Ann Doran Movies

This tuneful biography of operatic soprano Grace Moore begins as she prepares to perform on opening night. While awaiting her entrance cue, she reflects upon her life and the sequence of events that led her from a humble childhood in Tennessee to becoming one of the brightest stars in the opera world. Songs include "The Kiss Waltz," "Remember," "I Wish I Could Shimmy Like My Sister Kate" and "La Boheme." ~ Sandra Brennan, All Movie Guide

Loretta Young plays a guilt-ridden hit-and-run driver in Paula. After leaving the scene of an accident, Paula (Young) discovers that her victim, a young boy named David Larson (Tommy Rettig), may have permanently lost the power of speech. Her maternal instinct overcoming her desire for self-preservation, Paula makes it her mission in life to teach David how to talk again. Still, she never reveals to the boy that it was she who was responsible for his condition. Inevitably, however, he finds out, setting the stage for the film's tear-stained denouement. Paula strains credibility quite a bit, though Loretta Young's strong performance makes the whole thing more believable than it sounds. ~ Hal Erickson, All Movie Guide

While taking a well-deserved vacation in Canada, reporter Lois Lane (Phyllis Coates) ends up at a seedy motel where the owner's wife (Ann Doran) is behaving in a strangely terrified fashion. It turns out that the motel is the refuge for a pair of gunmen who are awaiting the arrival of a paid killer. Before long, Lois has been kidnapped by the villains--and when cub reporter Jimmy Olsen (Jack Larson) comes to her rescue, he is snatched as well. Looks like this is another job for Superman (George Reeves). Watch for the notorious scene in which supporting actor Frank Richards accidentally knocks Phyllis Coates unconscious for real! ~ Hal Erickson, All Movie Guide

Though completed in 1950, Love Is Better Than Ever was held back from release until 1952, due in great part to the "political undesirability" of star Larry Parks, whose career was effectively ruined after he humbled himself before the House Un-American Activities Committee. Parks plays Broadway talent agent Jud Parker, who takes a fancy to small-town dance teacher Anastacia Macaboy (Elizabeth Taylor). Parker wines and dines Anastacia during her visit to New York for the purposes of seduction. But the girl assumes that his intentions are honorable, and sends word of her "impending" engagement to her hometown newspaper. With his reputation on the line, Parker agrees to confirm the engagement if asked, with the understanding that he doesn't really mean it. Rest assured that by fade-out time, he will mean it. Gene Kelly makes an unbilled cameo appearance in Love Is Better Than Ever, which also features such reliables as Ann Doran, Kathleen Freeman, and Dick Wessel. ~ Hal Erickson, All Movie Guide

Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.

The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide

Tomahawk takes place during the Great Sioux Uprising of the 1860s. Van Heflin stars as famed frontier scout Jim Bridger, who labors valiantly and vainly to orchestrate peace between Indians and whites. Much of the action takes place at Fort Phil Kearney, the scene of one of the bloodiest battles in western history. Though the film isn't what one might call a pro-Native American tract, the script is careful to note that the Sioux were galvanized into action by the broken treaties and sadistic excesses of certain Indian-hating white men. The feminine angle in these otherwise all-male proceedings is provided by Yvonne de Carlo as a travelling showgirl and Susan Cabot as an ill-fated Sioux maiden. Though economically produced, Tomahawk has all the polish and professionalism of an "A" production. ~ Hal Erickson, All Movie Guide

Alexander Hull's novel Shep of the Painted Hills was refashioned into a traditional Lassie vehicle by screenwriter True Boardman. The noble collie turns avenger this time out, hoping to bring the murderer of her master to justice. The perpetrator, played by Bruce Cowling, is hounded (no pun intended) into meeting a fate similar to the one he meted out to the victim. Filmed on a somewhat lower budget than previous Lassie endeavors, The Painted Hills benefits greatly from its all-character-actor cast, headed by Paul Kelly and Ann Doran. The film was lensed in Technicolor, making it a valuable commodity in the formative days of locally-produced color TV in the late 1950s-early 1960s. ~ Hal Erickson, All Movie Guide

