Ann Doran Movies

This week, Endora's spell transforms lookalike cousins Samantha and Serena into "two minds with but a single thought." In true Simon Says fashion, Sam begins mirroring Serena's words and actions, and vice versa. Will this confusing situation spell disaster for the ad firm of McMann and Tate -- and result in Larry firing Darrin for what must be the three-thousandth time? Written by Ed Jurist, "The Corsican Cousins" first aired on December 10, 1970. ~ Hal Erickson, All Movie Guide

Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) are duly impressed when a young civilian, Lauro Perez (A Martinez), performs an act of heroism by rescuing a man from a warehouse fire. Curiously, however, Lauro balks at being awarded with a police citation; indeed, he seems reluctant to even show his face after the rescue. Can it be that Lauro has something to hide--and if so, what? ~ Hal Erickson, All Movie Guide

Kirk Douglas has an extreme case of mid-life crisis in Elia Kazan's turgid melodrama (adapted from his best-selling novel). Douglas plays successful advertising executive Eddie Anderson, who cracks under the strain of the morning rush hour in Los Angeles and plows his sports car into a truck. Landing in a convalescent home, Eddie remains mute to everyone except his boss Finnegan (Charles Drake). In his recovery room, Eddie dreams about co-worker Gwen (Faye Dunaway), a sexy research assistant at his agency. Meanwhile, the psychiatrist Dr. Liebman (Harold Gould) talks to Eddie's wife, Florence (Deborah Kerr), who reveals that at one time Eddie and Gwen had an affair, but they broke it off. Unfortunately, after that escapade, Eddie's interest in sex vanished completely.

Then after the interview with Dr. Liebman, following a terrible nightmare, Eddie breaks out of his self-imposed silence and declares to Florence that he is tired of his unfulfilling life of "arrangements." Eddie returns to work, but the return is marked by Eddie insulting a major client, alienating his co-workers, and then taking off in a private plane in which he flies madly over the skies of L.A. His lawyer Arthur (Hume Cronyn) keeps Eddie from being thrown in jail and also talks Eddie into giving Florence the power of attorney. Eddie proceeds to travel to New York, where he runs into Gwen, who now has a child. Eddie is in New York to visit his senile father, Sam (Richard Boone), but when his family attempts to put Sam in a nursing home, Eddie takes him away with him to their old family estate on Long Island. Eddie calls up Gwen, and she travels to Long Island to resume their affair. Meanwhile, Eddie's loved ones search for Sam, and they are closing in on Eddie's Long Island sanctuary. ~ Paul Brenner, All Movie Guide

Six year-old Davey Cleaves (Danny Martins) is trapped in a moving van with two killers after witnessing a murder in this low-budget crime drama. Bull (Don O'Kelly) is the brains of the outfit, with the spineless Eddie (Harry Dean Stanton) as his vacillating accomplice. The boy is hiding in the van that contains his family's possessions. When the killers stop to bury the dead man, they discover the boy and try to silence the only witness to the crime. Davey runs to the safety of a nearby farmhouse, but Bull convinces the rural rubes that Davey is his runaway son. The police have been notified by Davey's panicked parents and they begin a race against time to find the wayward kid before the killers can silence him. Eddie considers turning himself over to the law just to end the ordeal. ~ Dan Pavlides, All Movie Guide

Former Leave It to Beaver paterfamilias Hugh Beaumont makes his second Petticoat Junction appearance, this time playing the father of Betty Jo's fiancé Steve Elliott (Mike Minor). The trouble begins when the elder Mr. Elliott and his wife (Ann Doran) arrive in Hooterville unexpectedly, looking forward to having Betty Jo (Linda Kaye) cook them a terrific meal, and then show them around the couple's "dream house." Alas, Betty still hasn't mastered the art of cooking, and the "dream" house is still a nightmare--so it's the rest of the family to the rescue. ~ Hal Erickson, All Movie Guide

In the words of Hamlet, there's a plentiful lack of wit in Not with My Wife, You Don't! Korean war vet Tony Curtis is living in London, blissfully married (so he thinks) to Virna Lisi. In strolls old air force buddy George C. Scott, who has a history of stealing Curtis' ladies away from him. Unable to woo Lisi by fair means, Scott resorts to foul; he exercises his prerogative as Curtis' superior officer, shipping him out to a faraway post. George C. Scott may have been right to refuse his Oscar for Patton; he doesn't look like much of an award-winner in Not With My Wife, You Don't! ~ Hal Erickson, All Movie Guide

Based on the novel by Harold Robbins, comes this family drama from director Edward Dmytryk. Adapted for the the screen by John Michael Hayes, the film follows the events that befall Luke Miller (Michael Connors) when he discovers that his daughter, Danielle (Joey Heatherton), has been arrested for murdering his ex-wife Valerie's (Susan Hayward) new lover. As Danielle's trial unfurls, and the sordid events of the family's past are brought into the open, Luke is forced to address and relive several of the painful events that led to the family's present state. Also starring Bette Davis as Valerie's mother and a pre-Star Trek DeForest Kelley, Where Love Has Gone netted Academy Award and Golden Globe nominations for Jimmy Van Heusen and Sammy Cahn, the songwriters behind the film's title song. ~ Matthew Tobey, All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

