Jess Doran Movies

The young man who was stabbed to death outside a pizza parlor is revealed to be N.Y.U. student Andrew Hatcher. Among the clues is the fact that Hatcher's parents were called up on his cell phone -- after his death. The principal suspect would seem to be drug dealer Jimmy Gaines (Gregory Russell Cook), who claims that he found the victim's cell phone in a garbage can. Investigating this alibi, the detectives come across evidence of an attempt to cover up a case of meat contamination. Without revealing more, it can be said that this episode truly lives up to its title. ~ Hal Erickson, Rovi

The body of a recent parolee is found in the trunk of a car. In pursuing the likely perpetrator, detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) must also contend with Andy Grenada (Nick Sandow) and Ron Difka (Christopher McHale), a pair of wily and resourceful bounty hunters. This episode was originally shown in tandem with another Law & Order installment, "Haven," on February 10, 1999. ~ Hal Erickson, Rovi

Dead Poets Society and Die Hard bash heads in this action drama set in a Northeastern prep school. The film opens as a crazed Central American terrorist, Luis Cali (Andrew Divoff), goes on a shooting spree, attempting to gain his drug baron father's release from extradition to the United States. The following sequence introduces some malcontented rich kids from the prep school --Joey Trotta (Wil Wheaton), the son of a New Jersey mob leader; Billy Tepper (Sean Astin), a reprobate who has been to four boarding schools in as many years; Snuffy Bradbury (Keith Coogan), whose rich banker father is the chairman of the Republican Party; Ricardo Montoya (George Perez), the son of a big-shot lawyer; and Hank Giles (T.E. Russell), whose father is the head of the House Armed Services Committee. The boys disregard their studies and spend their waking hours giving Dean Parker (Louis Gossett Jr.) a hard time. The two storylines collide when Luis, with a group of terrorist goons, make their way across the U.S. border and invade the boarding school, planning to take hostage the son of his father's judge. But the authorities have already removed the boy from danger, so Luis and the terrorists decide to hold the entire student body hostage until their demands are met. Working with the FBI and the special government forces, the rebellious groups of boys have to devise a plan to short-circuit the hostage situation. ~ Paul Brenner, Rovi

In this lurid sci-fi actioner a psycho LA police chief has surgeons implant a device into the spines of wounded officers that turns them into lunatic killers who are then assigned to his Scum Quelling Urban Assault Division (SQUAD). After cleaning the streets of slimy crooks, the officers are programmed to destroy themselves. When hard-nosed cop Arliss Ryder is wounded, he too receives the deadly implant, but unlike the others, he and his gal Kristin, a master kickboxer, figure out the plan and work to defeat the villain to save himself and his fellow officers. The film inspired considerable controversy when it first came out because the part of the S&M-loving police chief was played by convicted-conspirator G. Gordon Liddy of Watergate fame. After the film was completed Liddy refused to promote it to the public and later after the story made the national news withdrew all opposition. This bought the film more time in theaters, before it went to video, than it may have actually deserved. ~ Sandra Brennan, Rovi

A punch-drunk pugilist is set up as meat for a young boxer in this routine mat melodrama. The highlight of the film is the performance of Steve Buscemi as the oily, mob-connected fight promoter Nicky. Eddie (Brad Davis) is the addle-brained boxer Nicky hangs out to dry for quick money. ~ Dan Pavlides, Rovi

Director Sylvester Stallone proves you really can't go home again in Staying Alive, the absurd sequel to Saturday Night Fever. The story finds Tony Manero (Travolta) six years later working as a waiter in a nightclub while he tries to realize his dreams of dancing on Broadway (what tough street kid from Brooklyn doesn't?) He eventually makes the cut as an extra for "Satan's Alley" (billed as "a musical trip through Hell") and immediately sets his sights on the show's snooty prima-donna star (Finola Hughes, decidedly unsuited for such dancing as her role requires). Meanwhile, the nice girl he's been seeing (Cynthia Rhodes) stands by her man, waiting patiently for him to come around. When the male lead can't cut it, Tony is offered the part, and tensions rise. The action culminates in the show itself and Tony's ultimate realization that he needs to please only himself. Indeed, the horrific dancing combined with Frank Stallone's inane musical score makes one wonder just how accurate the show's billing of "a musical trip through Hell" actually is. As long as one disassociates this film from its predecessor, Staying Alive is highly enjoyable for its schlock value; it may well be an inadvertent camp classic for Travolta's sweaty thongs alone. As for Stallone's direction and screenwriting abilities, he proves he is better off to remain an underdog prize-fighter/ commie-killer/mercenary cop/ double-fisted union leader/etc... ~ Jeremy Beday, Rovi