Ann Doran Movies

The upsurge in commercial air travel in the postwar years resulted in several films dealing with the trials and tribulations of airline stewardesses. Gloria Henry, who'd later star as Alice Mitchell in TV's Dennis the Menace, is teamed with Danny Thomas' future TV wife Marjorie Lord and Audrey Long in Air Hostess. The three leading ladies are cast as stewardesses-in-training, and of course each of the girls is pursuing her own agenda. Henry wants to follow in the footsteps of her sister; Lord wants to honor the memory of her late husband, an airline pilot; and Long is on the lookout for a wealthy husband. Way down on the cast list is another TV star-to-be, Barbara "June Cleaver" Billingsley. In addition, Air Hostess represents one of the few talking pictures made by former silent-screen favorite Leatrice Joy. ~ Hal Erickson, All Movie Guide

The "kid" is Johnny Barrows (Russ Tamblyn), who runs away from his nasty stepfather and hits the streets of Cleveland. Seemingly destined to become a juvenile delinquent, Johnny is rescued by sportscaster Mike Jackson (George Brent). Making it his mission to put Johnny on the right path, Mike gets the youngster a job as batboy for the 1948 Cleveland Indians. As the Indians overcome a bad season start and slug their way towards the World Series, so too does Johnny clean up his own act. If Kid From Cleveland has any value today, it is manifested in the presence of Johnny Barrows' "30 Godfathers" on the Cleveland team, including Lou Boudreau, Tris Speaker, Hank Greenberg, Bob Lemon, Bob Feller, Gene Bearden, Satchel Paige, Bob Lemon and Larry Doby. As to the quality of the film, Bill Veeck, general manager of the 1948 Indians, once stated "I have an unwritten law at home that I adhere to: I never allow my kids to mention or see that abortion." Even more succinct was ballplayer Lou Boudreau: "I would like to buy every print of [Kid From Cleveland] and burn it." ~ Hal Erickson, All Movie Guide

The Accused is a mystery melodrama with a predictable plot involving blackmail, attempted rape and murder. Loretta Young stars as Wilma Tuttle, a prim and proper college professor who unwittingly arouses the libido of student Bill Perry (Douglas Dick). When Perry tries to rape Wilma under cover of darkness, she beats him to death with a tire iron. Appalled by her own rash behavior, she tries to cover up her crime by making it seem as though Perry was killed while diving into the sea from a precipitous cliff. But as she follows the police investigation of Perry's death, Wilma realizes that she'll never be able to escape the prison of her own conscience -- especially when she falls in love with Warren Ford (Robert Cummings), the dead boy's guardian. Wendell Corey delivers the film's best performance as a quietly efficient homicide lieutenant who suspects that Wilma knows more than she's letting on. The Accused was adapted by Ketti Frings from the novel by June Truesdell. ~ Hal Erickson, All Movie Guide

The "He" of the title is Richard Basehart, a clever but psychopathic burglar (based on real-life criminal Erwin Walker) Basehart stays one step ahead of the law by listening in to the police band on his radio. To avoid detection, he changes his M.O. on each crime, making it seem that the string of burglaries is the work of several thieves. But Basehart trips himself up when he kills a cop. His own personal Waterloo occurs in the Los Angeles sewer system--a stylish predecessor to the similar (and more widely praised) climax in Sir Carol Reed's The Third Man. Though the direction is credited to Hollywood old-timer Alfred Werker, most of He Walked By Night is the handiwork of an uncredited Anthony Mann. Featured in the film's cast is Jack Webb in the small role of a police lab technician. Impressed by first-hand experience with police procedure and by the semi-documentary quality of He Walked By Night Webb expanded on these elements for his own radio and TV project, Dragnet. ~ Hal Erickson, All Movie Guide

Another entry in Columbia's bucolic "Rusty" series, My Dog Rusty again pairs apple-cheeked Ted Donaldson with Flame the Dog. This time around, Hugh Mitchell (John Litel), father of mischievous Danny Mitchell (Donaldson) is running for mayor. Thanks to Danny's propensity for lying, the elder Mitchell is disgraced in the eyes of the community. Somehow, Danny's faithful hound Rusty (Flame) not only cinches the election for Mitchell, but also helps him to understand the underlying psychological reasons for his son's prevarications. Columbia contact actress Ann Doran does her usual fine job as Mrs. Mitchell, while Whitford Kane, former member of Orson Welles' Mercury Theater, delivers an effective performance as a philosophical blind man. ~ Hal Erickson, All Movie Guide