Gregory Peck plays a benevolent God-like figure in a white smock as Captain Josiah Newman, the head of a psych-unit at a Southwestern army base during the waning days of World War II. Newman is a patriarchal protector to his patients, preferring to keep him in his ward, rather than return them to certain death on the battlefield. The matriarchal figure of the ward is Lieutenant Grace Blodgett (Jane Withers), but Newman is more interested in his assistant Lieutenant Francie Corum (Angie Dickinson), with whom he is having an affair. Further help is provided by human nature expert, Corp. Jackson Laibowitz (Tony Curtis), the orderly. And Newman needs all the help he can get. Particularly with three patients: Colonel Bliss (Eddie Albert) is suffering from a guilt complex from all the men he has sent to death; Corporal Tompkins (Bobby Darin, in an Academy Award-nominated performance), although decorated for bravery in combat, calls himself a coward for failing to save his pal from a burning plane; and Captain Winston (Robert Duvall) is guilt-ridden and has lapsed into catatonia because he had hidden for over a year in the basement of a building in Germany. Although Newman wants to cure these men of their psychological problems, he doesn't want to see them returned to the war to be killed. ~ Paul Brenner, All Movie Guide

While vacationing in the small town of Price Hill, Perry Mason (Raymond Burr) agrees to speak before the local board of education on behalf of English teacher Jane Wardman (Mona Freeman), who may lose her job because of an anonymous letter accusing her of "playing around" with her male students. Things get worse for Jane when local barkeep Gus Wiler (Chris Alcaide) is killed, and the townsfolk are reminded of an earlier incident wherein a troubled student befriended by Jane likewise died under mysterious circumstances. The outcome of the story takes place during an impromptu hearing in the school gymnasium, presided over by avuncular judge Edward Dally (the ever-popular Edgar Buchanan). This episode is based on "The Man with Half a Face", a short story by Hugh Pentecost. ~ Hal Erickson, All Movie Guide

Conflicting views on how to handle juvenile delinquents are not convincingly brought across in this teen melodrama by Edward Cahn. Colonel Walton (John Hoyt) is the repressive head of an institution for young male juvenile delinquents. Responsibility for the deaths of two teens is indirectly laid on Walton's doorstep, and he is replaced by liberal-minded Dr. Paul Furman (Jerome Thor). Furman throws out the old rule book when he decides to change the attitude to the young men by housing female delinquents in the prison. Although warned against this action by a matron and the former warden, Furman goes ahead with his plan. The result is friction between two of the young men over two of the women, and an attempted rape, putting Furman's views and control in jeopardy. ~ Eleanor Mannikka, All Movie Guide

If Warner Bros.' pageantlike The FBI Story resembles an episode of Jack Webb's Dragnet at times, it's probably because the screenplay was by veteran Dragnet scrivener Richard L. Breen. The film meticulously details the history of the Federal Bureau of Investigation, from its formation in 1924 to the present day (1959, that is). The story is told through the eyes of FBI agent Chip Hardesty (James Stewart), who narrates the film. We see the FBI tackling such villains as the Ku Klux Klan, the mob, the Nazis and the communists. Subplots include the struggle by the federal agents to be given permission to carry firearms, a plight driven home when Hardesty's best friend (Murray Hamilton) is killed by gun-toting Baby Face Nelson (William Phipps). Offsetting moments like these are scenes of Hardesty's home life with his wife Lucy (Vera Miles), who at first opposed her husband's joining the bureau but who later becomesJ. Edgar Hoover's biggest fan. Excessively sentimental at times (it seems that the Hardesty family can never hold a party without receiving a terse telegram announcing yet another personal tragedy) and saddled with a rambling, stop-and-start continuity, the overall success of The FBI Story hinges upon its individual episodes, including a wowser of a pre-credits sequence involving matricidal mad bomber John Graham (Nick Adams). Since the film was made at a time when the FBI was considered to be of spotless reputation, don't expect to see any scenes of the bureau wiretapping civil rights leaders--or, for that matter, J. Edgar Hoover prancing around in drag. ~ Hal Erickson, All Movie Guide

In the fourth episode of Walt Disney's 17-part miniseries The Tales of Texas John Slaughter, Slaughter (Tom Tryon) has captured outlaw leader Mrs. Barko (Beverly Garland) who, though she faces the gallows, refuses to explain why she was trying to join forces with another notorious bandit, Dan Trask (Dan Duryea). With the nervous approval of his Texas Rangers superior officer Captain Cooper (Judson Platt), Slaughter formulates a plan whereby he and his fiancée Adeline Harris (Norma Moore) will impersonate Mrs. and Mr. Barko and infiltrate the Trask gang. Originally telecast as part of the Walt Disney Presents anthology, "Showdown at Sandoval" and the previous episode "Killers From Kansas" were edited together in 1961 and released overseas as the "feature film" Gunfight at Sandoval. ~ Hal Erickson, All Movie Guide