Johnny Williams Movies

The sophomore effort from director Anthony Caldarella, this Mafia drama centers on the deceit and betrayal within a powerful Philadelphia organized crime family. Sal Mazzotta stars as Frank, the son of the city's mob boss. When someone tries to take down Frank's old man, he sets out to find out who the culprits are and uncovers some disloyal elements within the family. Leo Rossi and Robert Costanzo also star. ~ Matthew Tobey, Rovi

Director and screenwriter Walter Hill returns to one of his favorite themes -- desperate and violent men using force to escape from an unforgiving environment -- in this action drama set behind bars. Monroe Hutchen (Wesley Snipes) was once a promising heavyweight contender until he was convicted of murder and sentenced to life without parole at the Sweetwater maximum security prison in California. Now, Hutchen boxes behind bars, and he's become the champion of a loosely organized prison fighting circuit. When heavyweight champion James "Iceman" Chambers (Ving Rhames) enters Sweetwater after being convicted of rape, Hutchens finds the serious competitor in the same lockup for the first time, though Chambers scoffs at the jailhouse champ. After Hutchens challenges the arrogant Chambers to a bout, aging mafioso Emmanuel "Mendy" Ripstein (Peter Falk) swings a deal that will earn Chambers an early release from prison and pull in a million dollars in bets from guards and inmates if the two men will meet in the ring for a last-man-standing bout without referees. Undisputed also features Michael Rooker, Fisher Stevens, rapper Master P, and former Yo! MTV Raps host Ed Lover. ~ Mark Deming, Rovi

Co-writer director Martin Davidson, who previously made a name for himself in rock-fuelled features such as The Lords of Flatbush (1974) and Eddie and the Cruisers (1983), creates this wistful melodrama about a middle-aged widower looking back with tinges of regret at his abandoned musical career. Armand Assante stars as Vince, a former neighborhood idol and lead singer in his moderately successful doo-wop band. But instead of pursuing stardom, he married and got a job as a bartender in order to support his three kids; his eldest son is a cop with a family of his own, his middle child is a 20-something trying to start out with his band, and his youngest, Tina, spends her days in and out of hospitals suffering from leukemia. Though Vince has not dated since his wife died of cancer, he finds himself attracted to motor mouth nurse Joanne (Diane Venora). Later, Vince and his old friends from his defunct group visit the glitz and glamour of Atlantic City and reminisce about old times. Looking for an Echo was screened at the 1999 Mill Valley Film Festival. ~ Jonathan Crow, Rovi

Don Close made his feature directorial debut with this drama about a trio of working-class Italian-Americans in Queens. The tale begins with childhood misadventures and then leaps ahead to show their adult lives two decades later -- with one unemployed (Andy Fiscella), another (Close) driving an ice cream truck, and the third (James Biberi) involved in criminal activities with a local don (Frank Vincent) that lead to violence. Shown at the 1997 Mill Valley Film Festival. This film is not to be confused with the other Made Men, a 1999 studio actioner starring James Belushi and Michael Beach and produced by the team of Joel Silver and Richard Donner. ~ Bhob Stewart, Rovi

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar. ~ Judd Blaise, Rovi

After making a deathbed promise to his mother that he would never marry, Jack Singer (Nicolas Cage) finds that resolve challenged when his girlfriend, Betsy (Sarah Jessica Parker), begins making noise about wanting to start a family. Worried he might lose her, Jack makes the rash decision that they should fly to Las Vegas that weekend to tie the knot. Feet still cold, Jack spurns Betsy's idea to get married the moment they step off the plane, preferring to procrastinate for a few hours over a game of poker arranged by notorious gambler Tommy Korman (James Caan). Peddling the game as a get-to-know-you thrown by the hotel, Korman steadily raises the stakes on Jack until the novice is in for 65,000 dollars of the house's money on a hand he's sure he'll win -- a straight flush to the jack. When he loses the fixed hand, the flabbergasted Jack has a major problem on his hands. Korman offers an unusual solution: If Betsy, whom Korman spotted in the lobby because of her resemblance to his late wife, will spend the weekend with him, Jack's debt will be forgiven. Betsy initially refuses, considering it a ploy by Jack to postpone the wedding, but soon agrees to fly to Hawaii with Korman, in part because it will teach Jack a lesson. When she finds herself charmed by Korman's smooth and sensitive shtick, her desperate fiancé goes to incredible lengths to win her back, including jumping from a plane with a troop of skydiving Elvises. ~ Derek Armstrong, Rovi

Sam Greenlee's cult favorite novel of political unrest was brought to the screen in this drama, which also earned a small but loyal following. A congressman hoping to attract African-American voters during an election year decides to make political hay by pointing out that the Central Intelligence Agency has no black agents. Bowing to subsequent public pressure, the CIA admits a number of black applicants to their training program, but they purposefully make the process difficult and unpleasant enough to winnow out nearly all the African-American students. Dan Freeman (Lawrence Cook), a strong, intelligent but soft-spoken man, somehow makes it through the gauntlet to become the black CIA agent; however, rather than being given important field assignments, Freeman is put in charge of the agency's copying machines and gives tours of their facilities to give the offices a progressive front for visitors. After a few years, Freeman leaves the agency to move back to his hometown of Chicago and do work with the community...at least that's what he tells his superiors. In fact, Freeman has used his time at the CIA collecting information on how to launch a political revolution, and not long after he arrives in the Windy City, he begins recruiting an army of leftist radicals and black nationalists fed up with the system. With their help, Freeman launches the first stage of an armed revolt with the stated goal of bringing the white-dominated power structure to its knees. The Spook Who Sat by the Door was a rare feature directorial assignment for Ivan Dixon, best known as an actor (he played Sgt. "Kinch" Kinchloe on Hogan's Heroes), Dixon has an extensive resume of directorial credits, but primarily in episodic television. Spook is his second theatrical release. ~ Mark Deming, Rovi