Leonard Bremen Movies

This third film version of the 1928 Ben Hecht/Charlie MacArthur Broadway hit The Front Page was the first one permitted to utilize all the salty profanities in the original play. Director Billy Wilder cast his two favorite leading men, Jack Lemmon and Walter Matthau, as ace reporter Hildy Johnson and ruthless newspaper editor Walter Burns, respectively. The plot of the Hecht/MacArthur play remains intact: Burns pulls every underhanded game in the book to prevent Johnson from leaving his Chicago paper to get married, and in so doing the two journalists uncover a cesspool of political corruption, centered around the planned execution of anarchist Earl Williams (Austin Pendleton). Carol Burnett has an extended cameo as Williams' tart girlfriend, Mollie Malloy. The Front Page was remade for a fourth time in 1988 as Switching Channels. ~ Hal Erickson, Rovi

It is easy to see why the US Army refused to cooperate in the production of Attack. Based on the Norman Brooks play The Fragile Fox, this searing war film is a powerful indictment against a military system which protects even its most incompetent of officers. Eddie Albert plays a posturing but hopelessly inept infantry captain, whose misdeeds are covered up by his colonel Lee Marvin. Albert has strong political connections in the US, and Marvin hopes to take advantage of this after the war. Lieutenant Jack Palance has sworn to kill Albert with his bare hands if the officer bungles another mission. Albert orders Palance and his men into an untenable position on the battlefields of Belgium--and then, true to character, is too cowardly to send backup troops, leaving Palance's men to their fate. By sheer strength of will, Palance, whose arm has been shattered by an enemy tank, drags himself to the cellar where Albert is billeted and attempts to rid the world of the terror-stricken captain. Palance dies before he can keep his promise, but when the craven Albert makes an effort to surrender himself and his men to the Germans, he is shot down by lieutenant William Smithers. The rest of the men conspire to cover up Smithers' "crime" by claiming that Albert died from enemy fire, but Smithers proves to be less willing to prevaricate than his fellow soldiers. Though most filmgoers are mesmerized by Eddie Albert's virtuoso performance as a snivelling yellow-belly, director Robert Aldrich claimed that Albert gave his best reading during rehearsals, and that what ended up on film was nowhere near as powerful as it might have been. ~ Hal Erickson, Rovi

Edmond O'Brien stars as an idealistic state's attorney assigned to crack down on a crime syndicate. This proves more dangerous than first suspected, since the syndicate has a number of city officials in its pocket--including the father of one of the investigating committee's chairpersons. William Holden is the crusading newspaperman who attempts to help O'Brien, but even his efforts are compromised by deeply entrenched political corruption. The climax is staged at a crowded boxing arena, where Holden is struck down by an assassin's bullet intended for O'Brien. Inspired by the real-life Senate investigations of 1951, The Turning Point is neither a remake of a 1917 Paramount silent of the same name, nor was the 1977 ballet-oriented Turning Point a remake of the 1952 film. ~ Hal Erickson, Rovi