Lester Dorr Movies

Based on a story by Robert Andrews, If I Had a Million is a multipart comedy-drama employing Paramount's top directorial and acting talents. Refusing to leave his fortune to his grasping relatives, dying millionaire Richard Bennett selects several people at random from the phone book and bestows upon each of them a check for one million dollars. The first recipient is henpecked husband Charlie Ruggles, who cheerily enters his former place of employment, a china shop, and smashes every bit of crockery in the place. Prostitute Wynne Gibson uses her money to escape from her sordid lifestyle and finally sleep in a bed all by herself. Forger George Raft finds that he can't convince anyone that his check is genuine, and ends up handing the check to a flophouse manager--who promptly burns it. Husband and wife W.C. Fields and Alison Skipworth, dismayed that their new car has been destroyed by a "road hog," utilize part of their million dollars to purchase a fleet of cars and then smash up every road hog in sight! Convicted murderer Gene Raymond hopes that his million will help finance a new trial, but the execution is carried out on schedule. Newly rich clerk Charles Laughton calmly makes his way through a series of offices, reaches his boss' desk, and delivers a loud Bronx cheer. Gary Cooper, Roscoe Karns and Jack Oakie play three brawling marines who think the check's a joke and sign it over to an illiterate lunch-counter owner. The last million-dollar recipient is May Robson, an elderly woman confined to a dismal nursing home. She spends her money to turn the home into a joyful resort for old people, forcing the formerly repressive nursing-home staffers to earn their paychecks by sitting all day in rocking chairs. The millionaire who started the plot rolling is given a new lease on life by May Robson's example, and he recovers from his "fatal" illness. ~ Hal Erickson, All Movie Guide

The end of prohibition spells the end of business as usual for Chicago gangster Bugs Ahearn (Edward G. Robinson in this delightful spoof of mob melodramas from Warner Bros. Paying off their latest moll, Edith (Shirley Grey, Bugs and chief lieutenant Al Daniels (Russell Hopton) grab their ill-gotten gains and go west, hoping to crash polo playing Santa Barbara society. Bugs acquires a rental mansion and a high class girlfriend, Polly Cass (Helen Vinson), but the estate actually belongs to kind but down-on-her-luck socialite Ruth Wayburn (Mary Astor) -- whom the former mobster retains as his social secretary -- while Polly and her relatives prove to be bigger crooks than he ever was. The Little Giant was reportedly filmed in 18 days on a budget of $197,000. ~ Hans J. Wollstein, All Movie Guide

Cited by film historian William K. Everson as one of the fastest-moving crime melodramas of the 1930s (if not the fastest) Fog Over Frisco still manages to leave viewers breathless. Top-billed Bette Davis plays giddy heiress Arlene Bradford, whose perverse fascination with gangsters gets her mixed up in a stolen-securities scheme. Arlene's more sensible sister Val (Margaret Lindsay) tries to keep her out of trouble, but this proves impossible. Entering into the fray are hotshot society reporter Tony (Donald Woods) and goofy photojournalist Izzy (Hugh Herbert), who like Val get in over their heads when they stumble upon the body of the murdered Arlene. The identity of the killer remains a well-concealed secret until Izzy, of all people, stumbles across a vital clue. Things really begin to accelerate when Val is kidnapped by Arlene's gangster cohorts (who, interestingly enough, are very reluctant to take her prisoner and do so only when there's no other option!), leading to a mile-a-minute rescue and hasty plot wrap-up. Among the many good guys, bad guys and red herrings are Alan Hale as an Irish cop, Robert H. Barrat as a butler who isn't a butler, and Henry O'Neill as a gosh-knows-what who may be the murderer. Though physical action is at a minimum, Fog Over Frisco is kept constantly on the move by director William Dieterle, using every cinematic trick and optical effect (wipe dissolves, iris-outs, swish-pans etc.) at his disposal. The film was less effectively remade as Spy Ship in 1942. ~ Hal Erickson, All Movie Guide

Written by the prolific Ben Hecht, Upper World is a clash-of-class melodrama set in New York City. Railroad tycoon Alexander Stream (Warren William) is neglected by his social-climbing wife Mary Astor. Quite unintentionally, through a chance encounter, he strikes up a reasonably chaste friendship with good-hearted showgirl Lilly Linder (Ginger Rogers). Lilly's ex-boyfriend Lou Colima (J. Carroll Naish) sees an opportunity to blackmail Stream; Lilly tries to block him from doing so, and is murdered for her troubles. Stream shoots Colima in self-defense and manages to cover up his involvement so that the crime scene looks like a murder-suicide, protecting his good name and marriage in the process. But a vitriolic cop (Sidney Toler), whom Stream had earlier gotten demoted over a traffic stop -- and who was on patrol in the vicinity of the crime -- involves himself in the case and gathers enough evidence to point the detectives and the press toward the wary tycoon. Though he must stand trial for Colima's death, Stream is supported in his ordeal by his suddenly attentive and affectionate wife.
~ Hal Erickson, All Movie Guide