This final entry in Columbia's "Whistler" series is also the first to dispense with the services of star Richard Dix. This time around, hero Ted Nichols (Michael Duane) tries to ascertain the whereabouts of his wealthy fiancee Alice Barclay (Lenore Aubert). Finally locating the girl in a mental institution, Nichols discovers that she's been placed there at the behest of a man named John (James Cardwell), who claims to be her husband. Private eye Gaylord Travers (Richard Lane) suspects there's more to this than meets the eye-especially when all records pertaining to Alice's previous existence mysteriously vanish. Return of the Whistler was scripted by Cornell Woolrich, who was doing this sort of Alfred Hitchcock stuff long before he ever worked with Hitchcock himself. ~ Hal Erickson, All Movie Guide

"A woman loses her mind and is confined to a mental institution." That's the usual TV-listing encapsulation of The Snake Pit -- and like most such encapsulations, it only scratches the film's surface. Olivia de Havilland stars as an outwardly normal young woman, married to loyal, kindly Mark Stevens. As de Havilland's behavior becomes more and more erratic, however, Stevens comes to the sad conclusion that she needs professional help. She is sent to an overcrowded state hospital for treatment -- a curious set-up, in that, while de Havilland is treated with compassion by soft-spoken psychiatrist Leo Genn, she is sorely abused by resentful matrons and profoundly disturbed patients. Throughout the film, she is threatened with being clapped into "the snake pit" -- an open room where the most severe cases are permitted to roam about and jabber incoherently -- if she doesn't realign her thinking. In retrospect, it seems that de Havilland's biggest "crime" is that she wants to do her own thinking, and that she isn't satisfied with merely being a loving wife. While this subtext may not have been intentional, it's worth noting that de Havilland escapes permanent confinement only when she agrees to march to everyone else's beat. Amazingly, Olivia de Havilland didn't win an Academy Award for her harrowing performance in The Snake Pit (the only Oscar won by the film was for sound recording). While some of the psychological verbiage in this adaptation of Mary Jane Ward's autobiographical novel seems antiquated and overly simplistic today, The Snake Pit was rightly hosannahed as a breakthrough film in 1948. ~ Hal Erickson, All Movie Guide

In this drama, a desperate bank clerk, teetering on the brink of financial ruin, attempts to save himself by embezzling $200,000 from his employer. Unfortunately, he is caught; fortunately, it is after he has hidden the loot. His plan is to serve his time and then enjoy the money when he is freed. An avaricious gang has their eye on the money; to get it, they plan a prison break, but it is botched and the clerk is caught. He then goes on to serve his sentence. Upon his release he is dismayed to discover that his good wife had found the stash and dutifully returned it to the bank. ~ Sandra Brennan, All Movie Guide

The Adventures of Rusty was Columbia Pictures' low-budget answer to MGM's Lassie series. This boy-and-his-dog effort starred Ted Donaldson and a German Shepherd. The first Rusty film paid its way, so Columbia hastily fashioned a sequel, Son of Rusty. The basic premise of the first film-a vicious dog tamed by love-could not be logically used twice, so the filmmakers relied on the old "separate boy and dog in the first reel, reunite them in the last" bit. Of the original Adventures of Rusty cast, only Ted Donaldson is back for Son of Rusty. ~ Hal Erickson, All Movie Guide

A plane crash over the Pacific leaves seven survivors stranded in a life raft in this war-time disaster movie. One of the passengers is a captured Japanese official en route to stand trial for war crimes. Two of the survivors spent time in a Japanese prison camp. Both pilots survived as did a pretty nurse. The rescue sequences are comprised of documentary footage of an actual rescue by the Air-Sea Rescue Service. ~ Sandra Brennan, All Movie Guide

Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, All Movie Guide

For the Love of Rusty is an easy-to-take entry in Columbia's brief "Rusty" series of the late 1940s. Danny Mitchell (Ted Donaldson) can't seem to get along with his father Hugh (Tom Powers). An especially sore spot is Danny's affection for his dog Rusty; Hugh Mitchell can't stand Rusty, and demands that the boy lose the mutt immediately. Everything is straightened out with the help of another dog named Flash, and by lovable old veterinarian Aubrey Mather. For the Love of Rusty represented one of the earliest directorial assignments for John Sturges, who graduated to such high-priced fare as Bad Day at Black Rock, The Magnificent Seven and The Great Escape. ~ Hal Erickson, All Movie Guide