W. Earl Brown

A travel agent in deep debt attempts to swindle a by-the-books insurance agent by claiming the corpse of a gangland hit as his long-missing brother in director Mark Mylod's dark crime comedy. Paul Barnell (Robin Williams) is in trouble. Saddled with a cantankerous wife (Holly Hunter) and unable to convince ambitious insurance company agent Ted (Giovanni Ribisi) to pay off the one-million-dollar claim on his brother, who has been missing for five years, Paul's debts are mounting as fast as his life is crumbling. When Paul discovers the corpse of a nameless man who ended up on the wrong side of the mob, desperation drives him to stage a grizzly death scene and make it look as if his brother has suffered a horrible fate. Though the local police force is easily taken by Paul's elaborate ruse, it's going to take a little more convincing before Ted is willing to sign off on the hefty insurance payment. ~ Jason Buchanan, All Movie Guide

"Welcome to Deadwood...a hell of a place to make your fortune." These are the words that serve as greeting for saddle-weary former lawman Seth Bullock (Timothy Olyphant) as he rides into the illegal Dakota Territory settlement of Deadwood, a scant few weeks after Custer's defeat at the Little Big Horn. Before long, Bullock makes the acquaintance of another displaced Westerner, the cynical, burnt-out gunslinger Wild Bill Hickok (Keith Carradine) -- and not long after that, both men have had their first run-in with town boss Al Swearengen (Ian McShane), the confident, corrupt owner of the Gem Saloon (an establishment largely populated by flint-hearted whores). Thus begins season one of the iconoclastic HBO Western series Deadwood, arguably the most realistic program of its kind ever seen on American television. In the 11 episodes that follow the season opener, a group of vicious outlaws tries to foment another Indian war; Swearengen's status as the lord of the flies on the Deadwood dungheap is challenged by a Chicago "syndicate" (yes, they had them as far back as 1876); a valuable land claim held by feisty, wealthy frontierswoman Alma Garret (Molly Parker) becomes the focus of a deadly serious power struggle; the notorious Black Jack McCall (Garret Dillahunt) kills Hickok during a poker game (quite a jolt, to knock off one of the series' main characters so early in the game!); Deadwood is ravaged by an epidemic, during which the rambunctious but compassionate Calamity Jane (Robin Weigert) becomes a legend; Bullock is marked for death after bringing a murderer to heel; Swearengen is double-crossed by duplicitous "working girl" Trixie (Paula Malcomson); the town's criminal element tries to block annexation of the Dakotas, which would bring much-despised law and order to the territory; a minister finds himself less welcome in town than an opium dealer; and at season's end, Seth Bullock becomes Deadwood's official sheriff -- a position that offers neither job security nor much chance for survival. ~ Hal Erickson, All Movie Guide

John Clark Jr. (Mark-Paul Gosselaar) and Jennifer Devlin (Chandra West) spend the night together. Elsewhere on the romantic scene: in their efforts to get married without tipping off their superiors, Andy Sipowicz (Dennis Franz) and Connie McDowell (Charlotte Ross) agree to an outrageous but perfectly legal plan hatched by gay cop John Irvin (Bill Brochtrup). Back on the job, a crime investigation hinges upon whether or not a wheelchair-bound invalid is all that he claims to be. And after a violent showdown with vengeful IAB officer Fraker (Casey Siemaszko), the future -- and indeed the life -- of precinct skipper Tony Rodriguez (Esai Morales) hangs in the balance. This was the final episode of NYPD Blue's tenth season. ~ Hal Erickson, All Movie Guide

The directorial debut of Australian filmmaker Francine McDougall, this teen comedy stars Marley Shelton as Diane, captain of the Lincoln High School A-squad cheerleaders, the most popular girls in their school. They include born-again Christian Hannah (Rachel Blanchard), the rebellious Kansas (Mena Suvari), late-night talk show fan Cleo (Melissa George), and brainy geek Lucy (Sarah Marsh). When Diane learns that she's pregnant, she and her stud quarterback boyfriend Jack (James Marsden) get hitched and quickly learn that marriage with children is an expensive proposition. With some advice from Kansas' convict mom (Sean Young), the squad embarks on a plan to rob a bank, but their peppy enthusiasm and patented cheerleading moves may give them away to the authorities. ~ Karl Williams, All Movie Guide

