Norm Blankenship Movies

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, All Movie Guide

During the 1970s, the Gong Show was a game/talent show phenomenon. With equal measures of parody, camp and pure lowest-common denominator exploitation, it presented a bizarre assortment of talented and untalented contestants (for example, the musician who played his trumpet with his bellybutton) making their bid for stardom, and a ridiculous prize of $516.32 while three rambunctious minor celebrity judges looked on offering scores for acts they liked, or instantly stopping showing disapproval by pounding furiously on a large Chinese gong. The co-creator, producer and acid-witted but smarmy daytime host of this tawdry kitsch pastiche was Chuck Barris (AKA "Chuckie Baby"). This attempt at a serious drama chronicles a day in his hectic life as he tries to prepare a new episode of his crazy show. As he deals with a seemingly unending string of increasingly freaky acts, the pressure begins to get to the sensitive, caring (as portrayed in the film) Barris and by the day's end he becomes a true lunatic. ~ Sandra Brennan, All Movie Guide