Bob Biheller Movies

Astronaut Monte Markham has been dispatched to the heavens on the first US space trip to Mars. When TV coverage is abruptly cut off, the official story reads that there's been a slight malfunction, and that Markham is heading home. Only space official Jackie Cooper and a handful of associates know the truth: Markham has died a horrible death on the surface of Mars. To save the space program (not to mention American morale), a look-alike--also played by Monte Markham--is paraded before the cameras as the "returning" hero. It's doubtful, however, that the subterfuge will work on the astronaut's suspicious wife (Susan Clark). The Astronaut originally aired January 8, 1972. ~ Hal Erickson, Rovi

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, Rovi

In this western, a gunslinger runs from the Dawson gang and decides to return home to the wife he abandoned many years before. There he finds that his infant son has grown into a thuggish hellion who has been lead to believe that his mother is dead. He also hates the father who left him. The mother isn't dead. She works as a saloon keeper, but her son doesn't recognize her. The father and son end up staging a showdown, and the father quickly outdraws his son. Later, the Dawsons catch up to the gunfighter. His son plans to do nothing to save him, but then he learns that his father left because his mother had cheated upon him. The son changes his mind and rides out to save his dad. ~ Sandra Brennan, Rovi

This family comedy stars James Stewart as Dr. Robert Leaf, a college professor who dislikes science and tries to instill in his children a love of art and music. So Robert and his wife Vina (Glynis Johns) are dismayed to discover that their eight-year-old son Erasmus (Billy Mumy) is tone-deaf and color-blind; what's worse, he has a genius-level talent for mathematics. Robert isn't sure what to do about Erasmus, but while his older sister Pandora (Cindy Carol) puts his skills to work by getting him to do her homework, his older friend Kenneth (Fabian) has a better idea. Kenneth and Erasmus come up with a foolproof plan for picking the winners in horse racing -- so foolproof that it draws the attention of two con men, Upjohn (John Williams) and Argyle (Jesse White), who want to use Erasmus's skills to clean up at the track. Robert at first refuses, and then relents only when they agree to use a cut of the proceeds to endow a humanities scholarship, though Robert is about the only one surprised when the men prove not to be good to their word. Meanwhile, Erasmus is head over heels in love with French screen siren Brigitte Bardot -- so much so that he's been writing her love letters. In return, the lucky boy has received an invitation to come meet her, and Robert and Erasmus use some of their racetrack winnings to fly to Paris and take her up on her offer. Nunnally Johnson, who received no credit, contributed to the screenplay; Miss Bardot, of course, plays herself (who else could?). ~ Mark Deming, Rovi

When the wife of Chaplain Craig Fletcher (Leslie Nielsen) is killed on an Army base, suspicion immediately falls upon PFC Byron Landy (Bruce Dern), a lifelong troublemaker and malcontent who has already beaten one murder rap. The angry locals demand immediate retribution against Landy, proof or no proof. It is up to Inspector Erskine (Efrem Zimbalist Jr.) to defuse this volatile situation and to make certain that the actual murderer is brought to justice. ~ Hal Erickson, Rovi

The Young Savages is what used to be called a "thinking man's picture" about a potentially lurid subject: urban juvenile delinquency. A blind Puerto Rican boy is knifed to death in Spanish Harlem, and three teenage gang members are accused of the crime. Politically ambitious assistant DA Burt Lancaster initially presses for the conviction of all three boys. But as he gets deeper into the case, he realizes that what appears cut-and-dried on the surface is tortuously complex: for starters, the murder victim was hardly the paragon of virtue that the prosecution claims. Despite pressure from his superiors and from members of the accused boys' gang (who at one point threaten Lancaster's wife Dina Merrill with a switchblade,) Lancaster nonetheless sees to it that justice is properly administered. The defendants are portrayed with varying degrees of Brando/Dean "method" by John Davis Chandler, Neil Nephew and Stanley Kristien; more believable, less affected performances are rendered by Shelley Winters, Pilar Seurat and Telly Savalas. Filmed on location in New York, The Young Savages was based on the Evan Hunter novel A Matter of Conviction. ~ Hal Erickson, Rovi