When his cousin Lester (Dwayne L. Barnes) asks Gunn (J. August Richards) for help extricating himself from a deal to participate in a museum robbery, Gunn agrees. He poses as Lester, while Angel (David Boreanaz) kills and impersonates Jay-Don (Michael Hagy), a flashy Vegas vampire also in on the heist. The dynamic duo then pretend to work with a cabal of demons and criminal humans as they steal the Shroud of Rahmon, a supernatural totem dyed with the blood of seven virgins and capable of inducing madness in those who come into contact with it. Unfortunately, the madness envelops even the heroes; during the chaos, Angel apparently sucks the blood of Detective Kate Lockley (Elisabeth Rohm) when she arrives on the scene for a sting operation. Eventually, it turns out Angel was only pretending to have reverted to evil in order to keep from blowing his cover. By making the others think Kate was already dead, he saved her life. This comes in handy for Wesley (Alexis Denisof), who was apprehended by the authorities after being found standing over Kate's inert body. The criminals are finally defeated and the shroud destroyed, while Kate and Angel separately reminisce about his biting her. Meanwhile, everyone else adjusts to the short, choppy new hairdo Cordelia (Charisma Carpenter) is sporting. Originally broadcast November 21, 2000, on the WB network, "The Shroud of Rahmon" marked season two, episode eight of the supernatural comedy drama. ~ Brian J. Dillard, All Movie Guide

Dallas-born Marvin Lee Aday, considerably overweight even as a young boy and nicknamed Meat Loaf (played by look-alike W. Earl Brown), overcomes the negative admonishments of his alcoholic father and his obesity to become one of the best-selling rock singers of the late '70s and early '90s. His first roles as an actor lead to meeting songwriter Jim Steinman (Zachary Throne), who has the wild idea that the Top 40 radio market needs an oversized operatic tenor to sing gothic love songs. It turns out Steinman is right, and the album Bat out of Hell yields three Top Ten hits, catapulting them both into arena rock stardom. Physical and emotional difficulties take their toll on Meat, and he loses everything except his loyal wife, Leslie (Dedee Pfeiffer). Meat and Steinman gradually dig themselves out of their hole and return to glory with Bat out of Hell II: Back Into Hell, which sells five million copies, but only after Meat reconciles with his aging father. ~ Buzz McClain, All Movie Guide

A woman who has survived the touch of ultimate evil must now save one man from the same fate in order to protect the world in this supernatural thriller. Maya Larkin (Winona Ryder) is a devout Catholic who is said to have been possessed by a demon as a child; she now works with Father Lareaux (John Hurt) and John Townshend (Elias Koteas), fellow believers who perform exorcisms on troubled souls they believe are controlled by Satan. While performing an exorcism on a mass murderer, Henry Birdsong (John Diehl), Maya, and her cohorts come in contact with Peter Kelson (Ben Chaplin), a journalist and noted authority on the criminal mind who believes the notion of "evil with a capital E" is absurd. Peter is an agnostic despite being raised by a Catholic priest; his uncle, Father James (Philip Baker Hall), raised Peter after the death of his parents while he was still a child. During their failed exorcism, Birdsong tells Maya that Satan will return to Earth, inhabiting the body of a man in order to reclaim this world. As Maya attempts to unravel the code of who the devil's victim will be, she comes to the awful realization that the most likely candidate is Peter Kelson. Lost Souls marked the directorial debut of cinematographer Janusz Kaminski, whose camera credits include Saving Private Ryan, Schindler's List, and Jerry Maguire. ~ Mark Deming, All Movie Guide