On the day that he is scheduled to perform a violin solo at a swank bridge luncheon held by his social-climbing mother, rich kid Wally Albright opts instead to play football with the Our Gang kids. With Wally's help, the kids win the game, but his expensive clothes are covered with mud. Unofficial "Gang" leader Spanky McFarland declares that he and his pals are perfectly capable of washing Wally's duds on their own --- and the result is a slapstick smorgasbord, culminating in a typically outsized Hal Roach traffic jam. Originally released on September 29, 1934, "Washee Ironee" was the only "Our Gang" comedy helmed by perennial Laurel and Hardy director James Parrott --- which may explain the presence of stalwart L & H supporting players Ellinor Van der Veer and Tiny Sandford in the cast. ~ Hal Erickson, All Movie Guide

Taking refuge from a rainstorm in a deserted farmhouse, young married couple Joe and Loretta Martin (Edward Norris and Rochelle Hudson) soon discover to their horror that the house is being used as a hideout for a gang of kidnappers. Gang leader Tobey (Cesar Romero), a comparatively reasonable sort, elects not to kill the couple because they have an ailing baby with them. But Tobey's psychotic henchman Pitch (Bruce Cabot) is not quite so sentimental, and awaits the opportunity to knock off all three "intruders." When the G-Men, tipped off by the serial numbers on some ransom money, manage to track down the crooks, Tobey is killed, leaving Loretta and her baby at the mercy of Pitch -- at least until she picks up a machine gun and mows him down! As brutal as it was possible to get under the newly strengthened Production Code, Show Them No Mercy (inspired by the real-life Weyerhauser kidnapping case) is an excellent entry in the "FBI cycle" of the mid-1930s. The film was remade in a western setting as Rawhide (1951). ~ Hal Erickson, All Movie Guide

Hoping to get on the good side of the new truant officer (Dick Elliot), the Our Gang kids go out of their way to impress the man's cute little daughter Marianne (Marianne Edwards), even unto making such sacrifices as taking baths, combing hair, shining shoes, and washing behind the ears. Both George "Spanky" McFarland and Carl "Alfalfa" Switzer pay a social call on Marianne, and before long, the two lifelong pals have become romantic rivals. Ultimately, Spanky and Alfalfa stage an athletic competition to determine who is the better man, an undertaking with (literally) prickly results. Originally previewed under the title Good Night Ladies, Sprucin' Up was officially released on June 1, 1935. ~ Hal Erickson, All Movie Guide

Buck Jones was producing as well as starring in his own western series by the time Ride 'Em Cowboy hit the screen. A heady combination of old and new, this one casts Jones as champeen auto racer Jess Burns, who reverts to his horse when called upon to rout the villains. The story comes to a thrilling conclusion as Burns, framed on a phony robbery charge, tries to elude the sheriff long enough to enter the Big Race. As in earlier Jones vehicles, the hero is an inveterate practical joker who turns serious just in time. Ride 'Em Cowboy was directed by frequent Buck Jones collaborator Lesley Selander, whose inbuilt sense of rhythm and pacing keeps this contemporary western constantly on the go. ~ Hal Erickson, All Movie Guide

Notorious Hollywood tightwad Sam Katzman's first serial, Shadow of Chinatown stars Bela Lugosi as Victor Poten, a Eurasian with a destructive hatred of both whites and Asians hired by Sonya Rokoff (Luana Walters) to ruin the tourist trade in San Francisco's Chinatown. But, as Sonya discovers and Poten himself acknowledges, she has inadvertently created a seemingly unstoppable "Frankenstein's monster." The forces of good opposing Poten and Rokoff include Martin Andrews (Herman Brix, aka Bruce Bennett), a novelist specializing in all things Oriental, sob-sister-turned-crime-reporter Joan Whiting (Joan Barclay), and Chinese houseboy Willy Fu (Hawaiian crooner Maurice Liu). Sonya Rokoff, whose allegiance to the madman quickly comes under some strain, is destroyed by a falling chandelier in Chapter 14, but Victor survives to be carted off to jail in the 15th and final chapter, "The Avenging Powers." Shadow of Chinatown was filmed in two weeks in Culver City, CA, and on rental stages at Hollywood's Talisman Studios. A slightly altered feature version in which Lugosi's character is killed off in the final reel was released simultaneously. ~ Hans J. Wollstein, All Movie Guide

An existing production still for the Kermit Maynard "northern" Phantom Patrol pretty much sums up the outcome of the plot. Smartly dressed in a Mountie uniform, Maynard holds unconscious heroine Joan Barclay in his arms. Meanwhile, villain Julian Rivero, arms to his sides and a scowl of defeat on his face, surrenders to the Royal Canadian Mounted. About the only aspect of the plotline not revealed in the still is the fact that head-baddie Harry Worth has been trying to conduct a criminal empire while disguised as a celebrated detective-story writer. Directed by silent-serial veteran Charles Hutchison, Phantom Patrol was "suggested" by a James Oliver Curwood yarn. ~ Hal Erickson, All Movie Guide

In this comedy, a blocked writer decides he needs a little peace and quiet to spark his creativity so that he can write the final act of his play. Unfortunately, he no sooner settles down in his remote cabin when his first wife comes to call. She is followed by his second wife. A real ruckus ensues when his current girl friend also comes to see him. ~ Sandra Brennan, All Movie Guide

After retiring from a boxing career, Johnny Cave (James Cagney) accepts an appointment to serve as head of the Bureau of Weights and Measures. However, when he discovers that his organization is full of corruption and lies, he sets out to uncover the scam, much to the dismay of his girlfriend, Janet (Mae Clarke), and his underhanded coworkers. ~ Iotis Erlewine, All Movie Guide