John Cater Movies

Director Jonny Campbell teams with screenwriter William Davies for this satirical look at the notorious, purportedly genuine "Alien Autopsy" video that fascinated viewers worldwide before being exposed as an elaborately staged hoax in 1995. Aired in America by the Fox network, the Alien Autopsy video caused an overnight sensation among UFO enthusiasts while proving just how susceptible to hype the media truly is. Now viewers can follow the adventures of ambitious British pranksters Gary (Ant McPartlin) and Ray (Declan Donnelly) as they execute one of the largest-scale practical jokes ever attempted. Bill Pullman and Harry Dean Stanton co-star in a comedy that encourages viewers to believe none of what they hear, and only half of what they see. ~ Jason Buchanan, Rovi

In this adaptation of the novel by Michelle Magorian, John Thaw stars as Tom Oakley, an old man with a short temper who doesn't have much use for people. However, after the outbreak of World War II, Tom is forced to take in Willie Bech (Nick Robinson), a young boy who has been evacuated from London and sent to the small village Tom calls home. Willie is a quiet, withdrawn child whose childhood has not been a happy one; Tom learns to draw him out, tutors him in reading and writing, and encourages his creative gifts. An unexpected bond develops between Tom and Willie, and when the boy's mother wants him to return to a London that's been torn apart by the blitz, Tom doesn't want him to leave -- and neither does Willie. Goodnight, Mister Tom received its American premier on PBS's Masterpiece Theater in 1999. ~ Mark Deming, Rovi

James Fox stars as real-life British turncoat Anthony Blunt in A Question of Attribution. A highly respected art expert (he was Queen Elizabeth's personal art advisor), Blunt was also intimately involved in the Burgess-Maclean-Philby spy scandal of the 1950s. According to this 1992 adaptation of Alan Bennett's play, Blunt tipped his hand while restoring one of his precious Titians. John Schlesinger (Midnight Cowboy) directed this razor-sharp psychological melodrama. Originally produced for British television, the 90-minute A Question of Attribution premiered in the US on October 4, 1992, as part of PBS' Masterpiece Theatre. ~ Hal Erickson, Rovi

Leonard Rossiter stars in the madcap British farce Rising Damp, as Rupert Rigsby, the bigoted and conniving landlord of a dingy flophouse in an unspecified English city. Rupert must contend on a daily basis with a motley group of tenants, including the nymphomaniacal spinster Ruth Jones (Frances de la Tour); Philip (Don Warrington), a black med student who insists that he is actually an African prince with an entire harem of wives; wet-behind-the-ears art student John (Christopher Strauli); and the dapper gold digger Seymour (Denholm Elliott). This film was actually a theatrical spin-off of a U.K. television series that ran from 1974 to 1978; Richard Beckinsale (father of Kate) had a key role in the original series but died in 1979, hence his absence from the movie. ~ Nathan Southern, Rovi

A late entry from the foundering Hammer Studios, this intriguing and highly original twist on the vampire motif -- featuring for once a hero more charismatic than the vampires with which he does battle -- was the first in a planned series of Kronos films, but poor planning on behalf of its overseas distributors killed the franchise's great potential in the American market. Kronos (Horst Janson) -- a kind of swashbuckling Sherlock Holmes of the occult sciences -- and his hunchbacked companion Professor Grost (John Cater), arrive in the village of Durward where the local young wenches are being victimized by a family of vampires that drain youth, not blood, from their victims, turning them into withered old hags. Kronos' mystical intuition and powers of deduction lead him to the elderly Lady Durward (Wanda Ventham) and her pompous children Paul (Shane Briant) and Sara (Lois Daine), and he soon squares off against his vampiric foes with a lethal sword (fashioned from a sacred cross) and a bag of occult tricks (including an interesting use of dead frogs). Well-photographed and cleverly directed by Brian Clemens (Dr. Jekyll & Sister Hyde), this is one of Hammer's few attempts to broaden its audience in the 1970's -- a trend which reached its zenith of zaniness with everybody kung fu fighting in the Hammer/Shaw Brothers collaboration Legend of the Seven Golden Vampires. ~ Cavett Binion, Rovi

