Donald Bishop Movies

Buffy (Sarah Michelle Gellar) and the Scoobies hole up in the Summers' house and imprison Spike (James Marsters) in hopes of learning more about the unseen adversary who's been manipulating him. On a trip to pick up animal blood for the captive to drink, Willow (Alyson Hannigan) encounters incognito super-nerd Andrew (Tom Lenk), who appears to be the pawn of the same shape-shifting fiend as Spike. Soon, ex-lovers Xander (Nicholas Brendon) and Anya (Emma Caulfield) are joyfully interrogating the geek. The terrified Andrew is more than forthcoming about his encounters with the spirit of Warren (Adam Busch) and his murder of equally dorky former ally Jonathan (Danny Strong). But Spike reveals very little -- until another visit from the big bad turns him into a mindless, vamped-out threat. Ultimately, Buffy shackles Spike down in the basement but refuses his pained entreaties for a merciful death. Touched by Spike's true confessions about the tribulations he endured to win back his soul (and, less successfully, her heart), Buffy tells Spike that she can see the better man deep inside him. Just then, robed warriors attack the house. Buffy assists her friends in staving them off upstairs, but it's all a diversion: they make off with Spike, whose own spilled blood soon fuels the spell that Jonathan's murder was incapable of completing. Elsewhere, a zonked-out Principal Wood (D.B. Woodside) buries Jonathan's body, and the headquarters of the Watcher's Council blows up spectacularly. Originally broadcast November 26, 2002, on the UPN network, "Never Leave Me" marked episode 131 of the cult-favorite series. ~ Brian J. Dillard, All Movie Guide

Laurence Fishburne plays no-nonsense LAPD narc Russell Stevens, Jr., who has worked all his life to expunge the memory of his dope-addict father, whom he saw die in a liquor-store robbery. DEA agent Jerry Carver (Charles Martin Smith) orders Stevens to work as an undercover operative on a major case. The cop is to pose as a dealer in order to get the goods on South American drug lord. Stevens is so convincing as a dealer, that he fast works his way up through the ranks and gains the trust of lawyer and narcotics dealer David Jason (Jeff Goldblum) and his sinister associates, all lackeys to the kingpin who is the target of Stevens' assignment. Through a series of fantastic but credible circumstances, Stevens eliminates the lower echelon, getting closer to his quarry, but in the process he finds himself so deep into the sinister and seductive world of the drug trade that he may never get out. In a surprise move, and just when he is about to bring the ringleader down, the DEA pulls the plug on his assignment, because the top dealer, an influential Latin American politician, may someday be useful to the State Department. ~ Hal Erickson, All Movie Guide

Based on Charles McCarry's 1979 novel The Better Angels, Wrong is Right is set in a near future in which violence has become something of a national sport and television news has fallen to tabloid depths (a significantly bigger stretch in 1982, when the film was released.) Star Sean Connery plays Patrick Hale, a globe-trotting reporter with access to a staggering array of world leaders. As the film opens, he has ventured to the Arab country of Hegreb to interview his old acquaintance, King Ibn Awad (Ron Moody). Awad has learned that the President of the United States (George Grizzard) may have issued orders for his removal; as a result, {%Awad) is apparently making arrangements to deliver two mini-nuclear devices -- each about the size of a small suitcase -- to a terrorist, with the intention of detonating them in Israel and the United States, unless the President resigns. In the intricate plot that unfolds, nothing is quite the way it seems, and Hale finds himself caught between political leaders, revolutionaries, CIA agents and other figures, trying to get to the bottom of it all. ~ Craig Butler, All Movie Guide

This gripping 1979 drama about the dangers of nuclear power carried an extra jolt when a real-life accident at the Three Mile Island nuclear plant in Pennsylvania occurred just weeks after the film opened. Kimberly Wells (Jane Fonda) is a TV reporter trying to advance from fluff pieces to harder news. Wells and cameraman Richard Adams (Michael Douglas, who also produced) are doing a story on energy when they happen to witness a near-meltdown at a local nuclear plant, averted only by quick-thinking engineer Jack Godell (Jack Lemmon). While Wells and Adams fruitlessly attempt to get the story on their station, Godell begins his own investigation and discovers that corporate greed and cost-trimming have led to potentially deadly faults in the plant's construction. He provides evidence of the faulty equipment, which could lead to another meltdown (the "China syndrome" of the title), to the station's soundman to deliver to Wells and Adams at a hearing on nuclear power. However, on the way to the hearing, the soundman is run off the road by evil henchmen, leading Godell to realize that his own life is threatened, possibly by his bosses at the plant. Driven to the edge of a breakdown, Godell takes over the plant's control room at gunpoint and demands to reveal his findings on TV. The plant's management, however, has other plans, and the facility itself is becoming dangerously unstable. Whether or not you agree with the film's clear anti-nuclear bias, its sobering message and riveting, realistic story and performances are still difficult to ignore. ~ Don Kaye, All Movie Guide

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide