Timothy Carlton Movies

Swordplay, secret messages, and the rustle of ballroom finery make this 1982 adaptation of The Scarlet Pimpernel a gala bash. Anthony Andrews heads the cast as English nobleman Sir Percy Blakeney, a conceited but amusing fop in the drawing rooms of British high society. But beneath his veneer of lacy impertinence is a man of bravado and derring-do. In disguise, he becomes the Pimpernel -- ta-da! -- and steals into France to rescue aristocrats condemned to the guillotine during the French Revolution. After each rescue, he leaves behind a scarlet pimpernel, a flower whose petals close at the approach of stormy weather. He also uses a signet ring engraved with a scarlet pimpernel to identify himself on the sealing wax of letters to compatriots. It is all jolly-good intrigue. Because he cloaks his schemes in great secrecy, not even his new wife Marguerite (Jane Seymour) realizes he is anything more than an innocuous dandy. Frustrated, the French send the ruthless Chauvelin (Ian McKellen) to England to serve as ambassador and ferret out the elusive Pimpernel. In a plot that ensnares Marguerite and closes the Pimpernel's petals, Chauvelin finally confronts his clever adversary, and it's en garde -- parry and thrust! ~ Mike Cummings, All Movie Guide

Lee J. Cobb's last film is in this light romantic comedy starring Roger Moore as Michael Scott, an arms dealer who comes complete with a sophisticated playboy patter for the ladies. During war games, Michael attempts to sell weapons to NATO forces by trying to interest NATO general Steedman (Lee J. Cobb) in his wares. Opposing his sale is feminist reporter Julia Richardson (Susannah York), who is not impressed with either his job or his come-hither endearments. But, as happens to most movie feminists, she ends up putting her values on the back burner and she falls in love with Michael. ~ Paul Brenner, All Movie Guide