Long thought dead, the victim of a horrible accident, Dr. Anton Phibes (Vincent Price) still lives, surrounded by art-deco bric-a-brac and attended by mute beauty Vulnavia (Virginia North). Outwardly normal in appearance, Phibes actually wears a rubber mask, covering his hideously deformed countenance; giving away the artifice is the fact that, when he dines, he takes his food through his neck rather than his mouth. Able to speak only when plugging a wire into his damaged vocal chords, Phibes elucidates his plan to murder the medical team whom he holds responsible for the death of his wife. Each of the killings is patterned after the ten deadly plagues. Phibes saves his worst for last: trapping chief surgeon Dr. Vesalius in his lair, Phibes forces the hapless medico into a race against time to save the life of his own son. ~ Hal Erickson, Rovi

A campy hark back to the "penny dreadful" school of literature, the British adventure series Virgin of the Secret Service was set in India and the Middle East during the early 1900s. The series' 13 hour-long episodes chronicled the exploits of dauntless Captain Robert Virgin (Clinton Greyn) of the British Secret Service. Aided by his valet Doublett (John Cater) and the fearless Mrs. Cortez (Veronica Strong), Captain Virgin held the line against the formidable villainy of the caddish, scoundrelly Karl Von Brauner (Alexander Dore) and Klaus Striebeck (Peter Swannick). Created by Ted Willis, Virgin of the Secret Service first swashed and buckled its way into British television on March 28, 1968. ~ Hal Erickson, Rovi

The plot of this episode is set in motion by the intense rivalry between FOG ("Friends of Ghosts") and SMOG ("Scientific Measurement of Ghosts"). When representatives of the two organizations head to a country church to investigate the sudden reappearance of a man long thought dead, Steed and Emma are called in to help. It isn't long, of course, before murder rears its ugly head. Scripted by Brian Clemens from a story by Anthony Marriott, "The Living Dead" originally aired in England on February 25, 1967, and was first seen in America six days later. ~ Hal Erickson, Rovi

In the third episode of the four-part story "The War Machines," the self-starting computer WOTAN (Will Operating Thought Analogue) begins the first phase of its campaign to conquer the world. As a terrifying army of robot war machines descend upon London, the Doctor (William Hartnell) tries to disable WOTAN -- but alas, it has been designed by Professor Brett (John Harvey) to be impervious to such shutdown efforts. Meanwhile, Brett's secretary Polly (Anneke Wells) and her seaman boyfriend Ben Jackson (Michael Craze) work behind the scenes to help the Doctor, if indeed anyone can help him. Scripted by Ian Stuart Black from a story idea by Kit Pedler, "The War Machines, Episode Three" first aired on July 2, 1966. ~ Hal Erickson, Rovi

Returning to modern-day London with Dodo (Jackie Lane) in tow, the Doctor (William Hatnell) discovers that a supercomputer called WOTAN (Will Operating Thought Analogue) has been invented by one Professor Brett (John Harvey). Though impressed by the fact that WOTAN can actually think for itself, the Doctor would be less impressed -- in fact, he'd be outraged -- if he knew that the computer is exercising an insidious form of mind control over thousands upon thousands of helpless Londoners. Anneke Wells makes her first series appearance as Polly, here introduced as Brett's secretary. Scripted by Ian Stuart Black from a story idea by Kit Pedler, the first episode of the four-part Doctor Who adventure "The War Machines" first aired on June 25, 1966. ~ Hal Erickson, Rovi

Someone has broken into an "impenetrable" underground spy headquarters and microfilmed a valuable document. The subsequent investigation reveals the startling "fact" that John Steed was in on the caper. While Steed languishes in prison, Cathy tries to get at the truth by trailing the beautiful female spy (Edina Romay) with whom Steed was apparently in cahoots. Written by Philip Chambers, "The Nutshell" was originally telecast in England on October 19, 1963; the episode wasn't seen in America until March 8, 1991. ~ Hal Erickson, Rovi