Dorothy Patrick, the sweetheart of Republic Pictures' "B" unit, stars in Lonely Hearts Bandits. Patrick plays Louise Curtis, a petty crook who teams with mobster Tony Morelli (John Eldredge) to fleece the lonely. Victim number one is a lovelorn farmer, who is summarily robbed and murdered by Morelli. The second victim is a small-town widow Nancy Crane (Ann Doran). Passing themselves off as brother and sister, Louise and Tony intend to fleece Nancy for every penny she's got and to bump her off if she gets in the way. This time, however, Nancy's erstwhile fiancé Aaron Hart (Richard Travis) suspects that something is amiss. Hopefully, Hart's realization hasn't come too late. ~ Hal Erickson, All Movie Guide

The Jackpot is a generally pleasing satire of quiz programs. James Stewart stars as Bill Lawrence, an average Joe who picks up the phone one day, answers a simple question, and suddenly finds himself the recipient of a radio quiz-show jackpot. Tons of prizes are shipped to Lawrence's house, to the delight of his wife Amy (Barbara Hale) and his kids. Unfortunately, the Lawrences must now contend with the income tax folks, who levy huge tariffs on their "free" prizes. Complications begin piling up with dizzying rapidity, resulting in a night in the hoosegow for the befuddled Mr. Lawrence. Featured in The Jackpot as the Lawrence children are a couple of stars-in-the-making: Natalie Wood and Tommy Rettig. ~ Hal Erickson, All Movie Guide

Anxious to remain active in the 1950s, director Frank Capra wanted to prove to Paramount Pictures that he could deliver an "A" picture on a modest budget. To that end, Capra bought the rights of his 1934 film Broadway Bill from Columbia, and remade it under the title Riding High. He then hired many of the supporting actors who'd appeared in Broadway Bill -- including Clarence Muse, Douglass Dumbrille, Ward Bond, Charles Lane and Frankie Darro -- so he could match up his newly shot scenes with stock footage from the earlier film. Capra even kept the musical costs down by having star Bing Crosby sing such public-domain favorites as "Camptown Races" (though there is one delightful original song, "We Ought to Bake a Sunshine Camera" performed without dubbing by Crosby, Muse, and leading-lady Colleen Gray). Crosby steps into the old Warner Baxter role as Dan Brooks, scion of a wealthy family who prefers hanging around racetracks to the responsibilities of his family business. Scheduled for a "proper" marriage to Margaret Higgins (Frances Gifford), the snooty daughter of millionaire J. L. Higgins (Charles Bickford), Dan infinitely prefers the company of Margaret's younger sister Alice (Coleen Gray), who loves horses as much as he. Hoping to declare his financial independence, he pins his future on a racehorse named Broadway Bill. Though not in the same league as Capra's earlier classics, Riding High is lots of fun. It is especially enjoyable for film buffs, thanks to Capra's decision to fill the picture with uncredited celebrity cameo appearances -- including Oliver Hardy, minus Stan Laurel, as an apoplectic horse player. ~ Hal Erickson, All Movie Guide

The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide

Columbia's "Rusty" series was entering the homestretch with 1949's Rusty Saves a Life. The eponymous doggie hero, portrayed by a very busy canine thespian named Flame, does exactly what the film's title says he does. But before this prophecy can be fulfilled, the story spends a great deal of time with young Danny Mitchell (Ted Donaldson), who briefly turns to juvenile delinquency when he's denied an expected inheritance. Gloria Henry, best known to TV fans as Alice Mitchell on Dennis the Menace, is the fresh-faced heroine. Also on hand in a featured role is future "Dobie Gillis" Dwayne Hickman. ~ Hal Erickson, All Movie Guide

Columbia's heartwarming "Rusty" series came to a close with Rusty's Birthday. As in previous series entries, the doggie hero is played by "Flame", while his human master Danny Mitchell is portrayed by Ted Donaldson. This time, Rusty is taken to parts unknown by a group of tourists who think they've bought the pooch. Later on, Rusty falls into the hands of a migrant worker (Ray Teal) and his family. The worker is a decent sort, meaning that a happy ending is in the offing. Featured as the migrant's son is Jimmy Hunt, later to achieve fame as the youthful protagonist of the 1953 sci-fi classic Invaders from Mars. ~ Hal Erickson, All Movie Guide