposed to be a spoof. A movie company comes to the Grand Canyon area to shoot a B-western. Pompous leading man James Millican breaks his leg and is replaced by local mule jockey Richard Arlen. The novice actor has to be literally led by the hand by leading lady Mary Beth Hughes (no Oscar prospect himself), but everything is roses by fadeout time. Reed Hadley, steadfast narrator/star of such TV crime series as Racket Squad and Public Defender, is given a rare opportunity to make funny as the western's director. ~ Hal Erickson, Rovi

Roy Rogers could do no wrong at the box office in 1946, so it's safe to assume that Song of Arizona would have been a hit even if it hadn't been as good as it is. The plot is slightly reminiscent of Boys Town, with Gabby Whittaker (Gabby Hayes) running an Arizona ranch for homeless boys. One of Gabby's charges, young Chip (Tommy Cook), is the son of notorious bank robber King Blaine (Lyle Talbot). When Blaine is killed, Chip secretly digs up his dad's stolen money, intending to use it to pay off Gabby's mortgage. It is up to Roy Rogers to rescue Chip's from his Blaine's gang and to convince the boy that ill-gotten gains never did anyone any good (not in the movies, anyway). The film's musical highlight is a nightclub sequence, spotlighting a Roy Rogers-Dale Evans duet. ~ Hal Erickson, Rovi

John Wayne goes up against the lottery racket, 1880 Louisiana-style, in this passable time-killer from Republic Pictures. Arriving from New England to look into the Louisiana lottery on behalf of uplifter Blanche Brunot (Helen Westley), attorney John Reynolds (Wayne) falls in love with sultry Julie Mirbeau (Osa Munson), who attempts to persuade him that her father's gaming business is on the up and up. When a New Orleans restaurateur, Gaston (Shimen Ruskin), is found murdered, Reynolds begins to suspect that General Mirbeau's (Henry Stephenson) gang is behind the killing. To meet the attorney halfway, Mirbeau fires his chief henchman, Blackie (Ray Middleton), but is himself killed by one of Blackie's men, Cuffy Brown (Jack Pennick). Reynolds, who has been appointed special city attorney, pays his respect to Julie, but the angry girl accuses him of indirectly causing the death of her father and then flaunts her engagement to Blackie. Said engagement, however, suffers a fatal blow when Julie finds her fiancé in the arms of gambling hall hostess Pearl (Jacqueline Dalya). Taking the stand in court against the racket, Julie's testimony is interrupted when a rainstorm sweeps the area, breaking a levee. While pursuing a fleeing Blackie, Reynolds orders a steamship to block the hole in the levee, a plan that ultimately saves New Orleans. Having survived the potential disaster, Julie leaves the lottery racket behind and agrees to become Mrs. Reynolds. ~ Hans J. Wollstein, Rovi