The Farrelly Brothers set this romantic comedy in their home state of Rhode Island. In 1985, when teen-nerd Ted Stroehmann (Ben Stiller) challenges a high-schooler who's bullying retarded Warren Jenson (W. Earl Brown), his concern prompts Warren's sister, the dazzling and desirable Mary Jenson (Cameron Diaz) to choose Ted as her senior prom date, a fact Ted's pals find hard to believe. However, on prom night, Ted gets his penis caught in his zipper, so the much-desired date never happens. Living in Providence and waxing nostalgic 13 years later, Ted hires Pat Healy (Matt Dillon) to locate Mary, and the creepy private investigator finds her in Miami, where she lives with her tan-shriveled roommate Magda (Lin Shaye). After Pat develops a stalker-style fixation on the lovely, unattached Mary, he lies to Ted, telling him that she's now an overweight mother confined to a wheelchair. Employing professional eavesdropping equipment, Pat gathers a dossier on Mary's life and future plans, information that forms the basis for more lies when Pat begins dating her. Sure enough, Mary falls for Pat, although her friend Tucker (Lee Evans) is very suspicious of Pat's claim to be a Harvard-educated architect. Meanwhile, Ted learns the truth but continues to encounter offbeat obstacles as he accelerates to Miami in hopes of finding happiness with his true love. Former Modern Lovers singer Jonathan Richman vocalizes a narrative ballad of onscreen commentary in the Cat Ballou (1965) tradition. Most of the cast sings and frolics to Build Me Up, Buttercup by The Foundations during the closing credits. ~ Bhob Stewart, All Movie Guide

Scream is at once a slasher film and a tongue-in-cheek position paper on the "dead teenagers" movies of the late 1970s/early 1980s that plays as half-parody, half-tribute. Sydney Prescott (Neve Campbell) is having a rough time lately: she's still getting over the brutal rape and murder of her mother a year ago, and now one of her friends (Drew Barrymore) has been killed by a lunatic who harassed her with terrifying phone calls, then stabbed her to death while wearing a Halloween costume. Soon Sydney is receiving similar phone calls, quizzing her on the arcane details of such films as Friday the 13th and Prom Night, and is attacked by the same cloaked maniac. With her father missing, she has hardly anyone on her side except her best friend Tatum (Rose McGowan) and Tatum's brother Dewey (David Arquette), a half-bright cop. As for the murderer, it could be any number of people: Syd's father; her cute but overly intense boyfriend Billy (Skeet Ullrich); Tatum's goofball boyfriend Stuart (Matthew Lillard); or Randy (Jamie Kennedy), who works at the local video store and seems to like horror movies just a little too much. Much like Halloween, Scream spawned a series of sequels and inspired a large number of similar films -- its original working title, Scary Movie, became the title of the 2000 parody film by Damon Wayans. ~ Mark Deming, All Movie Guide

Veteran horror director Wes Craven was responsible for the hit 1984 film A Nightmare on Elm Street, which introduced the character of Freddy Krueger. After Craven sold the rights to his character, Krueger became filmdom's top grossing monster, with five sequels by 1991, none of them involving Craven. In this post-modernist horror film, Craven plays himself, a filmmaker working on a script for a movie that seems to be spinning out of control. Also playing himself, as well as playing his customary character Krueger, is Robert Englund. The original teenage hero of the first Nightmare film, Heather Langenkamp, also plays herself. She is still haunted by Freddy dreams, but Craven convinces her to make another Krueger film to exorcise her demons. Unfortunately, her son Dylan (Miko Hughes) is being taken over by Freddy himself, who materializes and kills Dylan's beloved nanny, Julie (Tracy Middendorf). Dylan, possessed by the evil spirit, escapes from the hospital and tries to cross a freeway with his mother in pursuit. Craven finds that his character has literally become a creation out of his control. ~ Michael Betzold, All Movie Guide

Another "based on an actual event!" TV movie, Murder Between Friends is set in 1980s New Orleans. Two friends become involved in murder when the wife of one of them begins cheating on her spouse. Constructed along the lines of "Rashomon", the script offers two entirely different accounts of the homicide and the events leading up to it. Timothy Busfield heads the cast as the hardworking prosecutor who wants to cut through the bull. When first telecast on January 10, 1994, Murder Between Friends was accompanied by a "viewer discretion" disclaimer; smart move. ~ Hal Erickson, All Movie Guide