Diana Dors Movies

Horace Quilby (Michael Bentine) is a sandwich-board advertising man who gets a tour of London and sees some of the city's most offbeat and outrageous characters in this situation comedy. British blonde bombshell (Diana Dors) co-stars. Watch for Michael Chaplin (son of Charlie) as a beatnik artist. ~ Dan Pavlides, All Movie Guide

Head over heels in love with brassy nightclub singer Niki Carroll (Diana Dors), Dr. Don Reed (John Gavin) intends to marry her despite the objections of his father, Horace Reed (Carl Benton Reid), and Niki's former boyfriend, Bill Floyd (Scott Brady). Even the fact that all three of Niki's former husbands met with violent deaths will not deter Don from popping the question. It would be nice to report that Don's instincts are on target, and that Niki is a "good girl" despite her reputation -- but that just isn't true, as Don learns to his everlasting grief during his honeymoon. ~ Hal Erickson, All Movie Guide

Escaping from an institution, a young retarded boy named Hugo (Brandon de Wilde) is taken under the wing of sideshow magician Sadini (David J. Stewart), whose acts consists of sawing his wife, Irene (Diana Dors), in half. It so happens that Irene is two-timing Sadini -- and worse, she is planning his murder. Hoodwinking Hugo into being her accomplice, Irene does away with husband, only to receive a grisly comeuppance thanks to Hugo's inability to separate fact from fantasy. Originally filmed for the seventh season of Alfred Hitchcock Presents, this episode was never given a network telecast, due to NBC's queasiness over its gruesome finale. However, the episode was included in the Alfred Hitchcock Presents syndication package, and has also shown up in several public-domain VHS and DVD collections. ~ Hal Erickson, All Movie Guide

David Janssen is hardly perfect casting for the role of 1920s gambling king Arnold Rothstein (Rod Steiger or Gene Barry may have been better choices), but the sure-handed direction of Joseph Newman smooths over all the rough spots in this fanciful biopic. Set up in the gambling business by crooked politico Jack Carson, Rothstein cheats his partner Mickey Shaughnessy, cheats on his lovely wife Dianne Foster, and does his best to discredit his bitterest enemy, on-the-take police detective Dan O'Herlihy. When O'Herlihy engineers the death of Rothstein's pal Mickey Rooney, Rothstein pulls strings in the New York judicial system, assuring the conviction and execution of the rogue cop. As quickly as he rises to the top of the dung-heap, Rothstein falls with equal rapidity, and ends up riddled with mob bullets. Curiously, King of the Roaring Twenties bypasses Rothstein's involvement in the "Black Sox" baseball scandal of 1919, perhaps because too many participants in that debacle were still alive in 1960 (this incident would later be covered in toto in the 1988 film Eight Men Out, which co-starred Michael Lerner as Rothstein). While King of the Roaring Twenties ignores the facts, for the most part the film is to be treasured if for no other reason than the fact that director Newman managed to draw uncharacteristically subtle performances from Mickey Rooney and Jack Carson. ~ Hal Erickson, All Movie Guide

Produced by Mike Todd Jr., Scent of Mystery was a misguided attempt to introduce a new gimmick to motion pictures. The plot involved the apparent murder of a mystery woman (Beverly Bentley, at one time the wife of writer Norman Mailer) and the disappearance of several valuables. Denholm Elliott, Peter Lorre and Paul Lukas were among the good and bad guys chasing all over Spain and England. Whatever cinematic value Scent of Mystery had was dissolved by the film's gimmick, dubbed "Smell-O-Vision." The idea was to rig up a device in each theatre, from which would emanate a scent that corresponded with whatever image was on screen: the smell of roses for a garden, the odor of fish for an ocean scene, and so forth. Mike Todd Jr. should have guessed what the critical response would be, but released the film all the same. Scent of Mystery, though beautifully photographed, was perhaps the only genuine stinker ever produced by the motion picture industry. ~ Hal Erickson, All Movie Guide

In this crime drama, two crooked brothers, an embezzler and a gambler, find themselves in deep trouble when the embezzler steals from a steel mill so he can buy his lover fancy clothes. During the theft, he kills a night guard. This spawns an investigation by the slain watchman's son who locates a sightless witness. The son then convinces the killer that the witness saw him and this causes him to confess. ~ Sandra Brennan, All Movie Guide

