Al Cavens Movies
- 1961
An idealistic, exceedingly arrogant young Austrian nobleman named Franz (Scott Marlowe) hopes to succeed where his ill-fated cousin, Emperor Maximillian, had failed by becoming Emperor of Mexico. Though he initially refuses to assist Franz in this foolhardy venture, Paladin (Richard Boone) quickly learns that Franz is willing to exact harsh punishment upon those who stand in his way. Ultimately, Paladin realizes that Franz is the unwitting dupe of his advisor Ludwig (Eduard Franz) who has entered into a gunrunning scheme with a notorious Mexican bandit. With famed fencing master Albert Cavens in the cast, it should be no surprise that a lively clash of swords is an episode highlight. ~ Hal Erickson, All Movie Guide
- 1960
Quickie-flick entrepreneur Bert I. Gordon makes a bid for the kiddie trade in The Boy and the Pirates. Charles Herbert, the juvenile star of 13 Ghosts, plays a contemporary kid who finds a bottle on the beach. The bottle contains genie Joseph Turkel (a loyal member of Stanley Kubrick's "stock company"), who whisks Herbert back in time and on board the pirate ship captained by Bluebeard (Murvyn Vye, whose performance is as shamelessly over-the-top as anything concocted by Robert Newton). Reams of stock footage later, Herbert escapes Bluebeard's clutches, together with his new friend Susan Gordon (Bert I. Gordon's daughter). Veteran Hollywood scrivener Lillie Hayward brings some much-needed class and polish to the low-budget proceedings. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Herbert, Susan Gordon, (more)
- 1956
Ginger Rogers ended her 23-year association with RKO Radio with the indifferent musical comedy western The First Travelling Saleslady. Ginger and Broadway favorite Carol Channing (whose only starring film this was) play a pair of corset salespersons who head westward in 1897 to hawk their wares. Finding a limited market for corsets, the ladies switch to selling barbed wire, which rests not at all well with cattle baron James Arness. Rescuing Ginger and Carol from Arness' hired guns are horseless-carriage inventor Barry Nelson and callow young cowpoke Clint Eastwood. Whenever asked about First Travelling Saleslady in later years, Carol Channing would blithely refer to it as "the picture that killed RKO"; she wasn't too far wrong in this assessment. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Barry Nelson, (more)
- 1954
Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Gilbert Roland, (more)
The opening credits appearing over a turbulent ocean serve as a foreshadowing of things to come in this standard-issue love triangle that shifts into high drama thanks to taut direction by Fritz Lang and a sizzling performance by Barbara Stanwyck. Returning to live with her brother, Joe (Keith Andes), at her family's home in a small fishing village, Mae Doyle (Stanwyck) has reached rock bottom. Reeling from the pain of her previous romances, Mae slowly pieces things together and begins dating Jerry (Paul Douglas), a simple-minded fisherman. More along Mae's speed is Jerry's slick, boozy pal Earl Pfeiffer (Robert Ryan), a film projectionist who makes his feelings for her known right away despite the fact that he is married. Mae spurns his advances and decides to marry Jerry. Meanwhile, Joe has grown close to ditzy factory worker Peggy (Marilyn Monroe). Some time later, Mae and Jerry have had a baby, and things appear happy, but Mae is not in love with Jerry, and soon finds herself in Earl's arms. Jerry discovers the affair, and during a confrontation with the deceitful couple, Mae reveals that she is leaving to be with Earl. After some booze and a pep talk from his Uncle Vince (J. Carrol Naish), Jerry confronts Earl and proceeds to nearly strangle him until Mae arrives. Jerry storms off, but when Mae comes to their home to retrieve the baby, she discovers that Jerry has taken the child. Desperately upset, she explains the situation to Earl, but as they talk, she begins to arrive at a new realization about her life and what it takes to find happiness. ~ Patrick Legare, All Movie Guide
- Starring:
- Barbara Stanwyck, Paul Douglas, (more)