In this crime thriller a young woman marries a wealthy vintner. Soon afterward, she falls in love with a handsome rodeo rider whom she sees every time her husband is away. One night, her mother-in-law spots a burglar outside the house and reports it to the police. The conniving wife sees a window of opportunity and plots the death of her husband, hoping to blame it on the burglar. Unfortunately, she accidentally murders her husband's friend. Fortunately, she is able to con her husband into taking the rap with the promise that he will be acquitted. During the trial, she lies and he is put away. Later she gets hers when her mother-in-law is poisoned and she is convicted of the crime. The irony of it all is that the wife is innocent of that crime. ~ Sandra Brennan, All Movie Guide

Diana Dors, Britain's equivalent to Marilyn Monroe and Jayne Mansfield, is virtually the whole show in La Ragazza del Palio (The Girl and the Palio). Diana plays Diana Wilson, a Texas gal who wins a trip to Italy from a radio quiz program. The minute she alights from the plane, our heroine is besieged by predatory males, most of them fortune-hunters. When True Love arrives in the form of impoverished Italian prince Vittorio Gassman, Diana nearly loses her man by coming on too strong. Somehow the plot is resolved happily when Diana's horse beats the Prince's at the annual Palio Race (it makes more sense on screen). La Ragazza del Palio was lavishly filmed on location at Siena, San Gimignano and Tuscany. ~ Hal Erickson, All Movie Guide

Mary Hilton (Diana Dors) is a young salesgirl in the cosmetics department of a major London store, who chances to meet -- and fall hopelessly in love with -- Jim Lancaster (Michael Craig), a young would-be professional musician. She is attracted to him sufficiently to leave her own, neglectful husband (Harry Locke). But Jim's interest in her, although also sincere, is deflected by his attraction to Lucy Carpenter (Mercia Shaw), a much wealthier and older woman, who seems to be able to offer him the security that he's always lacked. That's difficult enough for Mary to take, but when Jim's relationship with Lucy takes a tragic turn, she snaps -- her love for Jim is transformed into a murderous hatred for her rival, resulting in murder, and a death sentence. Mary's story is told entirely in flashbacks, as she awaits her final sentencing or possible reprieve, and attempts to tie up the loose ends in her life involving her mother, brother, and husband. ~ Bruce Eder, All Movie Guide

John Gregson stars as Chayley Broadbent, a young Yorkshire businessman leading a dull, perfunctory life. He inherits a sizeable fortune, plus a prosperous textile factory, from his wealthy father. Soon after, he has a fight with his straight-laced girlfriend, Ethel (Susan Stephen) and leaves her, taking off for London. Once there, he plunges into the nightclub circuit, falling in love with showgirl Diana Dors. But she mistakes him for an impoverished chap and thus rejects his marriage proposal. When she finally figures out the truth, she makes a beeline for him, but by then he's onto her golddigging motives and instead opts to return to Ethel. Adapted from a novel by Derick Boothroyd, Value for Money shows no shame in trotting out all the cliches and obvious comic set-ups indigenous to this sort of film farce. ~ Hal Erickson, All Movie Guide

In this crime drama, a writer and his wife are sleeping peacefully in their beds when a mysterious woman shows up, gives the writer her gun, also hands him some jewels and asks for a place to sleep. Unfortunately, someone murders her during the night and the author is accused of the crime. Fortunately, he is able to prove his innocent by the story's end. ~ Sandra Brennan, All Movie Guide

Had the women-behind-bars drama The Weak and the Wicked been made in Hollywood, the cast would probably have included the likes of Ida Lupino, Marie Windsor, Peggie Castle and Hope Emerson. Instead, the film was lensed in Britain, with Glynis Johns and Diana Dors heading the cast. Framed on a charge of fraud, "good girl" Glynis is tossed into prison. Her cellmates include hard-boiled Ms. Dors, murder suspect Jane Hylton, blackmailer-poisoner Dame Sybil Thorndyke and shoplifter Olive Sloane. Each of their stories is detailed in a series of flashbacks. Downplay the potential sensational elments of the storyline, The Weak and the Wicked takes great pains to point out the positive values of a special rehabilitation program, wherein the main characters are given the opportunity to make themselves useful members of society. ~ Hal Erickson, All Movie Guide